Paintings Above the Fireplace (page 4)

Showing 145 to 192 of 971 paintings that fit

Fruits of the Midi, Pierre-Auguste Renoir, 1881, oil on canvas

Pierre-Auguste Renoir Fruits of the Midi, 1881 Art Institute of Chicago

The Seine at Port-Marly, Piles of Sand, Alfred Sisley, 1875, oil on canvas

Alfred Sisley The Seine at Port-Marly, Piles of Sand, 1875 Art Institute of Chicago

Rabbit Warren at Pontoise, Snow, Camille Pissarro, 1879, oil on canvas

Camille Pissarro Rabbit Warren at Pontoise, Snow, 1879 Art Institute of Chicago

Rocks at Port-Goulphar, Belle-Île, Claude Monet, 1886, oil on canvas

Claude Monet Rocks at Port-Goulphar, Belle-Île, 1886 Art Institute of Chicago

Horizontal oil painting in shades of pale purple, pink, and light blue of a bridge composed of multiple linked archways over water, engulfed in hazy fog.

Claude Monet Waterloo Bridge, Sunlight Effect, 1903 Art Institute of Chicago

Kitchen Scene, Diego Velázquez, 1618–20, oil on canvas

Diego Velázquez Kitchen Scene, 1618–20 Art Institute of Chicago

The Rock of Hautepierre, Gustave Courbet, c. 1869, oil on canvas

Gustave Courbet The Rock of Hautepierre, c. 1869 Art Institute of Chicago

Wooded Landscape, Gustave Courbet, 1860–65, oil on canvas

Gustave Courbet Wooded Landscape, 1860–65 Art Institute of Chicago

Matsuchiyama on the Sumida River, Utagawa Hiroshige, Edo period, 1856, hanging scroll; Ink and color on silk

Utagawa Hiroshige Matsuchiyama on the Sumida River, Edo period, 1856 Art Institute of Chicago

The Valley of Les Puits-Noir, Gustave Courbet, 1868, oil on canvas

Gustave Courbet The Valley of Les Puits-Noir, 1868 Art Institute of Chicago

Watering Place at Marly, Alfred Sisley, 1875, oil on canvas

Alfred Sisley Watering Place at Marly, 1875 Art Institute of Chicago

An Alpine Scene, Gustave Courbet, 1874, oil on canvas

Gustave Courbet An Alpine Scene, 1874 Art Institute of Chicago

The Keeper of the Flock, Jean-François Millet, 1871–74, oil on canvas

Jean-François Millet The Keeper of the Flock, 1871–74 Art Institute of Chicago

Poppy Field (Giverny), Claude Monet, 1890–91, oil on canvas

Claude Monet Poppy Field (Giverny), 1890–91 Art Institute of Chicago

The White Tablecloth, Jean-Baptiste-Siméon Chardin, c. 1731–32, oil on canvas

Jean-Baptiste-Siméon Chardin The White Tablecloth, c. 1731–32 Art Institute of Chicago

Painting composed of short, broad, linear brushstrokes suggesting green-leaved forest trees with light trunks on pale green grass.

Berthe Morisot Forêt de Compiègne, 1885 Art Institute of Chicago

Landscape along the Seine with the Institut de France and the Pont des Arts, Alfred Sisley, c. 1875, oil on canvas

Alfred Sisley Landscape along the Seine with the Institut de France and the Pont des Arts, c. 1875 Art Institute of Chicago

Souvenir of the Environs of Lake Nemi, Camille Corot, 1865, oil on canvas

Camille Corot Souvenir of the Environs of Lake Nemi, 1865 Art Institute of Chicago

The Banks of the Marne in Winter, Camille Pissarro, 1866, oil on canvas

Camille Pissarro The Banks of the Marne in Winter, 1866 Art Institute of Chicago

Grapes, Lemons, Pears, and Apples, Vincent van Gogh, 1887, oil on canvas

Vincent van Gogh Grapes, Lemons, Pears, and Apples, 1887 Art Institute of Chicago

The Plate of Apples, Paul Cézanne, c. 1877, oil on canvas

Paul Cézanne The Plate of Apples, c. 1877 Art Institute of Chicago

The Loire, Alfred Sisley, 1896, oil on canvas

Alfred Sisley The Loire, 1896 Art Institute of Chicago

Mount Washington, Winslow Homer, 1869, oil on canvas

Winslow Homer Mount Washington, 1869 Art Institute of Chicago

Painting of three male figures, two older men in top hats and a younger man with red hair, standing outdoors around a wooden table with a pitcher on it, drinking from glasses.

