Paintings Along the Stairs (page 22)

Showing 1,009 to 1,056 of 1,073 paintings that fit

A small, shaggy, black and white dog stands in a wood paneled room with its body angled to our right but turning its head, pink tongue out, to our left in this vertical painting.

Édouard Manet Tama, the Japanese Dog, c. 1875 National Gallery of Art

Shown from the waist up in front of a black background, a young woman with pale white skin and curly brown hair looks directly out at us over her shoulder with her body angled to our left in this vertical portrait.

Francisco de Goya Señora Sabasa Garcia, c. 1806/1811 National Gallery of Art

Shown from the knees up, a cleanshaven, young man with pale, peachy skin leans on his right elbow, to our left, against a ledge and holds a black top hat in that hand in this vertical portrait painting.

Francisco de Goya Bartolomé Sureda y Miserol, c. 1803/1804 National Gallery of Art

Shown from the knees up, a pale-skinned woman wearing a muted, sapphire-blue gown sits ramrod straight in a chair and looks at us in this vertical portrait painting.

Francisco de Goya Thérèse Louise de Sureda, c. 1803/1804 National Gallery of Art

A young man and child, both with pale skin, are framed within the rectangular opening of a stone window in this vertical painting. At the center, the young man leans toward us over his forearms, which rest on the wide ledge.

Jean-Baptiste-Siméon Chardin Soap Bubbles, probably 1733/1734 National Gallery of Art

In the Woods, George Inness, 1866, oil on board

George Inness In the Woods, 1866 Cleveland Museum of Art

This painting shows a man from the waist up, his body turned slightly to the right. He stands upright, looking at the viewer, holding a golf club or cane horizontally with both hands.

George Bellows Chester Dale, 1922 National Gallery of Art

This painting is a portrait of a man shown from the chest up, with his body partially turned to the right and his head facing us, the right side of his face in shadow.

Robert Henri George Cotton Smith, 1908 National Gallery of Art

Portrait of a Woman, Corneille de Lyon, c. 1540, oil on wood

Corneille de Lyon Portrait of a Woman, c. 1540 Cleveland Museum of Art

Facing away from us against a cherry-red background, the head and shoulders of a light-skinned woman wearing strawberry red, with her copper-brown hair piled atop her head, fills this vertical painting.

Carolus-Duran Study of Lilia, 1887 National Gallery of Art

This is a painting of a woman who is depicted from the waist up. She is positioned sitting or leaning with her head turned to the right. She has pale-yellow skin, and her facial features include red lips and dark eyebrows.

Daniel Gardner The Hon. Mrs. Gray, c. 1785/1790 National Gallery of Art

This painting is an abstract composition of irregular shapes and vibrant colors. The different sections overlap and intersect in shades of green, blue, red, purple, and pink.

Alexej von Jawlensky Red Path, St. Prex, 1915 National Gallery of Art

Joseph Rodefer DeCamp The Seamstress, 1916 National Gallery of Art

The image is a portrait showing the upper body of a woman seated next to a wooden table. She is positioned facing slightly to the right, with her arm resting on the table and holding a small pink rose in her left hand.

Charles Peale Polk Hannah Lemmon Corcoran (Mrs. Thomas Corcoran), c. 1802/1810 National Gallery of Art

This painting depicts a collection of large green lily pads and blooming lotus flowers. The flowers are primarily white and pink, resting on the ends of long stems.

Theodore Wores Buddha's Flowers: Lotus, Tokyo, 1894 National Gallery of Art

The image shows an upper-body portrait of a man facing forward with his body tilted slightly to the left. He wears a brown coat over a teal waistcoat and a white ruffled shirt is visible at the cuffs and neckline.

Jeremiah Theus Mr. Motte, c. 1760 National Gallery of Art

This painting depicts a seated woman from the waist up. She has her right elbow resting on one arm of the red chair that she sits in, with her head leaning on her hand. Her left hand is holding white fabric in her lap.

Ezra Ames Maria Gansevoort Melvill (Mrs. Allan Melvill), c. 1815 National Gallery of Art

Shown from the chest up, a clean shaven, young man with pale, rosy skin and curly, mahogany-red hair, looks at or toward us against a black background in this vertical portrait painting.

Antonello da Messina Portrait of a Young Man, c. 1475/1479 National Gallery of Art

The image depicts a man from the waist up, positioned in a three-quarter view as he looks to his left. He has a fair complexion, a reddish-brown close-cropped beard, and medium brown hair cut at ear length.

Barthel Bruyn the Elder Portrait of a Man, c. 1530/1540 National Gallery of Art

The image shows a woman's upper body. She is looking directly at the viewer with a calm expression. The woman has fair skin, dark brown hair styled away from her face, blue eyes, and delicate features.

William Jennys Mrs. Asa Benjamin, 1795 National Gallery of Art

The image is a portrait of a young child shown from the waist up. The child is seated and facing forward. The child has dark hair that is styled smoothly and parted down the middle.

Sturtevant J. Hamblin Little Girl with Pet Rabbit, c. 1845 National Gallery of Art

This painting shows a young person from the waist up, sitting with their hands folded on a brown surface. The person is angled slightly to the left, looking up into the distance.

