Paintings for Black Walls (page 20)

Warm palettes

Golds, reds and browns. The ones that differ most from the wall in lightness come first, because they stand out best. Showing 913 to 960 of 1,211.

The Music Lesson, Gerard ter Borch, c. 1670, oil on canvas

Gerard ter Borch The Music Lesson, c. 1670 Art Institute of Chicago

Painting, heavy in tones of blue-green and burnt orange, depicting a bar scene at night. The men wear top hats and many are bearded; the women are dressed in voluminous gowns and decorative hats.

Henri de Toulouse-Lautrec At the Moulin Rouge, 1892–95 Art Institute of Chicago

Cardinal Fernando Niño de Guevara (1541–1609), El Greco, ca. 1600, oil on canvas

El Greco Cardinal Fernando Niño de Guevara (1541–1609), ca. 1600 The Met

Oedipus and the Sphinx, Gustave Moreau, 1864, oil on canvas

Gustave Moreau Oedipus and the Sphinx, 1864 The Met

An Egyptian in a Doorway, Lawrence Alma-Tadema, 1865, oil on wood

Lawrence Alma-Tadema An Egyptian in a Doorway, 1865 The Met

A young girl with light skin, round, rosy cheeks, and blond hair holds an apple and wears a full, ankle-length, silvery white dress with puffy sleeves in this vertical portrait painting.

Anthony van Dyck Maddalena Cattaneo, 1623 National Gallery of Art

Madonna and Child with Seraphim and Cherubim, Andrea Mantegna, ca. 1454, tempera and gold on wood

Andrea Mantegna Madonna and Child with Seraphim and Cherubim, ca. 1454 The Met

This painting depicts a seated woman facing the left. She has a pale complexion, rosy cheeks, arched eyebrows, and thin red lips set in a neutral expression. Her hands are resting on her lap.

Joshua Reynolds Lady Cornewall, c. 1785-1786 National Gallery of Art

Mrs. Charles Deering (Marion Denison Whipple), John Singer Sargent, 1888, oil on canvas

John Singer Sargent Mrs. Charles Deering (Marion Denison Whipple), 1888 Art Institute of Chicago

The Studio, Winslow Homer, 1867, oil on canvas

Winslow Homer The Studio, 1867 The Met

George Harley Drummond (1783–1855), Henry Raeburn, ca. 1808–9, oil on canvas

Henry Raeburn George Harley Drummond (1783–1855), ca. 1808–9 The Met

The New Bonnet, Eastman Johnson, 1876, oil on academy board

Eastman Johnson The New Bonnet, 1876 The Met

Portrait of a Man, possibly Matteo di Sebastiano di Bernardino Gozzadini, Unknown artist, 1494(?), tempera on wood

Unknown artist Portrait of a Man, possibly Matteo di Sebastiano di Bernardino Gozzadini, 1494(?) The Met

Women Working in a Field, Winslow Homer, 1867, oil on wood

Winslow Homer Women Working in a Field, 1867 Cleveland Museum of Art

Boy with a Greyhound, Paolo Veronese, possibly 1570s, oil on canvas

Paolo Veronese Boy with a Greyhound, possibly 1570s The Met

Two women with pale skin look out at us from the other side of a rectangular window opening with a shadowy interior behind them in this vertical painting.

Bartolomé Esteban Murillo Two Women at a Window, c. 1655/1660 National Gallery of Art

Landscape with Cottages, John Constable, 1809–10, oil on canvas

John Constable Landscape with Cottages, 1809–10 Art Institute of Chicago

Two Children Teasing a Cat, Annibale Carracci, 1588, oil on canvas

Annibale Carracci Two Children Teasing a Cat, 1588 The Met

A woman with dark hair pulled up in a bun, wearing a long, muted lilac-purple silk dress, stands singing in front of woman playing a piano and a man playing a cello in a dimly lit room in this vertical painting.

Thomas Eakins Singing a Pathetic Song, 1881 National Gallery of Art

Julie Le Brun (1780–1819) Looking in a Mirror, Élisabeth Louise Vigée Le Brun, 1787, oil on canvas

Élisabeth Louise Vigée Le Brun Julie Le Brun (1780–1819) Looking in a Mirror, 1787 The Met

Don Andrés de Andrade y la Cal, Bartolomé Esteban Murillo, ca. 1665–72, oil on canvas

Bartolomé Esteban Murillo Don Andrés de Andrade y la Cal, ca. 1665–72 The Met

The Hatch Family, Eastman Johnson, 1870–71, oil on canvas

Eastman Johnson The Hatch Family, 1870–71 The Met

A woman with smooth, pale skin and wearing a hat, long dress, and gloves, stands holding a bunch of pumpkin-orange leaves against a background of trees painted with touches of rust orange and pine green in this vertical painting.