Vincent van Gogh The Drinkers, 1890 Art Institute of Chicago

Portrait of Mme Lisle and Mme Loubens, Edgar Degas, c. 1867, oil on canvas

Edgar Degas Portrait of Mme Lisle and Mme Loubens, c. 1867 Art Institute of Chicago

Arleux-Palluel, The Bridge of Trysts, Camille Corot, 1871–72, oil on canvas

Camille Corot Arleux-Palluel, The Bridge of Trysts, 1871–72 Art Institute of Chicago

In the Auvergne, Jean-François Millet, c. 1866–69, oil on canvas

Jean-François Millet In the Auvergne, c. 1866–69 Art Institute of Chicago

The Races at Longchamp, Édouard Manet, 1866, oil on canvas

Édouard Manet The Races at Longchamp, 1866 Art Institute of Chicago

Sea View, Calm Weather (Vue de mer, temps calme), Édouard Manet, 1864, oil on canvas

Édouard Manet Sea View, Calm Weather (Vue de mer, temps calme), 1864 Art Institute of Chicago

Bright landscape painting featuring spindly trees with lush leaves surrounded by light-green foliage, a small town visible between the trees at center, and a calm blue sea in the background.

Claude Monet Bordighera, 1884 Art Institute of Chicago

Painting of woman in a striped dress seated on the bank of a river, beneath a full, leafy tree, a boat at the shore and a village visible across the river.

Claude Monet On the Bank of the Seine, Bennecourt, 1868 Art Institute of Chicago

The Departure of the Boats, Étretat, Claude Monet, 1885, oil on canvas

Claude Monet The Departure of the Boats, Étretat, 1885 Art Institute of Chicago

Two haystacks, dusted with snow, in a hazy, snow-covered field at sunset. The snow is highlighted in purple tones, the sky a yellow and orange gradient.

Claude Monet Stacks of Wheat (Sunset, Snow Effect), 1890–91 Art Institute of Chicago

The Petite Creuse River, Claude Monet, 1889, oil on canvas

Claude Monet The Petite Creuse River, 1889 Art Institute of Chicago

The Place du Havre, Paris, Camille Pissarro, 1893, oil on canvas

Camille Pissarro The Place du Havre, Paris, 1893 Art Institute of Chicago

Lunch at the Restaurant Fournaise (The Rowers' Lunch), Pierre-Auguste Renoir, 1875, oil on canvas

Pierre-Auguste Renoir Lunch at the Restaurant Fournaise (The Rowers' Lunch), 1875 Art Institute of Chicago

Vivid, lush view of rolling waves in purple, white, blue, and green against a bright blue sky with a watercolor-like blending of blues and purples. Sea and sky nearly become one.

Pierre-Auguste Renoir Seascape, 1879 Art Institute of Chicago

Street in Moret, Alfred Sisley, c. 1890, oil on canvas

Alfred Sisley Street in Moret, c. 1890 Art Institute of Chicago

Trouville (Grey and Green, the Silver Sea), James McNeill Whistler, 1865, oil on canvas

James McNeill Whistler Trouville (Grey and Green, the Silver Sea), 1865 Art Institute of Chicago

Grey and Silver: Old Battersea Reach, James McNeill Whistler, 1863, oil on canvas

James McNeill Whistler Grey and Silver: Old Battersea Reach, 1863 Art Institute of Chicago

Te burao (The Hibiscus Tree), Paul Gauguin, 1892, oil on canvas

Paul Gauguin Te burao (The Hibiscus Tree), 1892 Art Institute of Chicago

Violet and Silver—The Deep Sea, James McNeill Whistler, 1893, oil on canvas

James McNeill Whistler Violet and Silver—The Deep Sea, 1893 Art Institute of Chicago

Light-colored snowscape with visible brushstrokes featuring a bridge in front of red and white barns and farmhouses, surrounded by trees.

Claude Monet Sandvika, Norway, 1895 Art Institute of Chicago

Haymaking at Éragny, Camille Pissarro, 1892, oil on canvas

Camille Pissarro Haymaking at Éragny, 1892 Art Institute of Chicago

Painting of a small pond dense with pink water lilies, their roots visible through the water, a railed footbridge arching over the pond and lush, dark green folliage surrounding it.

Claude Monet Water Lily Pond, 1900 Art Institute of Chicago

Landscape, Camille Corot, 1865/70, oil on canvas

Camille Corot Landscape, 1865/70 Art Institute of Chicago

Landscape (The Lock), John Constable, c. 1820–25, oil on canvas

John Constable Landscape (The Lock), c. 1820–25 Art Institute of Chicago

Coast of Maine, Winslow Homer, 1893, oil on canvas

Winslow Homer Coast of Maine, 1893 Art Institute of Chicago

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Living Room 954

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