Paintings for Greige Walls (page 28)

Soft and muted

Gentle, low-color paintings that keep a pale room calm. The softest come first, then the lightest, so nothing shouts against greige. Showing 1,297 to 1,315 of 1,315.

We look across the gleaming, forest-green surface of a lake at the foot of tall, jagged mountains in this horizontal landscape painting.

Albert Bierstadt Mount Corcoran, c. 1876-1877 National Gallery of Art

Portrait of Dr. William McNeill Whistler, James McNeill Whistler, 1871–73, oil on panel

James McNeill Whistler Portrait of Dr. William McNeill Whistler, 1871–73 Art Institute of Chicago

A young man and child, both with pale skin, are framed within the rectangular opening of a stone window in this vertical painting. At the center, the young man leans toward us over his forearms, which rest on the wide ledge.

Jean-Baptiste-Siméon Chardin Soap Bubbles, probably 1733/1734 National Gallery of Art

Still life of sensuously detailed painting of four white magnolias lying on blue velvet cloth.

Martin Johnson Heade Magnolias on Light Blue Velvet Cloth, 1885–95 Art Institute of Chicago

Cupid and Psyche, Jacques-Louis David, 1817, oil on canvas

Jacques-Louis David Cupid and Psyche, 1817 Cleveland Museum of Art

Spring Flowers, Claude Monet, 1864, oil on canvas

Claude Monet Spring Flowers, 1864 Cleveland Museum of Art

A woman wearing a white and pale pink robe and holding a sickle sits on billowing clouds flanked by a lion and two young people in this vertical, oval painting. All three people have pale skin with rosy cheeks and blond hair.

Antoine Watteau Ceres (Summer), c. 1717/1718 National Gallery of Art

We look through shadowed trees at a river winding into the distance in this horizontal landscape painting.

Annibale Carracci River Landscape, c. 1590 National Gallery of Art

This painting shows several people in the sky, surrounded by billowing fabric. In the center is a person who appears to be sitting on a cloud-like form. The person is on their back with their legs towards us and their head tilted up.

Giovanni Battista Tiepolo Saint Roch Carried to Heaven by Angels, c. 1735/1745 National Gallery of Art

A woman with pale, smooth skin stands wearing a loosely draped, champagne-peach dress in this vertical portrait painting. Her body faces us but she turns her head to look down and off to our right with brown eyes.

Thomas Gainsborough Georgiana, Duchess of Devonshire, 1783 National Gallery of Art

Dr. James Stuart, Gilbert Stuart, c. 1815, oil on wood

Gilbert Stuart Dr. James Stuart, c. 1815 Cleveland Museum of Art

A Maid Asleep, Johannes Vermeer, ca. 1656–57, oil on canvas

Johannes Vermeer A Maid Asleep, ca. 1656–57 The Met

The image shows a wide expanse of land with a horizon featuring rolling hills or small mountains and sparse trees. In the foreground, a person in traditional indigenous attire is pulling on a rope tethered to a resisting horse.

George Catlin Catching Wild Horses - Pawnee, 1861/1869 National Gallery of Art

Diana and Her Nymphs Departing for the Hunt, Peter Paul Rubens, c. 1615, oil on canvas

Peter Paul Rubens Diana and Her Nymphs Departing for the Hunt, c. 1615 Cleveland Museum of Art

Robert Henri Young Woman in White, 1904 National Gallery of Art

Impressionist painting of seated man, girl with brown, black hues.

Edgar Degas Henri Degas and His Niece Lucie Degas (The Artist's Uncle and Cousin), 1875–76 Art Institute of Chicago

Painting of a small stream in the middle of the woods. In the center of the painting, there is a small waterfall over a large boulder.

Albert Bierstadt Mountain Brook, 1863 Art Institute of Chicago

Self-Portrait, Anthony van Dyck, ca. 1620–21, oil on canvas

Anthony van Dyck Self-Portrait, ca. 1620–21 The Met

Stefanina Primicile Carafa, Marchioness of Cicerale and Duchess of Montejasi, Edgar Degas, c. 1875, oil on fabric

Edgar Degas Stefanina Primicile Carafa, Marchioness of Cicerale and Duchess of Montejasi, c. 1875 Cleveland Museum of Art

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