Paintings for Black Walls (page 25)

Warm palettes

Golds, reds and browns. The ones that differ most from the wall in lightness come first, because they stand out best. Showing 1,153 to 1,200 of 1,211.

Joseph Gerrish, John Singleton Copley, 1770, oil on canvas

John Singleton Copley Joseph Gerrish, 1770 Art Institute of Chicago

Portrait of Franklin H. Delano, Eastman Johnson, c. 1881, oil on board

Eastman Johnson Portrait of Franklin H. Delano, c. 1881 Cleveland Museum of Art

Portrait of an Old Man, Hans Memling, ca. 1475, oil on wood

Hans Memling Portrait of an Old Man, ca. 1475 The Met

Madame Henri François Riesener (Félicité Longrois, 1786–1847), Eugène Delacroix, 1835, oil on canvas

Eugène Delacroix Madame Henri François Riesener (Félicité Longrois, 1786–1847), 1835 The Met

Portrait of a Man with a Rosary, Lucas Cranach the Elder, ca. 1508, oil on oak

Lucas Cranach the Elder Portrait of a Man with a Rosary, ca. 1508 The Met

George Sand's Garden at Nohant, Eugène Delacroix, ca. 1842–43, oil on canvas

Eugène Delacroix George Sand's Garden at Nohant, ca. 1842–43 The Met

Burgomaster Jan van Duren (1613–1687), Gerard ter Borch, ca. 1666–67, oil on canvas

Gerard ter Borch Burgomaster Jan van Duren (1613–1687), ca. 1666–67 The Met

Margaretha van Haexbergen (1614–1676), Gerard ter Borch, ca. 1666–67, oil on canvas

Gerard ter Borch Margaretha van Haexbergen (1614–1676), ca. 1666–67 The Met

Woman at a Balcony, Jean-Léon Gérôme, 1887–88, oil on canvas

Jean-Léon Gérôme Woman at a Balcony, 1887–88 The Met

Stefanina Primicile Carafa, Marchioness of Cicerale and Duchess of Montejasi, Edgar Degas, c. 1875, oil on fabric

Edgar Degas Stefanina Primicile Carafa, Marchioness of Cicerale and Duchess of Montejasi, c. 1875 Cleveland Museum of Art

Herman Doomer (ca. 1595–1650), Rembrandt van Rijn, 1640, oil on wood

Rembrandt van Rijn Herman Doomer (ca. 1595–1650), 1640 The Met

Monsieur Suisse, Gustave Courbet, 1861, oil on canvas

Gustave Courbet Monsieur Suisse, 1861 The Met

A Maid Asleep, Johannes Vermeer, ca. 1656–57, oil on canvas

Johannes Vermeer A Maid Asleep, ca. 1656–57 The Met

Aretino in the Studio of Tintoretto, Jean-Auguste-Dominique Ingres, 1848, oil on canvas

Jean-Auguste-Dominique Ingres Aretino in the Studio of Tintoretto, 1848 The Met

Feast of the Gods, Honoré Daumier, c. 1849/1850, with later additions by other hands, oil on wood

Honoré Daumier Feast of the Gods, c. 1849/1850, with later additions by other hands National Gallery of Art

The Baptism of Christ, Jacopo Bassano, ca. 1590, oil on canvas

Jacopo Bassano The Baptism of Christ, ca. 1590 The Met

Lucas van Uffel (died 1637), Anthony van Dyck, ca. 1622, oil on canvas

Anthony van Dyck Lucas van Uffel (died 1637), ca. 1622 The Met

Leisure Time in an Elegant Setting, Pieter de Hooch, ca. 1663–65, oil on canvas

Pieter de Hooch Leisure Time in an Elegant Setting, ca. 1663–65 The Met

Isabella of Bourbon, Wife of Philip IV of Spain, Diego Velázquez, c. 1632, oil on canvas

Diego Velázquez Isabella of Bourbon, Wife of Philip IV of Spain, c. 1632 Art Institute of Chicago

Paul Lafond and Alphonse Cherfils Examining a Painting, Edgar Degas, c. 1878–80, oil on wood panel

Edgar Degas Paul Lafond and Alphonse Cherfils Examining a Painting, c. 1878–80 Cleveland Museum of Art

Two men wearing brief-like shorts, shoes, and boxing gloves curl toward each other as they grapple in the middle of a boxing ring in this horizontal painting. We look at the ring from across the heads of the crowd below and around us.

George Bellows Club Night, 1907 National Gallery of Art

Portrait of a Woman, Called the Marchesa Durazzo, Anthony van Dyck, probably ca. 1622–25, oil on canvas

Anthony van Dyck Portrait of a Woman, Called the Marchesa Durazzo, probably ca. 1622–25 The Met

Juan de Pareja (ca. 1608–1670), Diego Velázquez, 1650, oil on canvas

Diego Velázquez Juan de Pareja (ca. 1608–1670), 1650 The Met

A Hunting Scene, Piero di Cosimo, ca. 1494–1500, tempera and oil transferred to Masonite

Piero di Cosimo A Hunting Scene, ca. 1494–1500 The Met

Shown from about the knees up, a man with peachy skin, wearing a voluminous black cloak and a tall, brimmed hat, looks directly at us in this vertical portrait painting.

