Paintings for Navy Walls (page 37)

Contrasts with your wall

Paintings built around the opposite color, which stand out against this wall. The truest opposites come first. Showing 1,729 to 1,776 of 2,066.

Still Life: A Banqueting Scene, Jan Davidsz de Heem, ca. 1640–41, oil on canvas

Jan Davidsz de Heem Still Life: A Banqueting Scene, ca. 1640–41 The Met

Mrs. Gideon Tucker, William Sidney Mount, 1830, oil on canvas

William Sidney Mount Mrs. Gideon Tucker, 1830 The Met

Portrait of Isabella Brant, Peter Paul Rubens, c. 1620–25, oil on wood

Peter Paul Rubens Portrait of Isabella Brant, c. 1620–25 Cleveland Museum of Art

Burgomaster Jan van Duren (1613–1687), Gerard ter Borch, ca. 1666–67, oil on canvas

Gerard ter Borch Burgomaster Jan van Duren (1613–1687), ca. 1666–67 The Met

Peonies, Édouard Manet, 1864–65, oil on canvas

Édouard Manet Peonies, 1864–65 The Met

Lukas Spielhausen, Lucas Cranach the Elder, 1532, oil and gold on beech

Lucas Cranach the Elder Lukas Spielhausen, 1532 The Met

Shown from the waist up, a woman with light, peachy-yellow skin sits with her body facing us as she looks over her shoulder to our right in this loosely painted, vertical portrait.

Henri de Toulouse-Lautrec Carmen Gaudin, 1885 National Gallery of Art

Shown from the chest up, a clean-shaven young man with pale, peachy skin looks off to our left against a cloudy sky in this vertical portrait painting.

Giovanni Bellini Portrait of a Young Man in Red, c. 1480 National Gallery of Art

Shown from the lap up, a pale-skinned woman looks off to the left in front of a vivid green background in this vertical portrait painting.

Lucas Cranach the Elder Portrait of a Woman, 1522 National Gallery of Art

Portrait of the Artist, Gilbert Stuart, ca. 1786, oil on canvas

Gilbert Stuart Portrait of the Artist, ca. 1786 The Met

Madame Henri François Riesener (Félicité Longrois, 1786–1847), Eugène Delacroix, 1835, oil on canvas

Eugène Delacroix Madame Henri François Riesener (Félicité Longrois, 1786–1847), 1835 The Met

This painting shows a woman standing in front of a wooden dresser with a mirror, her back to us. We can see her face reflected in the mirror. She is gazing at her reflection with both of her hands lifted towards her slightly tilted face.

Eastman Johnson The Toilet, 1873 National Gallery of Art

A lone wheat stack, in shadow, rests on a field with traces of snow, the snow taking on reflected shades of pink, yellow, orange, and blue from the unseen setting sun. A line of pale yellow illuminates the horizon above the hills beyond.

Claude Monet Stack of Wheat (Thaw, Sunset), 1890–91 Art Institute of Chicago

The Edge of the Woods at Monts-Girard, Fontainebleau Forest, Théodore Rousseau, 1852–54, oil on wood

Théodore Rousseau The Edge of the Woods at Monts-Girard, Fontainebleau Forest, 1852–54 The Met

Young Woman with Ibis, Edgar Degas, 1857–58; reworked 1860–62, oil on canvas

Edgar Degas Young Woman with Ibis, 1857–58; reworked 1860–62 The Met

Lush tall grasses with small white flowers foreground a grove of bushy trees of varying types and heights, their leaves ranging from deep green to golden.

Vincent van Gogh The Poet's Garden, 1888 Art Institute of Chicago

Shown from the hips up, a young man with pale skin and wearing black clothing sits with his body angled to our right as he turns to look at us in this vertical portrait painting. He looks out with green eyes under hooded lids.

Rembrandt van Rijn A Young Man Seated at a Table (possibly Govaert Flinck), c. 1660 National Gallery of Art

Great-Grand-Father's Tale of the Revolution—A Portrait of Reverend Zachariah Greene, William Sidney Mount, 1852, oil on canvas

William Sidney Mount Great-Grand-Father's Tale of the Revolution—A Portrait of Reverend Zachariah Greene, 1852 The Met

Édouard Manet Portrait of a Lady, c. 1879 National Gallery of Art

A young woman peers out to the right from from a Dutch door whose bottom half is closed. She wears a brown dress with a corset and a red beaded necklace.

