Paintings for Dusty Rose Walls

Deeper than blush, warmer than mauve; a bedroom favorite.

Dusty Rose #C9908F

Olive and sage contrast; warm neutrals echo.

Echoes your wall 377
Contrasts with your wall 265
Neutral with your wall 1,732

Study of Lilia, Carolus-Duran 16 × 20 in portrait print (41 × 51 cm), centered 53¼ in from the floor, 8 in above the sofa. Drawn to scale on a 12 × 8 ft wall.

Wall color

Default greige

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 1 to 48 of 377.

Facing away from us against a cherry-red background, the head and shoulders of a light-skinned woman wearing strawberry red, with her copper-brown hair piled atop her head, fills this vertical painting.

Carolus-Duran Study of Lilia, 1887 National Gallery of Art

Woman on Rose Divan, Henri Matisse, 1921, oil on canvas

Henri Matisse Woman on Rose Divan, 1921 Art Institute of Chicago

A woman with a pale, peachy skin stands wearing a voluminous rose-pink, silk dress and holding a wreath of pink and white roses and greenery in this vertical portrait painting.

Anthony van Dyck Catherine Howard, Lady d'Aubigny, c. 1638 National Gallery of Art

Sunrise on the Matterhorn, Albert Bierstadt, after 1875, oil on canvas

Albert Bierstadt Sunrise on the Matterhorn, after 1875 The Met

Bouquet in a Chinese Vase, Odilon Redon, ca. 1912–14, oil on canvas

Odilon Redon Bouquet in a Chinese Vase, ca. 1912–14 The Met

The Flight into Egypt, Giovanni Battista Tiepolo, ca. 1767–70, oil on canvas

Giovanni Battista Tiepolo The Flight into Egypt, ca. 1767–70 The Met

Moonlight, Strandgade 30, Vilhelm Hammershøi, 1900–1906, oil on canvas

Vilhelm Hammershøi Moonlight, Strandgade 30, 1900–1906 The Met

The image shows a still life of round fruits, such as grapes and peaches, placed on a white plate. The color scheme consists of warm browns, muted greens, and deep reds. The fruits have a natural sheen.

Henri Fantin-Latour Still Life with Peaches and Grapes, 1896 National Gallery of Art

Harriet Hubbard Ayer, Eastman Johnson, 1881, oil on canvas

Eastman Johnson Harriet Hubbard Ayer, 1881 National Gallery of Art

Dominated by tones of red and fire orange, this nearly square painting shows a seated woman leaning forward in a high-backed chair, holding a round, flat, leaf-shaped fan.

Edgar Degas Madame Camus, 1869/1870 National Gallery of Art

Madame François Buron, Jacques-Louis David, 1769, oil on canvas

Jacques-Louis David Madame François Buron, 1769 Art Institute of Chicago

Autumn, a Wood Path, Sanford Robinson Gifford, 1876, oil on canvas

Sanford Robinson Gifford Autumn, a Wood Path, 1876 Cleveland Museum of Art

The Annunciation, Hans Memling, ca. 1465–70, oil on wood

Hans Memling The Annunciation, ca. 1465–70 The Met

Great-Grand-Father's Tale of the Revolution—A Portrait of Reverend Zachariah Greene, William Sidney Mount, 1852, oil on canvas

William Sidney Mount Great-Grand-Father's Tale of the Revolution—A Portrait of Reverend Zachariah Greene, 1852 The Met

This painting depicts three individuals in a room. An elderly man is seated on a wooden chair, reading a newspaper, with a child standing beside him. The man has balding gray hair, round spectacles, and is dressed in a black suit.

Eastman Johnson The Brown Family, 1869 National Gallery of Art

This painting shows a young person from the waist up, sitting with their hands folded on a brown surface. The person is angled slightly to the left, looking up into the distance.

Agnolo di Domenico del Mazziere Portrait of a Youth, c. 1495/1500 National Gallery of Art

Two men are situated inside a coral-red building that fills the left two-thirds of this composition, and two men are shown in a body of water in a landscape to our right in this horizontal painting.

