Paintings Above a Console (page 13)

Showing 577 to 624 of 1,127 paintings that fit

A densely packed crowd of men and women, all of them with pale skin and most of them wearing black, stand in a theater lobby beneath a mezzanine level that runs close to the top edge of the composition in this horizontal painting.

Édouard Manet Masked Ball at the Opera, 1873 National Gallery of Art

Two Girls on a Lawn, John Singer Sargent, ca. 1889, oil on canvas

John Singer Sargent Two Girls on a Lawn, ca. 1889 The Met

The Mower, Georges Seurat, 1881–82, oil on wood

Georges Seurat The Mower, 1881–82 The Met

In this painting, thick, overlapping strokes of paint create the blurred image of people standing and sitting on grass. In the center, two people in pink and dark purple appear to sit on the green ground, facing the left.

Georges Seurat Study of Figures for "La Grande Jatte", 1884/1885 National Gallery of Art

El Maragato Threatens Friar Pedro de Zaldivia with His Gun, Francisco de Goya, c. 1806, oil on panel

Francisco de Goya El Maragato Threatens Friar Pedro de Zaldivia with His Gun, c. 1806 Art Institute of Chicago

Five women, all with brown skin, sit and stand in a landscape painted with tones of emerald green, mauve pink, lilac and plum purple, and cobalt blue in this horizontal composition.

Paul Gauguin The Invocation, 1903 National Gallery of Art

Friar Pedro Binds El Maragato with a Rope, Francisco de Goya, c. 1806, oil on panel

Francisco de Goya Friar Pedro Binds El Maragato with a Rope, c. 1806 Art Institute of Chicago

The Siesta, Paul Gauguin, ca. 1892–94, oil on canvas

Paul Gauguin The Siesta, ca. 1892–94 The Met

This is a painting of an outdoor scene with a group of people gathered in front of a blue-gray wooden building with a dark door and two windows. Sunflowers grow on either side of the entrance, stretching up to the windows.

Winslow Homer Sketch of a Cottage Yard, c. 1876 National Gallery of Art

A small brown dog and a pale-skinned little girl wearing a white dress sit in matching celestial-blue armchairs in this horizontal painting. To our right, the girl sits with her legs angled to our left.

Mary Cassatt Little Girl in a Blue Armchair, 1878 National Gallery of Art

The Sofa, Henri de Toulouse-Lautrec, ca. 1894–96, oil on cardboard

Henri de Toulouse-Lautrec The Sofa, ca. 1894–96 The Met

Two loosely painted people stand side by side in a field as they rake with their backs to us in this horizontal painting. The brushstrokes are soft and textured, and the details are loosely rendered, giving the scene a hazy appearance.

Georges Seurat Haymakers at Montfermeil, c. 1882 National Gallery of Art

Painting of vibrantly colored shapes and lines intersecting and overlapping.

Wassily Kandinsky Painting with Green Center, 1913 Art Institute of Chicago

Paul Lafond and Alphonse Cherfils Examining a Painting, Edgar Degas, c. 1878–80, oil on wood panel

Edgar Degas Paul Lafond and Alphonse Cherfils Examining a Painting, c. 1878–80 Cleveland Museum of Art

We look out onto a landscape with tawny-brown haystacks and trees among a patchwork of moss, lime, mint, and pine-green fields in this stylized, horizontal painting. The scene is painted with mostly flat areas of color.

Paul Gauguin Haystacks in Brittany, 1890 National Gallery of Art

Adeline Ravoux, Vincent van Gogh, 1890, oil on fabric

Vincent van Gogh Adeline Ravoux, 1890 Cleveland Museum of Art

Terminus, the Device of Erasmus, Hans Holbein the Younger, c. 1532, oil on wood

Hans Holbein the Younger Terminus, the Device of Erasmus, c. 1532 Cleveland Museum of Art

Henri de Toulouse-Lautrec Hussars, 1878 National Gallery of Art

We look slightly down onto a stage, at a woman who dances at the center of this square painting. The pale, white skin on her face is tinged with slate-blue shadows and heightened noticeably with pink blush at the cheekbones.

Henri de Toulouse-Lautrec Marcelle Lender Dancing the Bolero in "Chilpéric", 1895-1896 National Gallery of Art

We look onto two black-headed ducks twisting and flailing midair against a slate-gray landscape in this horizontal painting. The silvery white body of the bird to our left faces us as its neck twists to our left, its black wings extended.