Winslow Homer Autumn, 1877 National Gallery of Art

Young Husband: First Marketing, Lilly Martin Spencer, 1854, oil on canvas

Lilly Martin Spencer Young Husband: First Marketing, 1854 The Met

The Deer, Gustave Courbet, ca. 1865, oil on canvas

Gustave Courbet The Deer, ca. 1865 The Met

Roses in a Bowl, Henri Fantin-Latour, 1881, oil on canvas

Henri Fantin-Latour Roses in a Bowl, 1881 Art Institute of Chicago

The image shows a man in a portrait from the waist up. He has fair skin, curly light-colored hair, and wears a dark navy coat with gold buttons and a vibrant red collar.

Thomas Gainsborough William Yelverton Davenport, c. 1785/1788 National Gallery of Art

Portrait of Mme Lisle and Mme Loubens, Edgar Degas, c. 1867, oil on canvas

Edgar Degas Portrait of Mme Lisle and Mme Loubens, c. 1867 Art Institute of Chicago

After the Hunt, Gustave Courbet, ca. 1859, oil on canvas

Gustave Courbet After the Hunt, ca. 1859 The Met

This vertical portrait shows the head, shoulders, and chest of a young man with smooth, pale skin and shoulder-length, dark blond hair positioned behind a narrow gray, stone ledge.

Sandro Botticelli Portrait of a Youth, c. 1482/1485 National Gallery of Art

Madame Jacques-Louis Leblanc (Françoise Poncelle, 1788–1839), Jean-Auguste-Dominique Ingres, 1823, oil on canvas

Jean-Auguste-Dominique Ingres Madame Jacques-Louis Leblanc (Françoise Poncelle, 1788–1839), 1823 The Met

Margaret Strachan (Mrs. Thomas Harwood), Charles Willson Peale, ca. 1771, oil on canvas

Charles Willson Peale Margaret Strachan (Mrs. Thomas Harwood), ca. 1771 The Met

Mrs. Mayer and Daughter, Ammi Phillips, 1835–40, oil on canvas

Ammi Phillips Mrs. Mayer and Daughter, 1835–40 The Met

The Two Disciples at the Tomb, Henry Ossawa Tanner, c. 1906, oil on canvas

Henry Ossawa Tanner The Two Disciples at the Tomb, c. 1906 Art Institute of Chicago

Portrait of the Ladies Amabel and Mary Jemima Yorke, Joshua Reynolds, c. 1761, oil on canvas

Joshua Reynolds Portrait of the Ladies Amabel and Mary Jemima Yorke, c. 1761 Cleveland Museum of Art

Painting of three light-skinned girls in a woodland setting. A dog in the foreground faces a girl with a puppy in her lap.

Narcisse Virgilio Díaz de la Peña Three Little Girls, c. 1870 Art Institute of Chicago

Twilight in the Wilderness, Frederic Edwin Church, 1860, oil on canvas

Frederic Edwin Church Twilight in the Wilderness, 1860 Cleveland Museum of Art

Merrymakers at Shrovetide, Frans Hals, ca. 1616–17, oil on canvas

Frans Hals Merrymakers at Shrovetide, ca. 1616–17 The Met

Louis Gueymard (1822–1880) as Robert le Diable, Gustave Courbet, 1857, oil on canvas

Gustave Courbet Louis Gueymard (1822–1880) as Robert le Diable, 1857 The Met

This painting shows a woman standing in front of a wooden dresser with a mirror, her back to us. We can see her face reflected in the mirror. She is gazing at her reflection with both of her hands lifted towards her slightly tilted face.

Eastman Johnson The Toilet, 1873 National Gallery of Art

Charles Rousseau Burney (1747–1819), Thomas Gainsborough, ca. 1780, oil on canvas

Thomas Gainsborough Charles Rousseau Burney (1747–1819), ca. 1780 The Met

Portrait of a Young Woman, Called Miss Sparrow, Thomas Gainsborough, 1770s, oil on canvas

Thomas Gainsborough Portrait of a Young Woman, Called Miss Sparrow, 1770s The Met

Shown from the hips up, a man with peachy skin and long, brown curly hair and goatee stands in front of a window opening onto a moonlit sky in this vertical portrait painting.

Frans Hals Portrait of a Member of the Haarlem Civic Guard, c. 1636/1638 National Gallery of Art

George Bellows Little Girl in White (Queenie Burnett), 1907 National Gallery of Art

The Supper at Emmaus, Diego Velázquez, 1622–23, oil on canvas

Diego Velázquez The Supper at Emmaus, 1622–23 The Met

Portrait of a Carthusian, Petrus Christus, 1446, oil on oak

Petrus Christus Portrait of a Carthusian, 1446 The Met

Still life painting of strawberries, nuts, lemon, and porcelain vessels.

Raphaelle Peale Still Life—Strawberries, Nuts, &c., 1822 Art Institute of Chicago

Albert Gallatin, Gilbert Stuart, ca. 1803, oil on canvas

Gilbert Stuart Albert Gallatin, ca. 1803 The Met

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