Paintings Above the Sofa (page 8)

Showing 337 to 384 of 830 paintings that fit

We look across a river at a long, flat bridge that runs parallel to a hazy, city skyline in the distance in this horizontal painting.

Camille Pissarro Charing Cross Bridge, London, 1890 National Gallery of Art

Clouds hunker over a water-logged street that separates us from the end of a row of buildings in this horizontal painting. The scene is loosely painted, especially in the sky and water.

Alfred Sisley Flood at Port-Marly, 1872 National Gallery of Art

Hulking mountains are mostly backlit against a watery blue sky edged with shell pink along the horizon, which comes about two-thirds of the way up this horizontal landscape painting.

Thomas Cole Sunrise in the Catskills, 1826 National Gallery of Art

From a little above a dirt road, we look past a grove of trees to a broad plain and a lake at the foot of towering, hazy mountains in this horizontal landscape painting.

Albert Bierstadt Lake Lucerne, 1858 National Gallery of Art

We look slightly down onto a silvery-gray beach nestled in a hilly, curving coastline to our right in this horizontal landscape painting. A flat expanse of beach stretches in front of us to meet the water to our left.

Claude Monet Sainte-Adresse, 1867 National Gallery of Art

A bank of flowering bushes, possibly roses, fills most of an enclosed garden in front of a white house in this horizontal landscape painting.

Claude Monet The Artist's Garden in Argenteuil (A Corner of the Garden with Dahlias), 1873 National Gallery of Art

A profusion of white roses bursting from the neck of a tan jug almost fills the height of this horizontal still life painting.

Vincent van Gogh Roses, 1890 National Gallery of Art

A small complex of white buildings with red-tile roofs are engulfed in a patchwork of lush, green farm fields over rolling hills in this nearly square painting.

Camille Pissarro Landscape at Les Pâtis, Pontoise, 1868 National Gallery of Art

A pale turquoise footbridge arching over a pond lined with tall grasses and filled with petal-pink and butter-yellow waterlilies spans this horizontal landscape painting. The scene is loosely painted with touches of vibrant color.

Claude Monet The Japanese Footbridge, 1899 National Gallery of Art

We look slightly down onto and across a wide, boat-filled river under a cloudy sky at the far bank, which is lined with buildings, in this loosely painted, horizontal landscape.

James McNeill Whistler Battersea Reach, c. 1863 National Gallery of Art

We look across a rocky, grass-covered promontory at a crumbling, round brick tower overlooking topaz-blue water in this horizontal landscape painting.

Thomas Cole Italian Coast Scene with Ruined Tower, 1838 National Gallery of Art

About a dozen ruby-red and bright pink peonies in a gold and green vase sit on a rumpled cloth in this loosely painted, horizontal still life.

Paul Gauguin Still Life with Peonies, 1884 National Gallery of Art

This painting shows a seaside view with a low horizon. A sandy beach is on the left, with ships and sailboats sailing on the water in the distance on the right.

John Constable Yarmouth Jetty, 1822 National Gallery of Art

A Pond in Picardy, Camille Corot, ca. 1867, oil on canvas

Camille Corot A Pond in Picardy, ca. 1867 The Met

Northeaster, Winslow Homer, 1895; reworked by 1901, oil on canvas

Winslow Homer Northeaster, 1895; reworked by 1901 The Met

We look slightly down at a woman with pale skin and two men with ruddy complexions sitting at a table near a railing overlooking a boat-clogged waterway in this horizontal painting.

James McNeill Whistler Wapping, 1860-1864 National Gallery of Art

Marine: The Waterspout, Gustave Courbet, 1870, oil on canvas

Gustave Courbet Marine: The Waterspout, 1870 The Met

The Fishermen (Fantastic Scene), Paul Cézanne, ca. 1875, oil on canvas

Paul Cézanne The Fishermen (Fantastic Scene), ca. 1875 The Met

We look across churning waves at four sailing ships and a wooden rowboat with four men aboard in this horizontal painting. Dark, iron-gray and tawny-brown clouds approaching from the right fill the top two-thirds of the composition.

Joseph Mallord William Turner The Junction of the Thames and the Medway, 1807 National Gallery of Art

Lormes: Goat-Girl Sitting Beside a Stream in a Forest, Camille Corot, 1842, oil on fabric

Camille Corot Lormes: Goat-Girl Sitting Beside a Stream in a Forest, 1842 Cleveland Museum of Art

A pair of arched cave openings yawn in a steep, rocky cliff face that fills this horizontal painting.

Gustave Courbet La Grotte de la Loue, 1864 National Gallery of Art

The Source of the Loue, Gustave Courbet, 1864, oil on canvas

Gustave Courbet The Source of the Loue, 1864 The Met

A young woman reclines and reads a book near a stream that winds through a wooded landscape in this horizontal painting. Painted with rich pine green, trees tower along the riverbanks and fill most of the painting.

