Paintings Above the Bed (page 18)

Showing 817 to 864 of 959 paintings that fit

Seven men, women, and children with pale, peachy skin flank a woman surrounded by a halo of light, sitting on a throne and holding a nearly nude baby boy in her lap in this long, horizontal painting.

Jacopo Tintoretto Doge Alvise Mocenigo and Family before the Madonna and Child, c. 1575 National Gallery of Art

This painting shows a group of people engaged in various activities within a wide green landscape. In the background are distant white-and-blue mountains and a blue sky with soft gray clouds.

Francesco Guardi Erminia and the Shepherds, 1750/1755 National Gallery of Art

Pierre Puvis de Chavannes The Prodigal Son, probably c. 1879 National Gallery of Art

Inter artes et naturam (Between Art and Nature), Pierre Puvis de Chavannes, ca. 1890–95, oil on canvas

Pierre Puvis de Chavannes Inter artes et naturam (Between Art and Nature), ca. 1890–95 The Met

Café Wepler, Édouard Vuillard, c. 1908–10, reworked in 1912, oil on fabric

Édouard Vuillard Café Wepler, c. 1908–10, reworked in 1912 Cleveland Museum of Art

Nymphs and a Satyr (Amor Vincit Omnia), Nicolas Poussin, c. 1625–27, oil on canvas

Nicolas Poussin Nymphs and a Satyr (Amor Vincit Omnia), c. 1625–27 Cleveland Museum of Art

Cupids in Conspiracy, François Boucher, 1740s, oil on canvas

François Boucher Cupids in Conspiracy, 1740s Cleveland Museum of Art

Fight Between a Tiger and a Buffalo, Henri Rousseau, 1908, oil on fabric

Henri Rousseau Fight Between a Tiger and a Buffalo, 1908 Cleveland Museum of Art

Adoration of the Magi, Titian, 1500s, oil on canvas

Titian Adoration of the Magi, 1500s Cleveland Museum of Art

The Lock at Pontoise, Camille Pissarro, 1872, oil on fabric

Camille Pissarro The Lock at Pontoise, 1872 Cleveland Museum of Art

Mount Starr King, Yosemite, Albert Bierstadt, 1866, oil on canvas on panel-back stretcher

Albert Bierstadt Mount Starr King, Yosemite, 1866 Cleveland Museum of Art

Fishmarket, Camille Pissarro, 1902, oil on canvas

Camille Pissarro Fishmarket, 1902 Cleveland Museum of Art

Repose, John White Alexander, 1895, oil on canvas

John White Alexander Repose, 1895 The Met

Camp Fire, Winslow Homer, 1880, oil on canvas

Winslow Homer Camp Fire, 1880 The Met

Dressing for the Carnival, Winslow Homer, 1877, oil on canvas

Winslow Homer Dressing for the Carnival, 1877 The Met

Madonna and Child with Saints, Giovanni Bellini, ca. 1505–10, tempera and oil on wood

Giovanni Bellini Madonna and Child with Saints, ca. 1505–10 The Met

The Circumcision, Giovanni Bellini, 1511, oil on wood

Giovanni Bellini The Circumcision, 1511 The Met

Three Miracles of Saint Zenobius, Sandro Botticelli, ca. 1500, tempera on wood

Sandro Botticelli Three Miracles of Saint Zenobius, ca. 1500 The Met

The Meditation on the Passion, Vittore Carpaccio, ca. 1490, oil and tempera on wood

Vittore Carpaccio The Meditation on the Passion, ca. 1490 The Met

The Burning of Sodom (formerly "The Destruction of Sodom"), Camille Corot, 1843 and 1857, oil on canvas

Camille Corot The Burning of Sodom (formerly "The Destruction of Sodom"), 1843 and 1857 The Met

The Stolen Kiss, Jean-Honoré Fragonard, ca. 1760, oil on canvas

Jean-Honoré Fragonard The Stolen Kiss, ca. 1760 The Met

Christ Healing the Blind, El Greco, ca. 1570, oil on canvas

El Greco Christ Healing the Blind, ca. 1570 The Met

Samson Captured by the Philistines, Guercino, 1619, oil on canvas

Guercino Samson Captured by the Philistines, 1619 The Met

Saints Peter and John Healing the Lame Man, Nicolas Poussin, 1655, oil on canvas

Nicolas Poussin Saints Peter and John Healing the Lame Man, 1655 The Met

Madonna and Child, Titian, ca. 1508, oil on wood

Titian Madonna and Child, ca. 1508 The Met

The French Comedians, Antoine Watteau, ca. 1720, oil on canvas

Antoine Watteau The French Comedians, ca. 1720 The Met

The Denial of Saint Peter, Caravaggio, 1610, oil on canvas

Caravaggio The Denial of Saint Peter, 1610 The Met

The Creation of the World and the Expulsion from Paradise, Giovanni di Paolo, 1445, tempera and gold on wood

Giovanni di Paolo The Creation of the World and the Expulsion from Paradise, 1445 The Met

The Assumption of the Virgin, Bernardo Daddi, 1337–38, tempera on wood, gold ground

Bernardo Daddi The Assumption of the Virgin, 1337–38 The Met

Our Lady of Valvanera, Unknown artist, ca. 1770–80, oil and gold on canvas

Unknown artist Our Lady of Valvanera, ca. 1770–80 The Met

A person at the center of this loosely painted horizontal landscape rides a dark horse across a field as a man to the left works the field behind a horse-drawn plow.