Fra Filippo Lippi Saint Benedict Orders Saint Maurus to the Rescue of Saint Placidus, c. 1445/1450 National Gallery of Art

A young boy with pale skin, wearing a burgundy-red suit and floppy hat, stands facing and looking at us with a gray terrier dog at his side in this vertical portrait painting.

Mary Cassatt Eddy Cassatt (Edward Buchanan Cassatt), 1875 National Gallery of Art

The Hatch Family, Eastman Johnson, 1870–71, oil on canvas

Eastman Johnson The Hatch Family, 1870–71 The Met

Twilight in the Wilderness, Frederic Edwin Church, 1860, oil on canvas

Frederic Edwin Church Twilight in the Wilderness, 1860 Cleveland Museum of Art

A pale-skinned, clean-shaven man with a heavily lined, paunchy face sits against a green and red wall in this vertical portrait painting. The man sits in a wooden chair painted forest green and rests both hands on the closer arm.

John Singleton Copley Eleazer Tyng, 1772 National Gallery of Art

Portrait of a Woman, Amedeo Modigliani, c. 1917–18, oil on canvas

Amedeo Modigliani Portrait of a Woman, c. 1917–18 Cleveland Museum of Art

Shown from the waist up, an older, pale-skinned man wearing clerical robes gestures to our right with one hand and turns his head to look off to our left in this vertical portrait painting.

Titian Cardinal Pietro Bembo, 1539/1540 National Gallery of Art

Shown from the knees up, a pale-skinned woman looking off to the left from her seat on a divan wears a carnation-pink gown and a fur-lined cloak in this vertical portrait painting.

John Singleton Copley Abigail Smith Babcock (Mrs. Adam Babcock), c. 1774 National Gallery of Art

Egyptian Woman, John Singer Sargent, 1890–91, oil on canvas

John Singer Sargent Egyptian Woman, 1890–91 The Met

A young woman sitting with a nude infant lying in her lap is flanked on either side by an older woman to our left and an elderly man with a nude young boy to our right in this vertical painting. They all have pale skin tinged with blue.

El Greco The Holy Family with Saint Anne and the Infant John the Baptist, c. 1595/1600 National Gallery of Art

A woman with peachy skin and dark auburn hair is shown from her chest up sitting in a wooden chair in this vertical portrait painting.

Amedeo Modigliani Adrienne (Woman with Bangs), 1917 National Gallery of Art

Albert Gallatin, Gilbert Stuart, ca. 1803, oil on canvas

Gilbert Stuart Albert Gallatin, ca. 1803 The Met

Mrs. Mayer and Daughter, Ammi Phillips, 1835–40, oil on canvas

Ammi Phillips Mrs. Mayer and Daughter, 1835–40 The Met

Sunset near Arbonne, Théodore Rousseau, ca. 1860–65, oil on wood

Théodore Rousseau Sunset near Arbonne, ca. 1860–65 The Met

In this painting, there are two round, crusty rolls next to a cream-colored cup with a floral blue-and-yellow design on top of a saucer with a gold rim.

John Frederick Peto Breakfast, c. 1890s National Gallery of Art

Vétheuil, Claude Monet, 1901, oil on canvas

Claude Monet Vétheuil, 1901 Art Institute of Chicago

A woman leans forward to trace the shadow cast by a sleeping young man on a wall in a dimly lit room in this horizontal painting. Both people have smooth, pale skin, long, straight noses, thin lips, and brown hair.

Joseph Wright of Derby The Corinthian Maid, 1782-1784 National Gallery of Art

This painting shows two large pears on a white tablecloth. The pear on the left is a pinkish color and sits directly on the cloth. The pear on the right is yellow, and it rests on a white plate next to a small knife.

Sanford Robinson Gifford Two Pears on a Tabletop, c. 1866 National Gallery of Art

Cardinal Fernando Niño de Guevara (1541–1609), El Greco, ca. 1600, oil on canvas

El Greco Cardinal Fernando Niño de Guevara (1541–1609), ca. 1600 The Met

Shown from the knees up, a young man with pale, peachy skin, wearing a black uniform and cap, leans against the back of a chair in this vertical portrait painting. He looks at us with pale blue eyes under sloping brows.

