Paintings Above the Fireplace (page 11)

Showing 481 to 528 of 971 paintings that fit

Fishing, Édouard Manet, ca. 1862–63, oil on canvas

Édouard Manet Fishing, ca. 1862–63 The Met

Houses at Murnau, Wassily Kandinsky, 1909, oil on cardboard

Wassily Kandinsky Houses at Murnau, 1909 Art Institute of Chicago

Farm near Duivendrecht, Piet Mondrian, c. 1916, oil on canvas

Piet Mondrian Farm near Duivendrecht, c. 1916 Art Institute of Chicago

Under the Cypress Trees at Corfu, John Singer Sargent, 1909, oil on canvas

John Singer Sargent Under the Cypress Trees at Corfu, 1909 Art Institute of Chicago

Young Woman, Jean-François Millet, 1844–45, oil on canvas

Jean-François Millet Young Woman, 1844–45 Art Institute of Chicago

The Capture of Samson, Peter Paul Rubens, 1609–10, oil on panel

Peter Paul Rubens The Capture of Samson, 1609–10 Art Institute of Chicago

Music and Dance, François Boucher, 1740s, oil on canvas

François Boucher Music and Dance, 1740s Cleveland Museum of Art

Edge of the Woods Near L'Hermitage, Pontoise, Camille Pissarro, 1879, oil on fabric

Camille Pissarro Edge of the Woods Near L'Hermitage, Pontoise, 1879 Cleveland Museum of Art

The Large Tree, Paul Gauguin, 1891, oil on canvas

Paul Gauguin The Large Tree, 1891 Cleveland Museum of Art

Ville-d'Avray, Camille Corot, 1870, oil on canvas

Camille Corot Ville-d'Avray, 1870 The Met

The Natchez, Eugène Delacroix, 1823–24 and 1835, oil on canvas

Eugène Delacroix The Natchez, 1823–24 and 1835 The Met

Roman Interior, Jean-Honoré Fragonard, ca. 1760, oil on canvas

Jean-Honoré Fragonard Roman Interior, ca. 1760 The Met

A Farm in Brittany, Paul Gauguin, ca. 1894, oil on canvas

Paul Gauguin A Farm in Brittany, ca. 1894 The Met

Women Picking Olives, Vincent van Gogh, 1889, oil on canvas

Vincent van Gogh Women Picking Olives, 1889 The Met

Two Young Peasant Women, Camille Pissarro, 1891–92, oil on canvas

Camille Pissarro Two Young Peasant Women, 1891–92 The Met

The Glorification of the Barbaro Family, Giovanni Battista Tiepolo, ca. 1750, oil on canvas

Giovanni Battista Tiepolo The Glorification of the Barbaro Family, ca. 1750 The Met

Two Women, Paul Gauguin, 1901 or 1902, oil on canvas

Paul Gauguin Two Women, 1901 or 1902 The Met

A windmill stands on a promontory cutting into a waterway under a partially stormy sky in this square landcape painting.

Rembrandt van Rijn The Mill, 1645/1648 National Gallery of Art

Small in scale within a towering room, a man wearing a white and gold robe sits or stands on a high, covered throne, surrounded by dozens of men in this nearly square painting.

Jean-Auguste-Dominique Ingres Pope Pius VII in the Sistine Chapel, 1814 National Gallery of Art

In a deeply shadowed room, two women and several children are gathered at the center of this wide, oval painting, looking toward a young man and donkey who peer in over a half-door to our left.

Jean-Honoré Fragonard The Happy Family, c. 1775 National Gallery of Art

A white path and gray stone wall wind through ochre and harvest-yellow fields beneath a brilliant, turquoise sky in this stylized, horizontal landscape painting. The scene is created with long, visible brushstrokes of vivid color.

Vincent van Gogh Farmhouse in Provence, 1888 National Gallery of Art

Pierre-Auguste Renoir Young Spanish Woman with a Guitar, 1898 National Gallery of Art

A seated woman with an infant on her lap and three children are clustered on a terrace overlooking green hills and a body of water in this square painting. They all have pale skin with flushed cheeks.

Peter Paul Rubens Deborah Kip, Wife of Sir Balthasar Gerbier, and Her Children, 1629/1630, reworked probably mid 1640s National Gallery of Art

A densely packed crowd of men and women, all of them with pale skin and most of them wearing black, stand in a theater lobby beneath a mezzanine level that runs close to the top edge of the composition in this horizontal painting.