Camille Corot Forest of Fontainebleau, 1834 National Gallery of Art

Snap the Whip, Winslow Homer, 1872, oil on canvas

Winslow Homer Snap the Whip, 1872 The Met

Bullfight, Édouard Manet, 1865–66, oil on canvas

Édouard Manet Bullfight, 1865–66 Art Institute of Chicago

Still Life with Teapot and Fruit, Paul Gauguin, 1896, oil on canvas

Paul Gauguin Still Life with Teapot and Fruit, 1896 The Met

The "Kearsarge" at Boulogne, Édouard Manet, 1864, oil on canvas

Édouard Manet The "Kearsarge" at Boulogne, 1864 The Met

The Pond at the Entrance of the Woods, Camille Corot, c. 1860–75, oil on fabric

Camille Corot The Pond at the Entrance of the Woods, c. 1860–75 Cleveland Museum of Art

Still Life with a Ginger Jar and Eggplants, Paul Cézanne, 1893–94, oil on canvas

Paul Cézanne Still Life with a Ginger Jar and Eggplants, 1893–94 The Met

A glass bottle, a glass carafe, a stemmed glass, several pieces of fruit, and white and blue cloths are arranged on a wooden table in this horizontal still life. The bottle and carafe are at the center of this composition.

Paul Cézanne The Peppermint Bottle, 1893/1895 National Gallery of Art

The Monastery of San Pedro (Our Lady of the Snows), Frederic Edwin Church, 1879, oil on canvas

Frederic Edwin Church The Monastery of San Pedro (Our Lady of the Snows), 1879 Cleveland Museum of Art

The Parthenon, Frederic Edwin Church, 1871, oil on canvas

Frederic Edwin Church The Parthenon, 1871 The Met

Four women and two children, all with pale skin, carry baskets as they walk along a beach under a brilliant blue sky in this horizontal painting. The scene is painted with visible dabs and blended strokes.

John Singer Sargent En route pour la pêche (Setting Out to Fish), 1878 National Gallery of Art

A passenger boat, its bright tan sails reflecting the sun, careens among choppy water with at least eight more sailboats and a town along the water’s edge in the distance in this horizontal landscape painting.

Joseph Mallord William Turner Rotterdam Ferry-Boat, 1833 National Gallery of Art

Boats at Berck-sur-Mer, Édouard Manet, 1873, oil on fabric

Édouard Manet Boats at Berck-sur-Mer, 1873 Cleveland Museum of Art

In this painting, a person appears to pull a long brown-and-green canoe out of the water and onto a grassy stretch of land. The person wears a hat and a green shirt with brown trousers, and their face is indistinct.

Winslow Homer Sunset, c. 1875 National Gallery of Art

Eagle Head, Manchester, Massachusetts (High Tide), Winslow Homer, 1870, oil on canvas

Winslow Homer Eagle Head, Manchester, Massachusetts (High Tide), 1870 The Met

We look slightly down onto the surface of a river in which three narrow canoes, each paddled by a single person, are being rowed toward us in this horizontal landscape painting.

Gustave Caillebotte Skiffs, 1877 National Gallery of Art

Six men on horseback and wearing jockeys’ uniforms line up on a grassy field in front of us in this loosely painted horizontal scene. The jockeys and horses’ features are especially freely painted so much of the detail is indistinct.

Edgar Degas The Riders, c. 1885 National Gallery of Art

Two women, a man, and three small children gather around a baby sleeping in a wicker cradle near an open window in this horizontal painting. The people all have pale skin with rosy cheeks.

Jean-Honoré Fragonard The Visit to the Nursery, c. 1775 National Gallery of Art

Ovid among the Scythians, Eugène Delacroix, 1862, oil on paper, laid down on wood

Eugène Delacroix Ovid among the Scythians, 1862 The Met

We look across a grassy expanse leading to a lake, with several women, tiny in scale, dancing under a grove of trees to our right in this horizontal landscape painting.

Camille Corot Dance under the Trees at the Edge of the Lake, 1865/1870 National Gallery of Art

Venetian Glass Workers, John Singer Sargent, 1880–82, oil on canvas

John Singer Sargent Venetian Glass Workers, 1880–82 Art Institute of Chicago

George Moore (1852–1933) at the Café, Édouard Manet, 1878 or 1879, oil on canvas

Édouard Manet George Moore (1852–1933) at the Café, 1878 or 1879 The Met

The Road from Moret to Saint-Mammès, Alfred Sisley, 1883–85, oil on canvas

Alfred Sisley The Road from Moret to Saint-Mammès, 1883–85 The Met

The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854–1935), Berthe Morisot, ca. 1870, oil on canvas

Berthe Morisot The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854–1935), ca. 1870 The Met

Dominated by tones of red and fire orange, this nearly square painting shows a seated woman leaning forward in a high-backed chair, holding a round, flat, leaf-shaped fan.

Edgar Degas Madame Camus, 1869/1870 National Gallery of Art

Shown from about the ankles up, a woman with ashen, pale skin, wearing a full, silvery-white dress with gray dots, sits on a low-backed white sofa against a pale peach background in this horizontal portrait painting.

Edgar Degas Madame René de Gas, 1872/1873 National Gallery of Art

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