Edgar Degas Achille De Gas in the Uniform of a Cadet, 1856/1857 National Gallery of Art

This painting shows a woman standing in front of a wooden dresser with a mirror, her back to us. We can see her face reflected in the mirror. She is gazing at her reflection with both of her hands lifted towards her slightly tilted face.

Eastman Johnson The Toilet, 1873 National Gallery of Art

Virgin and Child, Hans Memling, c. 1485, oil on panel

Hans Memling Virgin and Child, c. 1485 Art Institute of Chicago

A light-skinned woman in a long, shiny white dress sits at a desk reading a book. The book is propped on a large red pillow. Her head is propped in her hand.

Thomas Lawrence Isabella Wolff, 1803–15 Art Institute of Chicago

Charles Claude de Flahaut (1730–1809), Comte d'Angiviller, Jean-Baptiste Greuze, 1763, oil on canvas

Jean-Baptiste Greuze Charles Claude de Flahaut (1730–1809), Comte d'Angiviller, 1763 The Met

Anna van der Aar (born 1576/77, died after 1626), Frans Hals, 1626, oil on wood

Frans Hals Anna van der Aar (born 1576/77, died after 1626), 1626 The Met

A Genoese Lady with Her Child, Anthony van Dyck, c. 1623–25, oil on canvas

Anthony van Dyck A Genoese Lady with Her Child, c. 1623–25 Cleveland Museum of Art

Shown from the waist up, a clean-shaven man with pale, peachy skin is dressed in black and burgundy red in this vertical portrait painting.

Lucas Cranach the Elder Portrait of a Man, 1522 National Gallery of Art

Portrait of a Woman, Joseph Wright of Derby, ca. 1770, oil on canvas

Joseph Wright of Derby Portrait of a Woman, ca. 1770 The Met

Shown from the hips up, a pale-skinned woman with a long, narrow face wears a richly decorated crimson-red dress in this vertical portrait painting. Her body angles to our left, and she looks in that direction with hooded brown eyes.

Agnolo Bronzino Eleonora di Toledo, c. 1560 National Gallery of Art

The Call, Paul Gauguin, 1902, oil on canvas

Paul Gauguin The Call, 1902 Cleveland Museum of Art

Shown from the knees up, a pale-skinned woman wearing an off-the-shoulder, black gown stands in front of a maroon-red wall in this vertical portrait painting. Her body is angled to our left, but she turns her round face to us.

Jean-Auguste-Dominique Ingres Madame Moitessier, 1851 National Gallery of Art

Marguerite-Thérèse (Margot) Berard (1874–1956), Pierre-Auguste Renoir, 1879, oil on canvas

Pierre-Auguste Renoir Marguerite-Thérèse (Margot) Berard (1874–1956), 1879 The Met

Contrasts with your wall

Paintings built around the opposite color, which stand out against this wall. The truest opposites come first. The strongest 24 of 265.

Painted almost entirely in tones of topaz, lapis, and sky blue, the façade of a building abutting a waterway fills this horizontal painting. Brushstrokes are visible throughout and they blend to make the scene appear hazy.

Claude Monet Palazzo da Mula, Venice, 1908 National Gallery of Art

This painting shows a riverside with a cream-colored bridge cutting horizontally across the scene in front of a bustling city. The bridge is decorated with flags that have stripes of red, white, and blue.

Armand Guillaumin The Bridge of Louis Philippe, 1875 National Gallery of Art

Still Life with Apples and a Pot of Primroses, Paul Cézanne, ca. 1890, oil on canvas

Paul Cézanne Still Life with Apples and a Pot of Primroses, ca. 1890 The Met

An arched bridge faintly materializes in a haze of soft turquoise blue and mint green in this horizontal landscape painting. The bridge has four arches under a flat deck, and it extends off each side of the canvas.

Claude Monet Waterloo Bridge, London, at Dusk, 1904 National Gallery of Art

We look slightly down onto the surface of a river in which three narrow canoes, each paddled by a single person, are being rowed toward us in this horizontal landscape painting.