Édouard Manet Masked Ball at the Opera, 1873 National Gallery of Art

Two Girls on a Lawn, John Singer Sargent, ca. 1889, oil on canvas

John Singer Sargent Two Girls on a Lawn, ca. 1889 The Met

El Maragato Threatens Friar Pedro de Zaldivia with His Gun, Francisco de Goya, c. 1806, oil on panel

Francisco de Goya El Maragato Threatens Friar Pedro de Zaldivia with His Gun, c. 1806 Art Institute of Chicago

Five women, all with brown skin, sit and stand in a landscape painted with tones of emerald green, mauve pink, lilac and plum purple, and cobalt blue in this horizontal composition.

Paul Gauguin The Invocation, 1903 National Gallery of Art

The Siesta, Paul Gauguin, ca. 1892–94, oil on canvas

Paul Gauguin The Siesta, ca. 1892–94 The Met

The Holy Family with Saints Francis and Anne and the Infant Saint John the Baptist, Peter Paul Rubens, early or mid-1630s, oil on canvas

Peter Paul Rubens The Holy Family with Saints Francis and Anne and the Infant Saint John the Baptist, early or mid-1630s The Met

A small brown dog and a pale-skinned little girl wearing a white dress sit in matching celestial-blue armchairs in this horizontal painting. To our right, the girl sits with her legs angled to our left.

Mary Cassatt Little Girl in a Blue Armchair, 1878 National Gallery of Art

The Sofa, Henri de Toulouse-Lautrec, ca. 1894–96, oil on cardboard

Henri de Toulouse-Lautrec The Sofa, ca. 1894–96 The Met

Painting of vibrantly colored shapes and lines intersecting and overlapping.

Wassily Kandinsky Painting with Green Center, 1913 Art Institute of Chicago

Near a verdant riverbank against soaring, hazy cliffs, a nude, chubby baby sits in a golden boat on a bed of pink and white flowers in this horizontal painting.

Thomas Cole The Voyage of Life: Childhood, 1842 National Gallery of Art

We look out onto a landscape with tawny-brown haystacks and trees among a patchwork of moss, lime, mint, and pine-green fields in this stylized, horizontal painting. The scene is painted with mostly flat areas of color.

Paul Gauguin Haystacks in Brittany, 1890 National Gallery of Art

Adeline Ravoux, Vincent van Gogh, 1890, oil on fabric

Vincent van Gogh Adeline Ravoux, 1890 Cleveland Museum of Art

We look slightly down onto a stage, at a woman who dances at the center of this square painting. The pale, white skin on her face is tinged with slate-blue shadows and heightened noticeably with pink blush at the cheekbones.

Henri de Toulouse-Lautrec Marcelle Lender Dancing the Bolero in "Chilpéric", 1895-1896 National Gallery of Art

We look onto two black-headed ducks twisting and flailing midair against a slate-gray landscape in this horizontal painting. The silvery white body of the bird to our left faces us as its neck twists to our left, its black wings extended.

Winslow Homer Right and Left, 1909 National Gallery of Art

Christ and the Virgin in the House at Nazareth, Francisco de Zurbarán, c. 1640, oil on canvas

Francisco de Zurbarán Christ and the Virgin in the House at Nazareth, c. 1640 Cleveland Museum of Art

The Power of Music, William Sidney Mount, 1847, oil on canvas

William Sidney Mount The Power of Music, 1847 Cleveland Museum of Art

The Love Song, Edward Burne-Jones, 1868–77, oil on canvas

Edward Burne-Jones The Love Song, 1868–77 The Met

The Coronation of the Virgin, Annibale Carracci, after 1595, oil on canvas

Annibale Carracci The Coronation of the Virgin, after 1595 The Met

The Third-Class Carriage, Honoré Daumier, 1864, oil on canvas

Honoré Daumier The Third-Class Carriage, 1864 The Met

The Fortune-Teller, Georges de La Tour, probably 1630s, oil on canvas

Georges de La Tour The Fortune-Teller, probably 1630s The Met

We look across a body of water at two houses, some smaller outbuildings, and a houseboat along the far bank in this abstracted, horizontal landscape painting.

Paul Cézanne At the Water's Edge, c. 1890 National Gallery of Art

View of Pirna with the Fortress of Sonnenstein, Bernardo Bellotto, c. 1760, oil on canvas

Bernardo Bellotto View of Pirna with the Fortress of Sonnenstein, c. 1760 Art Institute of Chicago

Mill of Pont Maupuit, Armand Guillaumin, c. 1900, oil on canvas

Armand Guillaumin Mill of Pont Maupuit, c. 1900 Art Institute of Chicago

The White Bridge, John Henry Twachtman, after 1895, oil on canvas

John Henry Twachtman The White Bridge, after 1895 Art Institute of Chicago

Niagara Falls in Winter, Jasper Francis Cropsey, 1868, oil on canvas

Jasper Francis Cropsey Niagara Falls in Winter, 1868 Art Institute of Chicago

Rooms with this spot

Living Room 954

Other places to hang art