Paintings Above the Dining Table (page 16)

Showing 721 to 768 of 880 paintings that fit

The Windmill, Jules Dupré, late 1850s, oil on fabric

Jules Dupré The Windmill, late 1850s Cleveland Museum of Art

The Hillsides of Méry-sur-Oise, Opposite Auvers, Charles-François Daubigny, 1873, oil on wood panel

Charles-François Daubigny The Hillsides of Méry-sur-Oise, Opposite Auvers, 1873 Cleveland Museum of Art

British Manufactory; A Sketch, Benjamin West, 1791, oil on paper mounted on wood

Benjamin West British Manufactory; A Sketch, 1791 Cleveland Museum of Art

Corn Husking at Nantucket, Eastman Johnson, ca. 1875, oil on canvas

Eastman Johnson Corn Husking at Nantucket, ca. 1875 The Met

The New Bonnet, Eastman Johnson, 1876, oil on academy board

Eastman Johnson The New Bonnet, 1876 The Met

Cider Making, William Sidney Mount, 1840–41, oil on canvas

William Sidney Mount Cider Making, 1840–41 The Met

The Factory Village, Julian Alden Weir, 1897, oil on canvas

Julian Alden Weir The Factory Village, 1897 The Met

The Weeders, Jules Breton, 1868, oil on canvas

Jules Breton The Weeders, 1868 The Met

This painting shows a landscape with several buildings near a body of water. Closest to us, near the bottom right corner, a person in red leans over a wooden fence to cast a fishing rod into the water.

Meindert Hobbema Village near a Pool, c. 1670 National Gallery of Art

This is a painting of a group of people, mostly men, engaged in laborious activities outdoors. The people are minimally clothed, with small pieces of cloth wrapped around their waists.

Pierre Puvis de Chavannes Work, c. 1863 National Gallery of Art

More than a dozen light-skinned men, women, and children eat, drink, talk, and make music around a dancing couple under an arbor in this horizontal painting. Most of the people are dressed in muted tones of green, gray, and black.

Jan Steen The Dancing Couple, 1663 National Gallery of Art

Three light-skinned men, one with his head and knee bandaged, sit and stand around a rusty, free-standing stove in a room with wide plank floors in this horizontal painting.

William Sidney Mount The Tough Story - Scene in a Country Tavern, 1837 National Gallery of Art

About a dozen women and men, all with pale or suntanned skin, work in a field harvesting grain in this horizontal painting. The women wear long skirts and aprons, and some wear cloths tied around their heads.

Jules Breton The Colza (Harvesting Rapeseed), 1860 National Gallery of Art

A man stands with one arm resting over the back of a chestnut-brown horse as two women approach the animal in this horizontal portrait painting set in a landscape. The people have pale skin, dark eyes, and ash-brown or gray hair.

George Stubbs Captain Samuel Sharpe Pocklington with His Wife, Pleasance, and possibly His Sister, Frances, 1769 National Gallery of Art

We look onto the side of a rowboat crowded with nine men trying to save a pale, nude young man who flails in the water in front of us as a shark approaches, mouth agape, from our right in this horizontal painting.

John Singleton Copley Watson and the Shark, 1778 National Gallery of Art

This painting depicts buildings under a clear blue sky. The horizon line is low, mostly obscured by the structures. The buildings have pointed brown roofs, and they are a pale yellow color.

Charles-François Daubigny The Farm, 1855 National Gallery of Art

Cows, horses, sheep, and pigs stand closely together in a band across the bottom edge of this horizontal painting. Rolling hills open onto grassy lawns, farms, and fields beyond.

Edward Hicks The Cornell Farm, 1848 National Gallery of Art

Shown from the knees up, a light-skinned man and woman are seated side-by-side on grassy rise in a landscape in this horizontal portrait painting.

Charles Willson Peale Benjamin and Eleanor Ridgely Laming, 1788 National Gallery of Art

This painting depicts three individuals in a room. An elderly man is seated on a wooden chair, reading a newspaper, with a child standing beside him. The man has balding gray hair, round spectacles, and is dressed in a black suit.

Eastman Johnson The Brown Family, 1869 National Gallery of Art

Eight pale-skinned men and thirteen brown-skinned, indigenous Lenape men, women, and a baby gather on a grassy field close to us in this horizontal painting. The white men are cleanshaven and have puffy gray, shoulder-length hair.

Edward Hicks Penn's Treaty with the Indians, c. 1840/1844 National Gallery of Art

A woman leans forward to trace the shadow cast by a sleeping young man on a wall in a dimly lit room in this horizontal painting. Both people have smooth, pale skin, long, straight noses, thin lips, and brown hair.

Joseph Wright of Derby The Corinthian Maid, 1782-1784 National Gallery of Art

This is a painting depicting a social gathering under a large pavilion outdoors. The background shows a green, hilly landscape with hints of brown and white buildings in the distance, under a sky of soft blues with wispy gray clouds.