Rembrandt van Rijn Young Woman at an Open Half-Door, 1645 Art Institute of Chicago

Are They Thinking about the Grape? (Pensent-ils au raisin?), François Boucher, 1747, oil on canvas

François Boucher Are They Thinking about the Grape? (Pensent-ils au raisin?), 1747 Art Institute of Chicago

The Island of San Michele, Venice, Francesco Guardi, 1770s, oil on canvas

Francesco Guardi The Island of San Michele, Venice, 1770s The Met

Antoine Laurent Lavoisier (1743–1794) and Marie Anne Lavoisier (Marie Anne Pierrette Paulze, 1758–1836), Jacques-Louis David, 1788, oil on canvas

Jacques-Louis David Antoine Laurent Lavoisier (1743–1794) and Marie Anne Lavoisier (Marie Anne Pierrette Paulze, 1758–1836), 1788 The Met

Jalais Hill, Pontoise, Camille Pissarro, 1867, oil on canvas

Camille Pissarro Jalais Hill, Pontoise, 1867 The Met

Portrait of a Woman, probably a Member of the Van Beresteyn Family, Rembrandt van Rijn, 1632, oil on canvas

Rembrandt van Rijn Portrait of a Woman, probably a Member of the Van Beresteyn Family, 1632 The Met

A Lock, a Column, and a Church beside a Lagoon, Canaletto, 1743, oil on canvas

Canaletto A Lock, a Column, and a Church beside a Lagoon, 1743 The Met

In the distance, a fortress sits on a rocky plateau below a sky filled with lightly rolling white and gray clouds in this horizontal landscape painting.

Bernardo Bellotto The Fortress of Königstein, 1756-1758 National Gallery of Art

Portrait of a Family Playing Music, Pieter de Hooch, 1663, oil on canvas

Pieter de Hooch Portrait of a Family Playing Music, 1663 Cleveland Museum of Art

The Van Moerkerken Family, Gerard ter Borch, ca. 1653–54, oil on wood

Gerard ter Borch The Van Moerkerken Family, ca. 1653–54 The Met

Lion on the Watch, Jean-Léon Gérôme, c. 1885, oil on wood panel

Jean-Léon Gérôme Lion on the Watch, c. 1885 Cleveland Museum of Art

A windmill stands on a promontory cutting into a waterway under a partially stormy sky in this square landcape painting.

Rembrandt van Rijn The Mill, 1645/1648 National Gallery of Art

Portrait of a Young Woman, Hans Holbein the Younger, ca. 1540–45, oil and gold on oak

Hans Holbein the Younger Portrait of a Young Woman, ca. 1540–45 The Met

The Standard Bearer (probably Floris Soop, 1604–1657), Rembrandt van Rijn, 1654, oil on canvas

Rembrandt van Rijn The Standard Bearer (probably Floris Soop, 1604–1657), 1654 The Met

Rear Admiral George W. Melville, Thomas Eakins, 1905, oil on canvas

Thomas Eakins Rear Admiral George W. Melville, 1905 National Gallery of Art

Curiosity, Gerard ter Borch, ca. 1660–62, oil on canvas

Gerard ter Borch Curiosity, ca. 1660–62 The Met

Watering Place at Marly, Alfred Sisley, 1875, oil on canvas

Alfred Sisley Watering Place at Marly, 1875 Art Institute of Chicago

We look across a placid pond at sandstone-white buildings with brown and terracotta-red roofs nestled within a grove of green trees and plants in this vertical landscape painting.

Paul Cézanne House of Père Lacroix, 1873 National Gallery of Art

Portrait of a Man, Titian, ca. 1515, oil on canvas

Titian Portrait of a Man, ca. 1515 The Met

Painting composed of short, broad, linear brushstrokes suggesting green-leaved forest trees with light trunks on pale green grass.

Berthe Morisot Forêt de Compiègne, 1885 Art Institute of Chicago

Woman with a Pink, Rembrandt van Rijn, early 1660s, oil on canvas

Rembrandt van Rijn Woman with a Pink, early 1660s The Met

This painting presents a series of curved and bending lines intersecting with each other in an abstract pattern. The lines create a design resembling tree branches and leafy canopies.

Franz Marc Weasels at Play, 1911 National Gallery of Art

A woman bends double to tend a garden that stretches before us in front of two houses in this horizontal landscape painting.

Camille Pissarro The Artist's Garden at Eragny, 1898 National Gallery of Art

A Boy with a Cat—Morning, Thomas Gainsborough, 1787, oil on canvas

Thomas Gainsborough A Boy with a Cat—Morning, 1787 The Met

Rachel Ruysch (1664–1750), Rachel Ruysch, 1692, oil on canvas

Rachel Ruysch Rachel Ruysch (1664–1750), 1692 The Met

Mrs. John Winthrop, John Singleton Copley, 1773, oil on canvas

John Singleton Copley Mrs. John Winthrop, 1773 The Met

Doge Andrea Gritti, Titian, c. 1535, oil on canvas

Titian Doge Andrea Gritti, c. 1535 Art Institute of Chicago

About two dozen men and women sit in straight-backed, wooden chairs gathered along a sandy beach near low, gently breaking waves with sailboats floating in the ocean beyond in this horizontal landscape painting.

Eugène Boudin Beach Scene at Trouville, 1863 National Gallery of Art

Two women and a man in front of a column and arch nearly fill this vertical, oval painting. The two women have pale skin with round faces, wide-set eyes, and full pink lips.

Giovanni Battista Tiepolo Scene from Ancient History, c. 1750 National Gallery of Art

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