Winslow Homer Right and Left, 1909 National Gallery of Art

Elizabeth Shewell West and Her Son, Raphael, Benjamin West, c. 1770, oil on canvas

Benjamin West Elizabeth Shewell West and Her Son, Raphael, c. 1770 Cleveland Museum of Art

The Power of Music, William Sidney Mount, 1847, oil on canvas

William Sidney Mount The Power of Music, 1847 Cleveland Museum of Art

The Love Song, Edward Burne-Jones, 1868–77, oil on canvas

Edward Burne-Jones The Love Song, 1868–77 The Met

The Coronation of the Virgin, Annibale Carracci, after 1595, oil on canvas

Annibale Carracci The Coronation of the Virgin, after 1595 The Met

The Third-Class Carriage, Honoré Daumier, 1864, oil on canvas

Honoré Daumier The Third-Class Carriage, 1864 The Met

The Adoration of the Magi, Giotto di Bondone, possibly ca. 1320, tempera on wood, gold ground

Giotto di Bondone The Adoration of the Magi, possibly ca. 1320 The Met

The Fortune-Teller, Georges de La Tour, probably 1630s, oil on canvas

Georges de La Tour The Fortune-Teller, probably 1630s The Met

We look across a body of water at two houses, some smaller outbuildings, and a houseboat along the far bank in this abstracted, horizontal landscape painting.

Paul Cézanne At the Water's Edge, c. 1890 National Gallery of Art

View of Pirna with the Fortress of Sonnenstein, Bernardo Bellotto, c. 1760, oil on canvas

Bernardo Bellotto View of Pirna with the Fortress of Sonnenstein, c. 1760 Art Institute of Chicago

Mill of Pont Maupuit, Armand Guillaumin, c. 1900, oil on canvas

Armand Guillaumin Mill of Pont Maupuit, c. 1900 Art Institute of Chicago

The White Bridge, John Henry Twachtman, after 1895, oil on canvas

John Henry Twachtman The White Bridge, after 1895 Art Institute of Chicago

Niagara Falls in Winter, Jasper Francis Cropsey, 1868, oil on canvas

Jasper Francis Cropsey Niagara Falls in Winter, 1868 Art Institute of Chicago

Approaching Storm, Eugène Boudin, 1864, oil on cradled panel

Eugène Boudin Approaching Storm, 1864 Art Institute of Chicago

Entrance to the Port of Honfleur, Johan Barthold Jongkind, 1863–64, oil on canvas

Johan Barthold Jongkind Entrance to the Port of Honfleur, 1863–64 Art Institute of Chicago

The Old Mill, George Inness, 1849, oil on canvas

George Inness The Old Mill, 1849 Art Institute of Chicago

Wooded Landscape with Cottage and Horseman, Meindert Hobbema, 1663, oil on canvas

Meindert Hobbema Wooded Landscape with Cottage and Horseman, 1663 Art Institute of Chicago

A seascape painted in pastel tones, light-colored houses with red chimneys and light-green shutters in the foreground. The scene is set on a rocky, green hillside overlooking a blue sea with small sailboats.

Childe Hassam New England Headlands, 1899 Art Institute of Chicago

The Marsh, Charles-François Daubigny, 1871, oil on panel

Charles-François Daubigny The Marsh, 1871 Art Institute of Chicago

Barks Fleeing Before the Storm, Jules Dupré, 1870–75, oil on canvas

Jules Dupré Barks Fleeing Before the Storm, 1870–75 Art Institute of Chicago

On the Road, Jules Dupré, 1856, oil on canvas

Jules Dupré On the Road, 1856 Art Institute of Chicago

Springtime, Théodore Rousseau, c. 1860, oil on panel

Théodore Rousseau Springtime, c. 1860 Art Institute of Chicago

The Building of the Dam, Julian Alden Weir, 1908, oil on canvas

Julian Alden Weir The Building of the Dam, 1908 Cleveland Museum of Art

Approaching Storm from the Alban Hills, George Inness, 1871, oil on canvas

George Inness Approaching Storm from the Alban Hills, 1871 Cleveland Museum of Art

Portrait of Agostino Barbarigo, Paolo Veronese, after c. 1571, oil on canvas

Paolo Veronese Portrait of Agostino Barbarigo, after c. 1571 Cleveland Museum of Art

Landscape, George Inness, 1888, oil on canvas

George Inness Landscape, 1888 Cleveland Museum of Art

The Old Road to the Sea, William Merritt Chase, c. 1893, oil on canvas

William Merritt Chase The Old Road to the Sea, c. 1893 Cleveland Museum of Art

Travelers in Hilly Countryside, Aelbert Cuyp, c. 1650, oil on wood

Aelbert Cuyp Travelers in Hilly Countryside, c. 1650 Cleveland Museum of Art

Pontifical Ceremony in Saints Giovanni e Paolo, Venice, 1782, Francesco Guardi, c. 1783, oil on canvas

Francesco Guardi Pontifical Ceremony in Saints Giovanni e Paolo, Venice, 1782, c. 1783 Cleveland Museum of Art

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