Eugène Boudin Concert at the Casino of Deauville, 1865 National Gallery of Art

Glaucus and Nydia, Lawrence Alma-Tadema, 1867, oil on wood panel

Lawrence Alma-Tadema Glaucus and Nydia, 1867 Cleveland Museum of Art

Two women reach for or touch the arm of a man wearing a uniform and standing next to a chestnut-brown horse in front of a deep landscape in this horizontal painting.

John Singleton Copley Colonel William Fitch and His Sisters Sarah and Ann Fitch, 1800/1801 National Gallery of Art

A group of three adults and four children are gathered on and around a couch in an interior space that opens out to a distant hilly landscape in this horizontal portrait painting.

John Singleton Copley The Copley Family, 1776/1777 National Gallery of Art

Seven men, women, and children with pale, peachy skin flank a woman surrounded by a halo of light, sitting on a throne and holding a nearly nude baby boy in her lap in this long, horizontal painting.

Jacopo Tintoretto Doge Alvise Mocenigo and Family before the Madonna and Child, c. 1575 National Gallery of Art

This painting shows a group of people engaged in various activities within a wide green landscape. In the background are distant white-and-blue mountains and a blue sky with soft gray clouds.

Francesco Guardi Erminia and the Shepherds, 1750/1755 National Gallery of Art

Pierre Puvis de Chavannes The Prodigal Son, probably c. 1879 National Gallery of Art

Inter artes et naturam (Between Art and Nature), Pierre Puvis de Chavannes, ca. 1890–95, oil on canvas

Pierre Puvis de Chavannes Inter artes et naturam (Between Art and Nature), ca. 1890–95 The Met

Café Wepler, Édouard Vuillard, c. 1908–10, reworked in 1912, oil on fabric

Édouard Vuillard Café Wepler, c. 1908–10, reworked in 1912 Cleveland Museum of Art

Nymphs and a Satyr (Amor Vincit Omnia), Nicolas Poussin, c. 1625–27, oil on canvas

Nicolas Poussin Nymphs and a Satyr (Amor Vincit Omnia), c. 1625–27 Cleveland Museum of Art

Cupids in Conspiracy, François Boucher, 1740s, oil on canvas

François Boucher Cupids in Conspiracy, 1740s Cleveland Museum of Art

Adoration of the Magi, Titian, 1500s, oil on canvas

Titian Adoration of the Magi, 1500s Cleveland Museum of Art

The Lock at Pontoise, Camille Pissarro, 1872, oil on fabric

Camille Pissarro The Lock at Pontoise, 1872 Cleveland Museum of Art

Mount Starr King, Yosemite, Albert Bierstadt, 1866, oil on canvas on panel-back stretcher

Albert Bierstadt Mount Starr King, Yosemite, 1866 Cleveland Museum of Art

Fishmarket, Camille Pissarro, 1902, oil on canvas

Camille Pissarro Fishmarket, 1902 Cleveland Museum of Art

Repose, John White Alexander, 1895, oil on canvas

John White Alexander Repose, 1895 The Met

Camp Fire, Winslow Homer, 1880, oil on canvas

Winslow Homer Camp Fire, 1880 The Met

Dressing for the Carnival, Winslow Homer, 1877, oil on canvas

Winslow Homer Dressing for the Carnival, 1877 The Met

Madonna and Child with Saints, Giovanni Bellini, ca. 1505–10, tempera and oil on wood

Giovanni Bellini Madonna and Child with Saints, ca. 1505–10 The Met

The Circumcision, Giovanni Bellini, 1511, oil on wood

Giovanni Bellini The Circumcision, 1511 The Met

Three Miracles of Saint Zenobius, Sandro Botticelli, ca. 1500, tempera on wood

Sandro Botticelli Three Miracles of Saint Zenobius, ca. 1500 The Met

The Meditation on the Passion, Vittore Carpaccio, ca. 1490, oil and tempera on wood

Vittore Carpaccio The Meditation on the Passion, ca. 1490 The Met

The Burning of Sodom (formerly "The Destruction of Sodom"), Camille Corot, 1843 and 1857, oil on canvas

Camille Corot The Burning of Sodom (formerly "The Destruction of Sodom"), 1843 and 1857 The Met

The Stolen Kiss, Jean-Honoré Fragonard, ca. 1760, oil on canvas

Jean-Honoré Fragonard The Stolen Kiss, ca. 1760 The Met

Christ Healing the Blind, El Greco, ca. 1570, oil on canvas

El Greco Christ Healing the Blind, ca. 1570 The Met

Samson Captured by the Philistines, Guercino, 1619, oil on canvas

Guercino Samson Captured by the Philistines, 1619 The Met

Saints Peter and John Healing the Lame Man, Nicolas Poussin, 1655, oil on canvas

Nicolas Poussin Saints Peter and John Healing the Lame Man, 1655 The Met

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Dining Room 507

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