Paintings Above a Desk (page 23)

Showing 1,057 to 1,104 of 1,111 paintings that fit

The painting shows a coastal landscape from an elevated point of view. A structure resembling a thatched-roof cottage is on the right, partially obscured by the rolling green hills that take up the bottom right area of the painting.

Henri Moret The Island of Raguenez, Brittany, 1890/1895 National Gallery of Art

The painting depicts an equestrian scene with people and horses in a green landscape. There are several people on horseback, and others standing by horses. Some people are also sitting in horse-drawn carriages.

John Ferneley Heaton Park Races, 1829 National Gallery of Art

Bay of New York, Sunset, Thomas Chambers, mid 19th century, oil on canvas

Thomas Chambers Bay of New York, Sunset, mid 19th century National Gallery of Art

This painting depicts a coastal scene with a perspective from the water. There are dark, billowing gray clouds above the horizon, and the sky is pale orange.

Thomas Chambers Threatening Sky, Bay of New York, mid 19th century National Gallery of Art

We look down at and across a sun-soaked landscape with tile-roofed, white-stucco buildings and plowed fields in this horizontal painting.

Willard Leroy Metcalf Midsummer Twilight, c. 1890 National Gallery of Art

Ship in Full Sail, T. Davies, 1827, oil on canvas

T. Davies Ship in Full Sail, 1827 National Gallery of Art

This painting shows a bowl of red raspberries resting on a surface. The bowl is pale blue with blue details on the rim, and it is surrounded by a pile of pale peaches and pears, red plums, and green and purple grapes.

Charles V. Bond Still Life: Fruit, Bird, and Dwarf Pear Tree, 1856 National Gallery of Art

This painting depicts a large bull standing in a grassy plain. The bull is seen from the side, facing the right. Its head is a rich brown color, while its body and legs are swirled with patches of white and brown.

H. Call Prize Bull, 1876 National Gallery of Art

Boston Harbor, Thomas Chambers, mid 19th century, oil on canvas

Thomas Chambers Boston Harbor, mid 19th century National Gallery of Art

Packet Ship Passing Castle Williams, New York Harbor, Thomas Chambers, mid 19th century, oil on canvas

Thomas Chambers Packet Ship Passing Castle Williams, New York Harbor, mid 19th century National Gallery of Art

The painting depicts a coastal scene. A rocky shore in warm tones of orange, brown, red, and purple is closest to us, with two boats and a simple structure visible near the center of the painting.

Henri-Edmond Cross Calanque des Antibois, 1891/1892 National Gallery of Art

Livestock, woodland animals, and about a dozen people cluster in groups throughout a densely wooded landscape with rocky outcroppings and the ruins of a round structure in this horizontal painting. The people all appear to have light skin.

Roelandt Savery Landscape with the Flight into Egypt, 1624 National Gallery of Art

The painting depicts a rural landscape from a distance, showing a hill, houses, and trees. At the bottom of the painting is a body of water with two green banks on either side. The water reflects the green surroundings.

Henri-Joseph Harpignies Landscape in Auvergne, 1870 National Gallery of Art

The image depicts a group of individuals engaged in a dance. They are in a tightly-knit, curved line, with dynamic poses suggestive of movement and rhythm.

George Catlin Dog Dance - Sioux, 1861 National Gallery of Art

The painting depicts a landscape with waterfalls, a river, trees, and hills in the distance. In the foreground, a group of people are near a canoe on a grassy patch. The painting features distinct brushstrokes showing texture and movement.

George Catlin Father Hennepin and Companions at the Falls of St. Anthony. May 1, 1680, 1847/1848 National Gallery of Art

Three figures stand side by side in an outdoor setting. The person on the left is facing forward, holding a shield. They have long dark hair with feathers and wear a fringed outfit.

George Catlin Two Nezperce Warriors and a Boy, 1855/1869 National Gallery of Art

The painting depicts a serene village scene near a body of water with trees and thatched structures on the horizon.

George Catlin Painting the Lengua Chief, 1854/1869 National Gallery of Art

This is a painting of a gathering near a river. The scene depicts a riverside filled with tall trees and grass where several groups of people have gathered. Several canoes are visible on the water and docked along the shore.

George Catlin La Salle Taking Possession of the Land at the Mouth of the Arkansas. March 10, 1682, 1847/1848 National Gallery of Art

The image shows a riverside scene with various activities. The horizon has green hills with trees. Villagers and tipis are on both sides of the riverbanks. Canoes filled with people are on the water, some docked near the sandy shore.

George Catlin La Salle and Party Arrive at the Village of the Illinois. January 1, 1680, 1847/1848 National Gallery of Art

The image shows a winter scene with an icy river and activity on the shore. A rocky cliff partially covered in snow is on the right, with evergreen trees.

George Catlin The Expedition Encamped below the Falls of Niagara. January 20, 1679, 1847/1848 National Gallery of Art

The image shows three full-body figures standing together. On the left is a female figure holding a feather, in a decorated dress. In the center is a male figure with long, ornamented hair and a beaded robe, holding a fur piece and shield.

George Catlin Three Minatarree Indians, 1861 National Gallery of Art

Sketch for "The Oriental Dream", Jean Lecomte du Nouÿ, before 1904, oil on fabric

Jean Lecomte du Nouÿ Sketch for "The Oriental Dream", before 1904 Cleveland Museum of Art

In this painting, there are two round, crusty rolls next to a cream-colored cup with a floral blue-and-yellow design on top of a saucer with a gold rim.

