Paintings for Taupe Walls (page 21)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 961 to 1,008 of 2,035.

A woman with pale, smooth skin stands wearing a loosely draped, champagne-peach dress in this vertical portrait painting. Her body faces us but she turns her head to look down and off to our right with brown eyes.

Thomas Gainsborough Georgiana, Duchess of Devonshire, 1783 National Gallery of Art

We look sightly down and across a green meadow in front of us at a grove of tall trees to our left next to a shimmering body of water, before a deep view of distant mountains beneath an ice-blue sky in this horizontal landscape.

Asher Brown Durand Pastoral Landscape, 1861 National Gallery of Art

We look across a grassy expanse leading to a lake, with several women, tiny in scale, dancing under a grove of trees to our right in this horizontal landscape painting.

Camille Corot Dance under the Trees at the Edge of the Lake, 1865/1870 National Gallery of Art

This painting depicts a coastal scene overlooking a quiet shore. At the bottom of the painting, an open sandy expanse leads to blue waters.

Odilon Redon Village by the Sea in Brittany, c. 1880 National Gallery of Art

This painting shows a seascape with large sailing ships and smaller vessels. To the right of center is a large ship with several tall masts and many billowing white sails.

Fitz Henry Lane New York Harbor, 1852 National Gallery of Art

This painting depicts a sandy beach under a vast, light blue sky. The horizon is in the center of the painting where the blue sky blends into the blue water.

Eugène Boudin Women on the Beach at Berck, 1881 National Gallery of Art

A row of about a dozen men and women sit, stand, or stroll along a sandy beach beneath a pale blue sky in this horizontal landscape painting. The scene is loosely painted so many of the facial features and other details are indistinct.

Eugène Boudin The Beach, 1877 National Gallery of Art

Two Children Teasing a Cat, Annibale Carracci, 1588, oil on canvas

Annibale Carracci Two Children Teasing a Cat, 1588 The Met

The artwork depicts a peaceful landscape viewed from an elevated perspective. The horizon divides the sky from the land below, with distant blue hills visible. The sky shows soft blues and gray clouds.

George Catlin Halsey's Bluff - Sioux Indians on the March, 1861/1869 National Gallery of Art

This painting shows a young woman lying on her stomach on a brown, rocky surface near the water's edge, looking towards the sea.

Jules Breton The Cliff (La Falaise), 1874 National Gallery of Art

Portrait of a Carthusian, Petrus Christus, 1446, oil on oak

Petrus Christus Portrait of a Carthusian, 1446 The Met

The Tired Gleaner, Jules Breton, 1880, oil on fabric

Jules Breton The Tired Gleaner, 1880 Cleveland Museum of Art

Sketch for a Ceiling, Giovanni Battista Tiepolo, 1750s, oil on canvas

Giovanni Battista Tiepolo Sketch for a Ceiling, 1750s Cleveland Museum of Art

Princess Varvara Nikolaevna Gagarina (1762–1802), Jean-Baptiste Greuze, ca. 1780–82, oil on canvas

Jean-Baptiste Greuze Princess Varvara Nikolaevna Gagarina (1762–1802), ca. 1780–82 The Met

Captain George K. H. Coussmaker (1759–1801), Joshua Reynolds, 1782, oil on canvas

Joshua Reynolds Captain George K. H. Coussmaker (1759–1801), 1782 The Met

Louis-Marie, Vicomte de Noailles, Gilbert Stuart, 1798, oil on canvas

Gilbert Stuart Louis-Marie, Vicomte de Noailles, 1798 The Met

We look across the tops of trees down onto the roofs of a cluster of buildings and then a grassy expanse, a body of water, and rolling hills in this notably wide landscape painting. The trees are painted with shades of pine and olive green.

Théodore Rousseau Panoramic Landscape near the River Moselle, c. 1830 National Gallery of Art

A woman stands drinking from a tall glass as two men sit at a table in a courtyard enclosed by wood paneling and brick buildings in this vertical painting. The people all have pale, peachy skin.

Pieter de Hooch A Dutch Courtyard, 1658/1660 National Gallery of Art

Sebastián Martínez y Pérez (1747–1800), Francisco de Goya, 1792, oil on canvas

Francisco de Goya Sebastián Martínez y Pérez (1747–1800), 1792 The Met

Painting of woman, arms crossed on brown desk, staring at goldfish.

Henri Matisse Woman before an Aquarium, 1921–23 Art Institute of Chicago

In the center of this painting, there is a horse-drawn cart turned away from us, facing the right. In the cart is a person wearing dark blue clothing and a dark hat, and next to them is a white-and-pink bundle that could be another person.