Gustave Caillebotte Skiffs, 1877 National Gallery of Art

A small brown dog and a pale-skinned little girl wearing a white dress sit in matching celestial-blue armchairs in this horizontal painting. To our right, the girl sits with her legs angled to our left.

Mary Cassatt Little Girl in a Blue Armchair, 1878 National Gallery of Art

Painting of a crowd of well-dressed light-skinned people in an open, snowy field surrounded by large rolling hills.

George Bellows Love of Winter, 1914 Art Institute of Chicago

Painting of a pond seen up close spotted with thickly painted pink and white water lilies and a shadow across the top third of the picture.

Claude Monet Water Lilies, 1906 Art Institute of Chicago

The Island of San Michele, Venice, Francesco Guardi, 1770s, oil on canvas

Francesco Guardi The Island of San Michele, Venice, 1770s The Met

Painting of a light-skinned woman dressed in a gauzy white gown with black trim playing an upright paino.

Pierre-Auguste Renoir Woman at the Piano, 1875–76 Art Institute of Chicago

Beaulieu: The Bay of Fourmis, Eugène Boudin, 1892, oil on canvas

Eugène Boudin Beaulieu: The Bay of Fourmis, 1892 The Met

A woman stands on a sun-dappled path, which runs past a bank of blooming flowers and back to a cottage in this vertical painting.

Gustave Caillebotte Dahlias, Garden at Petit Gennevilliers, 1893 National Gallery of Art

Polynesian Woman with Children, Paul Gauguin, 1901, oil on linen canvas

Paul Gauguin Polynesian Woman with Children, 1901 Art Institute of Chicago

Sea View, Calm Weather (Vue de mer, temps calme), Édouard Manet, 1864, oil on canvas

Édouard Manet Sea View, Calm Weather (Vue de mer, temps calme), 1864 Art Institute of Chicago

Shown from the chest up, a man with short, orange hair and green-tinted, pale skin looks at us, wearing a vivid blue painter's smock in this vertical portrait painting.

Vincent van Gogh Self-Portrait, 1889 National Gallery of Art

Jewel-toned blue, red, yellow, green, and pearl white brushstrokes swirl and stretch in this loosely painted horizontal landscape painting.

Pierre-Auguste Renoir The Blue River, c. 1890/1900 National Gallery of Art

Ship in Full Sail, T. Davies, 1827, oil on canvas

T. Davies Ship in Full Sail, 1827 National Gallery of Art

Low Tide at Pourville, near Dieppe, 1882, Claude Monet, 1882, oil on fabric

Claude Monet Low Tide at Pourville, near Dieppe, 1882, 1882 Cleveland Museum of Art

This painting shows a maritime scene from the water, with a coastline in the distance marked by small, colorful buildings and distant green hills.

A. Hashagen Ship "Arkansas" Leaving Havana, 1847 National Gallery of Art

By the Seashore, Pierre-Auguste Renoir, 1883, oil on canvas

Pierre-Auguste Renoir By the Seashore, 1883 The Met

Shown from the lap up a pale-skinned young girl sits in a grassy landscape in this vertical painting. The girl and surroundings are painted with visible strokes and dashes of mostly vivid greens and blues, which give the scene a soft look.

Camille Pissarro Peasant Girl with a Straw Hat, 1881 National Gallery of Art

The Pool at Jas de Bouffan, Paul Cézanne, ca. 1885–86, oil on canvas

Paul Cézanne The Pool at Jas de Bouffan, ca. 1885–86 The Met

We look across a shaded field of snow, through a screen of loosely spaced trees at a cobalt-blue mountain that dominates this square landscape painting. The scene is painted with visible brushstrokes throughout.

Abbott Handerson Thayer Mount Monadnock, probably 1911/1914 National Gallery of Art

Still Life with Peaches and Grapes, Pierre-Auguste Renoir, 1881, oil on canvas

Pierre-Auguste Renoir Still Life with Peaches and Grapes, 1881 The Met

Neutral with your wall

Quiet palettes that neither match nor fight this color, the softest first. The strongest 24 of 1,732.