John Frederick Peto Breakfast, c. 1890s National Gallery of Art

A blue and white bowl with a flaring rim is filled with small red strawberries, and the currants and cherries scattered around it are arranged along a wooden ledge or table in this horizontal still life painting.

Jacob van Hulsdonck Wild Strawberries and a Carnation in a Wan-Li Bowl, c. 1620 National Gallery of Art

The painting features a large slice of yellow cake, a halved lemon, a glass of pale-yellow liquid with a slice of lemon and a straw in it, and a white plate filled with red raspberries.

John Frederick Peto Still Life with Cake, Lemon, Strawberries, and Glass, 1890 National Gallery of Art

In this painting, a pile of cherries is displayed on a grassy ground. The cherries are in different shades of red, orange, and light yellow, set against a dark green background. Some cherries are scattered in the grass around the pile.

William Mason Brown Mound of Cherries, n.d. National Gallery of Art

This painting shows three apples on a flat, gray surface. Two of the apples in the center are large, while one to the left is much smaller. The apples are glossy, covered in uneven patches of bright red and light green.

William Rickarby Miller Study of Apples from Nature, 1863 National Gallery of Art

The image shows a wide expanse of land with a horizon featuring rolling hills or small mountains and sparse trees. In the foreground, a person in traditional indigenous attire is pulling on a rope tethered to a resisting horse.

George Catlin Catching Wild Horses - Pawnee, 1861/1869 National Gallery of Art

The painting shows a landscape with a large, dark blue mountain in the background. Below the mountain are blocks of color, suggesting fields and structures.

Alexej von Jawlensky Murnau, 1910 National Gallery of Art

The image shows a landscape with trees, hills, and mountains under a partly cloudy sky. In the foreground, there is a tipi surrounded by figures dressed in traditional attire interacting with a horse.

George Catlin The Cheyenne Brothers Starting on Their Fall Hunt, 1861/1869 National Gallery of Art

Corn Fields, Félix Vallotton, 1900, oil on board

Félix Vallotton Corn Fields, 1900 Cleveland Museum of Art

The Peaceable Kingdom, Edward Hicks, c. 1816–18, oil on canvas

Edward Hicks The Peaceable Kingdom, c. 1816–18 Cleveland Museum of Art

Pope Pius VI Descending the Throne to Take Leave of the Doge in the Hall of Saints Giovanni e Paolo, 1782, Francesco Guardi, c. 1783, oil on canvas

Francesco Guardi Pope Pius VI Descending the Throne to Take Leave of the Doge in the Hall of Saints Giovanni e Paolo, 1782, c. 1783 Cleveland Museum of Art

Sunny Autumn Day, George Inness, 1892, oil on canvas

George Inness Sunny Autumn Day, 1892 Cleveland Museum of Art

Marshland, Jules Dupré, 1860s-1870s, oil on fabric

Jules Dupré Marshland, 1860s-1870s Cleveland Museum of Art

Bacchante on a Panther, William-Adolphe Bouguereau, 1855, oil on fabric

William-Adolphe Bouguereau Bacchante on a Panther, 1855 Cleveland Museum of Art

High Tide on the Marshes, Martin Johnson Heade, 1872, oil on canvas

Martin Johnson Heade High Tide on the Marshes, 1872 Cleveland Museum of Art

Peaceable Kingdom, Edward Hicks, ca. 1830–32, oil on canvas

Edward Hicks Peaceable Kingdom, ca. 1830–32 The Met

Florentine Poet, Alexandre Cabanel, 1861, oil on wood

Alexandre Cabanel Florentine Poet, 1861 The Met

Two Children Teasing a Cat, Annibale Carracci, 1588, oil on canvas

Annibale Carracci Two Children Teasing a Cat, 1588 The Met

Children and a Cow, Aelbert Cuyp, 1635–39, oil on wood

Aelbert Cuyp Children and a Cow, 1635–39 The Met

The Adoration of the Magi, Gerard David, ca. 1520, oil on wood

Gerard David The Adoration of the Magi, ca. 1520 The Met

This horizontal painting is made up of three parts: in the center square panel, a woman reclines under a wooden shelter set into a rocky cave, which is surrounded by angels, and narrower wings to either side are each occupied by a standing…

Duccio di Buoninsegna The Nativity with the Prophets Isaiah and Ezekiel, 1308-1311 National Gallery of Art

Separated by a vertical, column-like partition, a woman to our right kneels opposite a winged angel to our left, who also kneels and holds the stem of a long white lily propped against one shoulder in this horizontal painting.

Fra Filippo Lippi The Annunciation, c. 1435/1440 National Gallery of Art

This painting depicts a snowy forest scene with a path running through tall, leafless trees.

Eastman Johnson On Their Way to Camp, 1873 National Gallery of Art

This painting shows a seated woman, her body turned slightly to the left and her head turned towards us. She is holding a small white mask in her right hand, balancing it on one of her knees.

Thomas Wilmer Dewing Lady with a Mask, 1911 National Gallery of Art

This painting depicts a coastal scene with a large group of people with light skin dressed in draping fabric in shades of red, yellow, blue, and purple.

Benjamin West Telemachus and Calypso, c. 1809 National Gallery of Art

A man stands on a rocky, tan-colored outcropping and gestures to two men in a rowboat, all against a gold background in this square painting. The men’s pale skin is tinged with gray but they have rosy cheeks, and all three have beards.

Duccio di Buoninsegna The Calling of the Apostles Peter and Andrew, 1308-1311 National Gallery of Art

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