Henri de Toulouse-Lautrec The Trap, 1880 National Gallery of Art

A Gorge in the Mountains (Kauterskill Clove), Sanford Robinson Gifford, 1862, oil on canvas

Sanford Robinson Gifford A Gorge in the Mountains (Kauterskill Clove), 1862 The Met

Merry Company on a Terrace, Jan Steen, ca. 1670, oil on canvas

Jan Steen Merry Company on a Terrace, ca. 1670 The Met

Landscape, Distant Village, Charles-François Daubigny, c. 1870/1875, oil on wood

Charles-François Daubigny Landscape, Distant Village, c. 1870/1875 National Gallery of Art

Saint Lawrence Enthroned with Saints and Donors, Fra Filippo Lippi, 1440s, tempera on wood, gold ground

Fra Filippo Lippi Saint Lawrence Enthroned with Saints and Donors, 1440s The Met

Mrs. Grace Dalrymple Elliott (1754?–1823), Thomas Gainsborough, 1778, oil on canvas

Thomas Gainsborough Mrs. Grace Dalrymple Elliott (1754?–1823), 1778 The Met

The Beeches, Asher Brown Durand, 1845, oil on canvas

Asher Brown Durand The Beeches, 1845 The Met

Six women, eight men, two satyrs, and one child gather in pairs and trios in a loose row that spans the width of this nearly square painting. They are set within a landscape with craggy rocks, cliffs, and trees.

Giovanni Bellini The Feast of the Gods, 1514/1529 National Gallery of Art

Mrs. Andrew Sigourney, Gilbert Stuart, Ca. 1820, oil on canvas

Gilbert Stuart Mrs. Andrew Sigourney, Ca. 1820 The Met

A woman and nude child, both with pale skin, sit in front of a deep landscape in this vertical painting.

Raphael The Small Cowper Madonna, c. 1505 National Gallery of Art

Lamentation over the Body of Christ, Gerard David, c. 1500, oil on panel

Gerard David Lamentation over the Body of Christ, c. 1500 Art Institute of Chicago

Street, Tangier, John Singer Sargent, 1895, watercolor, gouache, and graphite on off-white wove paper

John Singer Sargent Street, Tangier, 1895 The Met

View of the Seacoast near Wargemont in Normandy, Pierre-Auguste Renoir, 1880, oil on canvas

Pierre-Auguste Renoir View of the Seacoast near Wargemont in Normandy, 1880 The Met

Shown from the shoulders up, a clean-shaven, pale-skinned man with shoulder-length brown hair and dressed in black fills this vertical portrait painting.

Giovanni Bellini Portrait of a Venetian Gentleman, c. 1500 National Gallery of Art

The Beach, Late Afternoon, Winslow Homer, 1869, oil on wood

Winslow Homer The Beach, Late Afternoon, 1869 The Met

This painting depicts a landscape with an open green field stretching out into the distance. At the bottom of the painting, there is a rocky area with sparse vegetation and yellow, sun-bleached grass.

Théodore Rousseau Countryside in Picardy, 1860 National Gallery of Art

Charles Rousseau Burney (1747–1819), Thomas Gainsborough, ca. 1780, oil on canvas

Thomas Gainsborough Charles Rousseau Burney (1747–1819), ca. 1780 The Met

Matilda Stoughton de Jaudenes, Gilbert Stuart, 1794, oil on canvas

Gilbert Stuart Matilda Stoughton de Jaudenes, 1794 The Met

Vétheuil, Claude Monet, 1901, oil on canvas

Claude Monet Vétheuil, 1901 Art Institute of Chicago

The painting shows a beach scene with several people gathered on the shore. The people are gathered between four white tent-like structures in the center of the painting.

Eugène Boudin Beach Scene, 1862 National Gallery of Art

Portrait of a Woman, Amedeo Modigliani, c. 1917/19, oil on cardboard

Amedeo Modigliani Portrait of a Woman, c. 1917/19 Art Institute of Chicago

The Apotheosis of the Spanish Monarchy, Giovanni Battista Tiepolo, 1760s, oil on canvas

Giovanni Battista Tiepolo The Apotheosis of the Spanish Monarchy, 1760s The Met

Equestrian Portrait of Cornelis (1639–1680) and Michiel Pompe van Meerdervoort (1638–1653) with Their Tutor and Coachman, Aelbert Cuyp, ca. 1652–53, oil on canvas

Aelbert Cuyp Equestrian Portrait of Cornelis (1639–1680) and Michiel Pompe van Meerdervoort (1638–1653) with Their Tutor and Coachman, ca. 1652–53 The Met

Man in a Turban, Rembrandt van Rijn, 1632, oil on canvas

Rembrandt van Rijn Man in a Turban, 1632 The Met

Hagar in the Wilderness, Camille Corot, 1835, oil on canvas

Camille Corot Hagar in the Wilderness, 1835 The Met

Painting of vibrantly colored shapes and lines intersecting and overlapping.

Wassily Kandinsky Painting with Green Center, 1913 Art Institute of Chicago

Shown from the waist up, a pale-skinned man with a mustache stands with one hand on his hip and the other hand held up in this dark-toned, vertical portrait painting.

James McNeill Whistler Gold and Brown: Self-Portrait, c. 1896-1898 National Gallery of Art

October in the Marshes, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett October in the Marshes, 1872 The Met

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