Paintings for Chocolate Walls (page 39)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 1,825 to 1,861 of 1,861.

A tall, thin, pale-skinned young man stands in a dimly lit room, nearly filling the height of this portrait painting. He faces us with his body turned slightly to our left, and he wears a charcoal-gray suit and black shoes.

James McNeill Whistler George W. Vanderbilt, 1897/1903 National Gallery of Art

Berthe Morisot Young Woman with a Straw Hat, 1884 National Gallery of Art

We look down onto a plaza with a sliver of a tall building rising along the left edge of the painting, a row of verdant, green trees to our right, and a row of buildings enclosing the space in the distance in this nearly square landscape…

Camille Pissarro Place du Carrousel, Paris, 1900 National Gallery of Art

The Repast of the Lion, Henri Rousseau, ca. 1907, oil on canvas

Henri Rousseau The Repast of the Lion, ca. 1907 The Met

Gulian Verplanck, John Singleton Copley, 1771, oil on canvas

John Singleton Copley Gulian Verplanck, 1771 The Met

Jacques-Louis Leblanc (1774–1846), Jean-Auguste-Dominique Ingres, 1823, oil on canvas

Jean-Auguste-Dominique Ingres Jacques-Louis Leblanc (1774–1846), 1823 The Met

We look onto two black-headed ducks twisting and flailing midair against a slate-gray landscape in this horizontal painting. The silvery white body of the bird to our left faces us as its neck twists to our left, its black wings extended.

Winslow Homer Right and Left, 1909 National Gallery of Art

Painted with wide strokes in almost geometric areas of mottled color, a woman wearing a long black dress stands at the side of a table in this stylized, vertical composition.

Édouard Vuillard Woman in Black, c. 1891 National Gallery of Art

Seated Peasant, Paul Cézanne, ca. 1892–96, oil on canvas

Paul Cézanne Seated Peasant, ca. 1892–96 The Met

Entrance to a Village, Meindert Hobbema, ca. 1665, oil on wood

Meindert Hobbema Entrance to a Village, ca. 1665 The Met

Shown from the knees up, a pale-skinned woman wearing a muted, sapphire-blue gown sits ramrod straight in a chair and looks at us in this vertical portrait painting.

Francisco de Goya Thérèse Louise de Sureda, c. 1803/1804 National Gallery of Art

This painting shows a seated woman from the waist up. Her body faces us, and she looks off to the right with a neutral expression. She has light skin, brown eyes, and rosy cheeks.

George Bellows Maud Murray Dale (Mrs. Chester Dale), 1919 National Gallery of Art

Painted portrait of woman in green dress and cloud backdrop.

John Singleton Copley Mrs. Daniel Hubbard (Mary Greene), c. 1764 Art Institute of Chicago

In the center of this painting, there is a horse-drawn cart turned away from us, facing the right. In the cart is a person wearing dark blue clothing and a dark hat, and next to them is a white-and-pink bundle that could be another person.

Henri de Toulouse-Lautrec The Trap, 1880 National Gallery of Art

The Van Moerkerken Family, Gerard ter Borch, ca. 1653–54, oil on wood

Gerard ter Borch The Van Moerkerken Family, ca. 1653–54 The Met

The Calm Sea, Gustave Courbet, 1869, oil on canvas

Gustave Courbet The Calm Sea, 1869 The Met

Portrait of a Young Woman with a Fan, Rembrandt van Rijn, 1633, oil on canvas

Rembrandt van Rijn Portrait of a Young Woman with a Fan, 1633 The Met

Shown from the knees up, a woman stands facing us as she turns her head to look off to our right in this vertical portrait painting. The woman has pale, peachy skin, deeply shadowed, hooded eyes, and a straight nose.

Camille Corot Agostina, 1866 National Gallery of Art

A loose arrangement of colorful wildflowers bursting out of a red clay jug sits near the back left corner of a tabletop and fills the top two-thirds of this vertical still life painting.

Pierre-Auguste Renoir Flowers in a Vase, c. 1866 National Gallery of Art

David Sears, Jr., Gilbert Stuart, ca. 1815, oil on canvas

Gilbert Stuart David Sears, Jr., ca. 1815 The Met

Christ on the Cross, El Greco, c. 1600–1610, oil on canvas

El Greco Christ on the Cross, c. 1600–1610 Cleveland Museum of Art

Portrait of a Man, Frans Hals, early 1650s, oil on canvas

Frans Hals Portrait of a Man, early 1650s The Met

Carmencita, William Merritt Chase, 1890, oil on canvas

William Merritt Chase Carmencita, 1890 The Met

Portrait of a Man, Gustave Courbet, probably ca. 1862, oil on canvas

Gustave Courbet Portrait of a Man, probably ca. 1862 The Met

Henry G. Marquand, John Singer Sargent, 1897, oil on canvas

John Singer Sargent Henry G. Marquand, 1897 The Met

Portrait of a Seated Man, Gerard ter Borch, late 1650s or early 1660s, oil on wood

Gerard ter Borch Portrait of a Seated Man, late 1650s or early 1660s The Met

Boy in a Blue Coat, George Bellows, 1915, oil on canvas

George Bellows Boy in a Blue Coat, 1915 Cleveland Museum of Art

Shown from about the knees up, a man with peachy skin, wearing a voluminous black cloak and a tall, brimmed hat, looks directly at us in this vertical portrait painting.

Rembrandt van Rijn Portrait of a Man in a Tall Hat, c. 1663 National Gallery of Art

The Mountain Ford, Thomas Cole, 1846, oil on canvas

Thomas Cole The Mountain Ford, 1846 The Met

Edward R. Bacon (1846–1915), Anders Zorn, 1897, oil on canvas

Anders Zorn Edward R. Bacon (1846–1915), 1897 The Met

Corn Fields, Félix Vallotton, 1900, oil on board

Félix Vallotton Corn Fields, 1900 Cleveland Museum of Art

River and Rocks, Gustave Courbet, 1873–77, oil on canvas

Gustave Courbet River and Rocks, 1873–77 The Met

The Funding Bill, Eastman Johnson, 1881, oil on canvas

Eastman Johnson The Funding Bill, 1881 The Met

Edward Guthrie Kennedy, James McNeill Whistler, 1893–95, oil on wood

James McNeill Whistler Edward Guthrie Kennedy, 1893–95 The Met

Thomas Wilmer Dewing Lady with a Lute, 1886 National Gallery of Art

Woman in a Riding Habit (L'Amazone), Gustave Courbet, ca. 1855–59, oil on canvas

Gustave Courbet Woman in a Riding Habit (L'Amazone), ca. 1855–59 The Met

The painting depicts a forest floor under tall trees, with a grassy path leading into the distance. The sky is obscured by dense green foliage and tree limbs.

Narcisse Virgilio Díaz de la Peña Forest Scene, 1874 National Gallery of Art

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