Rembrandt van Rijn Portrait of a Man in a Tall Hat, c. 1663 National Gallery of Art

Christmas-Time, The Blodgett Family, Eastman Johnson, 1864, oil on canvas

Eastman Johnson Christmas-Time, The Blodgett Family, 1864 The Met

Shown from about the knees up, an older, bearded, pale-skinned man sits at a desk with his head in one hand in a shadowy room in this vertical painting. His body is angled to our right, and he sits in a heavy wooden armchair next to a desk.

Rembrandt van Rijn The Apostle Paul, c. 1657 National Gallery of Art

Beggar with a Duffle Coat (Philosopher), Édouard Manet, 1865–67, oil on canvas

Édouard Manet Beggar with a Duffle Coat (Philosopher), 1865–67 Art Institute of Chicago

Bashi-Bazouk, Jean-Léon Gérôme, ca. 1868–69, oil on canvas

Jean-Léon Gérôme Bashi-Bazouk, ca. 1868–69 The Met

The Adoration of the Shepherds, El Greco, ca. 1605–10, oil on canvas

El Greco The Adoration of the Shepherds, ca. 1605–10 The Met

A young boy with pale skin and short brown hair, wearing a black and gold jerkin and breeches, white lace collar, and buttercup-yellow stockings, stands facing us with a dog at his heels in this vertical portrait painting.

Anthony van Dyck Filippo Cattaneo, 1623 National Gallery of Art

The Silver Tureen, Jean-Baptiste-Siméon Chardin, ca. 1728–30, oil on canvas

Jean-Baptiste-Siméon Chardin The Silver Tureen, ca. 1728–30 The Met

Interior with a Young Couple, Pieter de Hooch, probably ca. 1662–65, oil on canvas

Pieter de Hooch Interior with a Young Couple, probably ca. 1662–65 The Met

Hendrickje Stoffels (1626–1663), Rembrandt van Rijn, mid-1650s, oil on canvas

Rembrandt van Rijn Hendrickje Stoffels (1626–1663), mid-1650s The Met

Doge Andrea Gritti (1455–1538), Titian, 1542, oil on canvas

Titian Doge Andrea Gritti (1455–1538), 1542 The Met

Shown from the hips up, a young man with pale skin and wearing black clothing sits with his body angled to our right as he turns to look at us in this vertical portrait painting. He looks out with green eyes under hooded lids.

Rembrandt van Rijn A Young Man Seated at a Table (possibly Govaert Flinck), c. 1660 National Gallery of Art

The Visit, Pieter de Hooch, ca. 1657, oil on wood

Pieter de Hooch The Visit, ca. 1657 The Met

Still Life with Oysters, a Silver Tazza, and Glassware, Willem Claesz Heda, 1635, oil on wood

Willem Claesz Heda Still Life with Oysters, a Silver Tazza, and Glassware, 1635 The Met

A pale-skinned woman sits on a red velvet chair, which is almost entirely hidden by her voluminous, dark emerald-green and gold gown, in this vertical portrait painting.

Anthony van Dyck Marchesa Balbi, c. 1623 National Gallery of Art

The Third-Class Carriage, Honoré Daumier, 1864, oil on canvas

Honoré Daumier The Third-Class Carriage, 1864 The Met

Portrait of Isidoro Máiquez, Francisco de Goya, c. 1807, oil on canvas

Francisco de Goya Portrait of Isidoro Máiquez, c. 1807 Art Institute of Chicago

Woman with a Pink, Rembrandt van Rijn, early 1660s, oil on canvas

Rembrandt van Rijn Woman with a Pink, early 1660s The Met

Still Life: A Banqueting Scene, Jan Davidsz de Heem, ca. 1640–41, oil on canvas

Jan Davidsz de Heem Still Life: A Banqueting Scene, ca. 1640–41 The Met

Soap Bubbles, Jean-Baptiste-Siméon Chardin, ca. 1733–34, oil on canvas

Jean-Baptiste-Siméon Chardin Soap Bubbles, ca. 1733–34 The Met

A Bouquet of Flowers, Clara Peeters, ca. 1612, oil on wood

Clara Peeters A Bouquet of Flowers, ca. 1612 The Met

Samuel Verplanck, John Singleton Copley, 1771, oil on canvas

John Singleton Copley Samuel Verplanck, 1771 The Met

A Woman and Two Men in an Arbor, Pieter de Hooch, ca. 1657–58, oil on wood

Pieter de Hooch A Woman and Two Men in an Arbor, ca. 1657–58 The Met

Paying the Hostess, Pieter de Hooch, ca. 1670, oil on canvas

Pieter de Hooch Paying the Hostess, ca. 1670 The Met

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