Paintings for Navy Walls (page 15)

Contrasts with your wall

Paintings built around the opposite color, which stand out against this wall. The truest opposites come first. Showing 673 to 720 of 2,066.

This painting depicts the upper half of a woman's body. She is turned slightly to the left and faces us, with pale skin, soft, rosy cheeks, dark brown eyes, and a neutral expression.

Gilbert Stuart Ann Calvert Stuart Robinson (Mrs. William Robinson), c. 1804 National Gallery of Art

Two women, a man, and two pudgy children create a close-knit group against a dark brown background in this vertical painting. The people all have pale skin with rosy cheeks, blond or copper-colored hair, and delicate gold rings as halos.

Agnolo Bronzino The Holy Family, c. 1527/1528 National Gallery of Art

Manuel Osorio Manrique de Zuñiga (1784–1792), Francisco de Goya, 1787–88, oil on canvas

Francisco de Goya Manuel Osorio Manrique de Zuñiga (1784–1792), 1787–88 The Met

This painting shows a landscape seen from an elevated view. Fields dotted with small trees line a hill that reaches up towards the horizon, below a blue sky full of white, puffy clouds.

Édouard Vuillard Landscape of the Ile-de-France, c. 1894 National Gallery of Art

Towering, sheer cliffs loom to our left, over a sunny beach scattered with boats in this horizontal landscape painting.

Gustave Courbet Beach in Normandy, c. 1872/1875 National Gallery of Art

Shown from the waist up, a light-skinned man sits sideways in a wooden chair so the arm closer to us rests along the chair’s back in this vertical portrait painting. Brushstrokes are visible throughout, especially in the clothing and hair.

Frans Hals Willem Coymans, 1645 National Gallery of Art

Kitchen Scene, Diego Velázquez, 1618–20, oil on canvas

Diego Velázquez Kitchen Scene, 1618–20 Art Institute of Chicago

Snap the Whip, Winslow Homer, 1872, oil on canvas

Winslow Homer Snap the Whip, 1872 The Met

A Man Leaning on a Parapet, Georges Seurat, ca. 1881, oil on wood

Georges Seurat A Man Leaning on a Parapet, ca. 1881 The Met

The Public Garden at Pontoise, Camille Pissarro, 1874, oil on canvas

Camille Pissarro The Public Garden at Pontoise, 1874 The Met

The Return of Persephone, Frederic Leighton, ca. 1890–91, oil on canvas

Frederic Leighton The Return of Persephone, ca. 1890–91 The Met

Shown from the knees up, a woman wearing a shimmering teal-blue gown and holding a garland of flowers stands in front of columns and a landscape in this vertical portrait painting.

John Singleton Copley Anne Fairchild Bowler (Mrs. Metcalf Bowler), c. 1763 National Gallery of Art

Houses at Murnau, Wassily Kandinsky, 1909, oil on cardboard

Wassily Kandinsky Houses at Murnau, 1909 Art Institute of Chicago

Painted portrait of a seated young light-skinned girl with brown hair in a gauzy white dress and hat, eyes downcast, holding a basket.

Berthe Morisot Young Girl with Hat, 1892 Art Institute of Chicago

The Old Pine, Darien, Connecticut, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett The Old Pine, Darien, Connecticut, 1872 The Met

Don Andrés de Andrade y la Cal, Bartolomé Esteban Murillo, ca. 1665–72, oil on canvas

Bartolomé Esteban Murillo Don Andrés de Andrade y la Cal, ca. 1665–72 The Met

This painting shows a woman sitting, her body facing the left and her head turned to look at us, with one arm resting on a wooden surface on the right.

Camille Corot Italian Woman (La Morieri), c. 1872 National Gallery of Art

This horizontal landscape is painted with dots and dashes in fresh green, shimmering blue, amethyst purple, shell pink, pale yellow, and cream white against the brown wood of the panel, which is visible throughout.

Georges Seurat Study for "La Grande Jatte", 1884/1885 National Gallery of Art

Shown from the hips up, a pale-skinned young girl wearing an ink-black garment with a cream-white collar and a coral-red sash and necklaces holds a terrier dog as she looks at us in this vertical portrait painting.

John Singer Sargent Miss Beatrice Townsend, 1882 National Gallery of Art

This painting shows a man seated in a wooden chair, facing slightly to the right with his hands resting on his lap. He has pale, wrinkled skin, a large nose, prominent cheekbones, a thin, closed mouth, and short dark hair.

Thomas Eakins Archbishop Diomede Falconio, 1905 National Gallery of Art

Two girls in acrobatic uniforms stand in an arena, one holds oranges.

Pierre-Auguste Renoir Acrobats at the Cirque Fernando (Francisca and Angelina Wartenberg), 1879 Art Institute of Chicago

This painting depicts a scene overlooking a calm body of water. A large sailing ship with two tall masts and a dark hull is anchored on the water, its sails tied up. On the left, there are two people in a small, dark rowboat.

Eugène Boudin Ship on the Touques, c. 1888/1895 National Gallery of Art

Impressionist painting of woman wearing green dress trying on hats.