Agnolo di Domenico del Mazziere Portrait of a Youth, c. 1495/1500 National Gallery of Art

Young Woman in White Holding a Bouquet, Alfred Stevens, c. 1865/1875, oil on wood

Alfred Stevens Young Woman in White Holding a Bouquet, c. 1865/1875 National Gallery of Art

The image displays a child standing and facing forward. The child has a round face with rosy cheeks, wide blue eyes, and a small closed mouth. The child's hair is light and short.

Abram Ross Stanley Joshua Lamb, 1842 National Gallery of Art

Beneath two tall, tower-like structures, thirteen men, women, and children gather to give or receive food and foodstuff, all against a shiny gold background in this vertical painting. All the people have light skin tinged with green.

Andrea di Bartolo Joachim and Anna Giving Food to the Poor and Offerings to the Temple, c. 1400/1405 National Gallery of Art

This painting shows two people. A woman is seen from the knees up in the center, standing partially in front of the man next to her, her body facing the left and her head turned back towards us.

Jean-Louis Forain Behind the Scenes, c. 1880 National Gallery of Art

The image shows a full-body portrait of a young child standing indoors. The child faces forward with a neutral expression, looking directly at the viewer. They have neatly styled brown hair parted in the middle.

Joseph Goodhue Chandler Girl with Kitten, c. 1836/1838 National Gallery of Art

Virgin and Child, Rogier van der Weyden, c. 1460, oil on panel

Rogier van der Weyden Virgin and Child, c. 1460 Art Institute of Chicago

Lieutenant General Duncan Campbell, Henry Raeburn, c. 1810, oil on canvas

Henry Raeburn Lieutenant General Duncan Campbell, c. 1810 Cleveland Museum of Art

The Troubadour, Honoré Daumier, 1868–73, oil on fabric

Honoré Daumier The Troubadour, 1868–73 Cleveland Museum of Art

Anna Dummer Powell, John Singleton Copley, 1764, oil on canvas

John Singleton Copley Anna Dummer Powell, 1764 Cleveland Museum of Art

André Bénac, Édouard Vuillard, 1936, oil on fabric

Édouard Vuillard André Bénac, 1936 Cleveland Museum of Art

Marie-Yolande de Fitz-James, Henri Fantin-Latour, 1867, oil on fabric

Henri Fantin-Latour Marie-Yolande de Fitz-James, 1867 Cleveland Museum of Art

A Calling, William-Adolphe Bouguereau, 1896, oil on fabric

William-Adolphe Bouguereau A Calling, 1896 Cleveland Museum of Art

The Tired Gleaner, Jules Breton, 1880, oil on fabric

Jules Breton The Tired Gleaner, 1880 Cleveland Museum of Art

Seventeenth Century Lady, William Merritt Chase, ca. 1895, oil on canvas

William Merritt Chase Seventeenth Century Lady, ca. 1895 The Met

Christ Taking Leave of His Mother, Gerard David, ca. 1500, oil on wood

Gerard David Christ Taking Leave of His Mother, ca. 1500 The Met

Virgin and Child with Four Angels, Gerard David, ca. 1510–15, oil on wood

Gerard David Virgin and Child with Four Angels, ca. 1510–15 The Met

The Adoration of the Magi, Gerard David, ca. 1520, oil on wood

Gerard David The Adoration of the Magi, ca. 1520 The Met

Saint Lawrence Enthroned with Saints and Donors, Fra Filippo Lippi, 1440s, tempera on wood, gold ground

Fra Filippo Lippi Saint Lawrence Enthroned with Saints and Donors, 1440s The Met

Madonna and Child with Seraphim and Cherubim, Andrea Mantegna, ca. 1454, tempera and gold on wood

Andrea Mantegna Madonna and Child with Seraphim and Cherubim, ca. 1454 The Met

Virgin and Child, Gerard David, 1490–1523, oil on oak panel

Gerard David Virgin and Child, 1490–1523 The Met

The Return of Persephone, Frederic Leighton, ca. 1890–91, oil on canvas

Frederic Leighton The Return of Persephone, ca. 1890–91 The Met

Colonel Francis James Scott, Henry Raeburn, 1796/1811, oil on canvas

Henry Raeburn Colonel Francis James Scott, 1796/1811 National Gallery of Art

David Anderson, Henry Raeburn, 1790, oil on canvas

Henry Raeburn David Anderson, 1790 National Gallery of Art

This painting depicts a seated woman facing the left. She has a pale complexion, rosy cheeks, arched eyebrows, and thin red lips set in a neutral expression. Her hands are resting on her lap.

Joshua Reynolds Lady Cornewall, c. 1785-1786 National Gallery of Art

A young girl wearing a rust-red dress with a tight bodice and full, voluminous skirt sits in a hazy, garden-like setting in this vertical portrait painting. Her skin is pale with a greenish cast, but her cheeks are slightly flushed.

Joshua Reynolds Lady Elizabeth Hamilton, 1758 National Gallery of Art

A bearded man with wrinkled, peachy skin and reddened cheeks sits and smokes a pipe on a wooden box in a landscape in this vertical painting. The man’s body faces us, and he peers at us with dark eyes under heavy, bushy white brows.

George Caleb Bingham Mississippi Boatman, 1850 National Gallery of Art

Rooms with this spot

Hallway & Entryway 456
Staircase 606

Other places to hang art