Camille Corot View near Epernon, 1850/1860 National Gallery of Art

In a space almost entirely shrouded in shadow, light falls across a bearded man kneeling in front of a woman cradling an infant, as about a dozen people to our left look on in this horizontal painting.

Rembrandt van Rijn The Circumcision, 1661 National Gallery of Art

Three men and a woman sit around a wooden table on the right side of a dimly lit room in this horizontal painting. The scene is painted entirely in warm shades of bronze, golden yellow, and dark brown.

Rembrandt van Rijn Philemon and Baucis, 1658 National Gallery of Art

About three dozen people gather in a grassy field to either side of a crumbling structure to kneel and pray before a woman and baby in the center of this horizontal painting.

Sandro Botticelli The Adoration of the Magi, c. 1478/1482 National Gallery of Art

A young woman draws on an oval surface with white chalk while three winged, baby-like putti gather nearby, all on a bank of pale pink clouds in this horizontal painting.

François Boucher Allegory of Painting, 1765 National Gallery of Art

A woman wearing flowing, pastel-colored robes and two, winged, child-like putti gather on a bank of clouds among musical instruments and sheet music in this horizontal painting. The people all have pale, pink-tinged skin.

François Boucher Allegory of Music, 1764 National Gallery of Art

A man wearing loose, ivory-white clothing stands flanked by two groups of people in this horizontal painting. All the people have pale or peachy skin except for one person, who may have a brown mask.

Antoine Watteau The Italian Comedians, probably 1720 National Gallery of Art

Twelve people and one child stand, sit, or kneel along a riverbank in this horizontal painting. All the people have pale or tanned skin, and are muscular.

Nicolas Poussin The Baptism of Christ, 1641/1642 National Gallery of Art

Men and women line up to either side of a man seated on a throne in this long, horizontal painting.

Giovanni Bellini An Episode from the Life of Publius Cornelius Scipio, after 1506 National Gallery of Art

A cleanshaven man in a saffron-yellow cloak runs and points to a nude woman whose fingers are turning into leafy tree branches in this horizontal painting.

Giovanni Battista Tiepolo Apollo Pursuing Daphne, c. 1755/1760 National Gallery of Art

Shown from the lap up, two women with pale skin and dark hair pulled up and back, wearing white dresses with baby-blue polka dots, sit on a couch in this horizontal portrait painting.

Berthe Morisot The Sisters, 1869 National Gallery of Art

This horizontal painting shows a tapestry being unfurled and held up by winged, baby-like putti against a structure with gray and gold columns, seen at the edges of the composition.

Peter Paul Rubens The Meeting of Abraham and Melchizedek, c. 1626 National Gallery of Art

Close to us, a woman and a winged, child-like putto float on clouds above a clean-shaven young man in a forest setting in this horizontal painting. All three people have smooth, pale skin, rosy cheeks, and ash-blond hair.

Jean-Honoré Fragonard Diana and Endymion, c. 1753/1756 National Gallery of Art

A woman wearing a breastplate and helmet over a toga stands to our left on a platform, gesturing with one arm extended to a group of about a dozen soldiers gathered around her in this horizontal painting.

Giovanni Battista Tiepolo Queen Zenobia Addressing Her Soldiers, 1725/1730 National Gallery of Art

Warm light pours onto white stone and brown brick buildings in a grassy landscape in this horizontal painting. Tiny people walk, stand, sit, and work across the turf, among the buildings, and over a bridge spanning a canal to our right.

Canaletto The Porta Portello, Padua, c. 1741/1742 National Gallery of Art

Against a hilly landscape and on a patch of dirt, five people wearing tattered clothing gather around a bearded man who holds a violin in his lap in this horizontal painting. Most of them have pale skin.

Édouard Manet The Old Musician, 1862 National Gallery of Art

A nearly nude, muscular man with pale, peachy skin sits in an underground cave among seven male and two female lions in this horizontal painting.

Peter Paul Rubens Daniel in the Lions' Den, c. 1614/1616 National Gallery of Art

A young man sets out in a golden boat on a river that winds from the bottom right corner of this horizontal painting across a lush landscape and into the distance before disappearing beyond two rocky outcroppings far off to our right.

Thomas Cole The Voyage of Life: Youth, 1842 National Gallery of Art

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