Edgar Degas The Millinery Shop, 1879-86 Art Institute of Chicago

Landscape painting featuring a wavy tree tree in the foreground and a watermill with a red roof adjacent to a river at right. Colors are subdued earth tones, the foliage a dark green and the river a muddy brown.

Meindert Hobbema The Watermill with the Great Red Roof, c. 1665 Art Institute of Chicago

The Hillsides of Méry-sur-Oise, Opposite Auvers, Charles-François Daubigny, 1873, oil on wood panel

Charles-François Daubigny The Hillsides of Méry-sur-Oise, Opposite Auvers, 1873 Cleveland Museum of Art

Impressionist painting of seated man, girl with brown, black hues.

Edgar Degas Henri Degas and His Niece Lucie Degas (The Artist's Uncle and Cousin), 1875–76 Art Institute of Chicago

Ecuadorian landscape with people, palm trees, waterfall, and volcano in background.

Frederic Edwin Church View of Cotopaxi, 1857 Art Institute of Chicago

Head of a Young Woman, François Boucher, early 1730s, oil on canvas

François Boucher Head of a Young Woman, early 1730s Cleveland Museum of Art

Neptune and the Winds, Giovanni Battista Tiepolo, 1760s, oil on canvas

Giovanni Battista Tiepolo Neptune and the Winds, 1760s The Met

This painting depicts a young boy sitting in a relaxed position, with his right arm leaning on a black surface. He has pale skin, wide eyes, and a small, slightly downturned mouth.

Camille Corot Italian Peasant Boy, 1825/1827 National Gallery of Art

This painting depicts a harbor scene with brown arches and towers on the right, along with tall columns that look like ruins. At the bottom of the painting, people are engaged in various activities along the water's edge.

Francesco Guardi Capriccio of a Harbor, c. 1760/1770 National Gallery of Art

Chrysanthemums in the Garden at Petit-Gennevilliers, Gustave Caillebotte, 1893, oil on canvas

Gustave Caillebotte Chrysanthemums in the Garden at Petit-Gennevilliers, 1893 The Met

View of La Crescenza, Claude Lorrain, 1648–50, oil on canvas

Claude Lorrain View of La Crescenza, 1648–50 The Met

This drawing shows the faint outline of a domed building. The representation is minimalistic, with few details of the building shown besides the dome and vertical lines that might suggest columns.

Thomas Cole Sketch for Ohio State Capitol Design, c. 1838 National Gallery of Art

Cottage by the River with Washerwomen, Camille Flers, 1835, oil on fabric

Camille Flers Cottage by the River with Washerwomen, 1835 Cleveland Museum of Art

Landscape with the Flight into Egypt, Aelbert Cuyp, ca. 1650, oil on wood

Aelbert Cuyp Landscape with the Flight into Egypt, ca. 1650 The Met

A dilapidated cottage nestles among leafy trees next to a winding dirt road in this square landscape painting. The dirt road runs from the bottom center of the painting into the distance.

Meindert Hobbema Hut among Trees, c. 1664 National Gallery of Art

A Cottage in the Woods, Meindert Hobbema, c. 1662, oil on canvas

Meindert Hobbema A Cottage in the Woods, c. 1662 Cleveland Museum of Art

Oleanders, Vincent van Gogh, 1888, oil on canvas

Vincent van Gogh Oleanders, 1888 The Met

Orchard, Édouard Vuillard, 1897, oil on board

Édouard Vuillard Orchard, 1897 Cleveland Museum of Art

The Dancing Class, Edgar Degas, ca. 1870, oil on wood

Edgar Degas The Dancing Class, ca. 1870 The Met

James-Jacques-Joseph Tissot (1836–1902), Edgar Degas, ca. 1867–68, oil on canvas

Edgar Degas James-Jacques-Joseph Tissot (1836–1902), ca. 1867–68 The Met

Shown from the knees up, a pale-skinned woman in a voluminous rust-orange dress stands facing us in this vertical portrait painting. She looks toward us but slightly down with dark brown eyes under curved brows.

Edgar Degas Girl in Red, c. 1866 National Gallery of Art

Virgin and Child with Saints Dominic and Hyacinth, Giovanni Battista Tiepolo, 1730–35, oil on canvas

Giovanni Battista Tiepolo Virgin and Child with Saints Dominic and Hyacinth, 1730–35 Art Institute of Chicago

The Adoration of the Magi, Bartolo di Fredi, ca. 1390, tempera and gold on wood

Bartolo di Fredi The Adoration of the Magi, ca. 1390 The Met

A pale-skinned woman is shown from the waist up within an oval opening in this vertical portrait painting. The woman’s body is angled to our right, but she turns her face to look off to our left with gray eyes.

Thomas Gainsborough Mrs. John Taylor, c. 1778 National Gallery of Art

Far below us, a river winds through a valley lined with hazy mountains in this horizontal landscape painting.

Thomas Moran The Juniata, Evening, 1864 National Gallery of Art

Asters and Fruit on a Table, Henri Fantin-Latour, 1868, oil on canvas

Henri Fantin-Latour Asters and Fruit on a Table, 1868 The Met

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