Saddle Horse in Farm Yard, Winslow Homer, ca. 1870–75, oil on wood

Winslow Homer Saddle Horse in Farm Yard, ca. 1870–75 The Met

Study of a Tree, Albert Bierstadt, ca. 1864, oil on paper mounted on board

Albert Bierstadt Study of a Tree, ca. 1864 The Met

Portrait of a Man with Gray Hair, Henry Raeburn, 1810–20, oil on canvas

Henry Raeburn Portrait of a Man with Gray Hair, 1810–20 Art Institute of Chicago

Fish, William Merritt Chase, by 1910, oil on canvas

William Merritt Chase Fish, by 1910 The Met

View near Sherburne, Chenango County, New York, Jasper Francis Cropsey, 1853, oil on canvas

Jasper Francis Cropsey View near Sherburne, Chenango County, New York, 1853 The Met

Jonathan Sturges, Asher Brown Durand, ca. 1840, oil on canvas

Asher Brown Durand Jonathan Sturges, ca. 1840 The Met

A Fisherman, Eastman Johnson, 1865, brown inks on tan-color sized canvas

Eastman Johnson A Fisherman, 1865 The Met

Sanford Robinson Gifford, Eastman Johnson, 1880, oil on academy board

Eastman Johnson Sanford Robinson Gifford, 1880 The Met

Lake George, A Reminiscence, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Lake George, A Reminiscence, 1872 The Met

Lake George, New York, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Lake George, New York, 1872 The Met

Evening, New Bedford Harbor, Dwight William Tryon, 1890, oil on wood

Dwight William Tryon Evening, New Bedford Harbor, 1890 The Met

Moonlight, Dwight William Tryon, 1887, oil on wood

Dwight William Tryon Moonlight, 1887 The Met

Moonrise at Sunset, Dwight William Tryon, 1890, oil on wood

Dwight William Tryon Moonrise at Sunset, 1890 The Met

Village in Brittany, Charles-François Daubigny, 1844, oil on paper, mounted on canvas

Charles-François Daubigny Village in Brittany, 1844 Art Institute of Chicago

Nocturnal landscape painting with lush trees and a large patch of sky with visible brushstrokes. Multiple small, seated figures line the foreground.

Narcisse Virgilio Díaz de la Peña Landscape with Figures, c. 1870 Art Institute of Chicago

Castel San Elmo (from Cropsey Album), Jasper Francis Cropsey, 1848, graphite, white gouache, and watercolor on dark buff-colored wove paper

Jasper Francis Cropsey Castel San Elmo (from Cropsey Album), 1848 The Met

Environs of Fontainebleau: Woodland and Cattle, Rosa Bonheur, 1864, oil on canvas

Rosa Bonheur Environs of Fontainebleau: Woodland and Cattle, 1864 The Met

Capriccio: The Lagoon, Francesco Guardi, After 1770, oil on canvas

Francesco Guardi Capriccio: The Lagoon, After 1770 Art Institute of Chicago

The Circumcision, Giovanni Bellini, 1511, oil on wood

Giovanni Bellini The Circumcision, 1511 The Met

Virgin and Child, Peter Paul Rubens, 1619, oil on wood

Peter Paul Rubens Virgin and Child, 1619 The Met

Allegorical Figure Representing Temperance, Giovanni Battista Tiepolo, 1760, fresco, transferred to canvas

Giovanni Battista Tiepolo Allegorical Figure Representing Temperance, 1760 The Met

Portrait of a Gentleman, Charles Willson Peale, ca. 1775, oil on canvas

Charles Willson Peale Portrait of a Gentleman, ca. 1775 The Met

Portrait of a Woman, Charles Willson Peale, ca. 1775, oil on canvas

Charles Willson Peale Portrait of a Woman, ca. 1775 The Met

Martin Euclid Thompson, William Sidney Mount, 1830, oil on canvas

William Sidney Mount Martin Euclid Thompson, 1830 The Met

Other wall colors