Paintings for Taupe Walls (page 42)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 1,969 to 2,016 of 2,035.

Stag at Sharkey's, George Bellows, 1909, oil on canvas

George Bellows Stag at Sharkey's, 1909 Cleveland Museum of Art

The Artist's Wife and His Setter Dog, Thomas Eakins, ca. 1884–89, oil on canvas

Thomas Eakins The Artist's Wife and His Setter Dog, ca. 1884–89 The Met

Shown from the knees up, a pale-skinned woman wearing a muted, sapphire-blue gown sits ramrod straight in a chair and looks at us in this vertical portrait painting.

Francisco de Goya Thérèse Louise de Sureda, c. 1803/1804 National Gallery of Art

The Flowering Orchard, Vincent van Gogh, 1888, oil on canvas

Vincent van Gogh The Flowering Orchard, 1888 The Met

Peonies, Édouard Manet, 1864–65, oil on canvas

Édouard Manet Peonies, 1864–65 The Met

A light-skinned man with thick black hair and a squared off black beard, dressed in a black jacket over a gray vest and gray trousers, sits facing us in this vertical portrait painting.

Paul Cézanne Antony Valabrègue, 1866 National Gallery of Art

Shown from the chest up, a young boy wearing an aquamarine-blue jacket sits facing us in this vertical portrait painting. His body is slightly angled to our right and he looks just over our right shoulder. He has close-cropped, dark hair.

Paul Cézanne Louis Guillaume, 1879-1890 National Gallery of Art

Seven people with cream-white skin crowd together, sitting at or standing among tables in an interior space in this vertical painting. The composition is dominated by shades of blue and pale green.

Henri de Toulouse-Lautrec A Corner of the Moulin de la Galette, 1892 National Gallery of Art

Hampstead Heath, Looking Toward Harrow, John Constable, c. 1821, oil on paper, mounted on canvas

John Constable Hampstead Heath, Looking Toward Harrow, c. 1821 Cleveland Museum of Art

André Bénac, Édouard Vuillard, 1936, oil on fabric

Édouard Vuillard André Bénac, 1936 Cleveland Museum of Art

This painting depicts a large bull standing in a grassy plain. The bull is seen from the side, facing the right. Its head is a rich brown color, while its body and legs are swirled with patches of white and brown.

H. Call Prize Bull, 1876 National Gallery of Art

We look across a placid pond at sandstone-white buildings with brown and terracotta-red roofs nestled within a grove of green trees and plants in this vertical landscape painting.

Paul Cézanne House of Père Lacroix, 1873 National Gallery of Art

Hermann von Wedigh III (died 1560), Hans Holbein the Younger, 1532, oil and gold on oak

Hans Holbein the Younger Hermann von Wedigh III (died 1560), 1532 The Met

Facing away from us against a cherry-red background, the head and shoulders of a light-skinned woman wearing strawberry red, with her copper-brown hair piled atop her head, fills this vertical painting.

Carolus-Duran Study of Lilia, 1887 National Gallery of Art

A tall, thin, pale-skinned young man stands in a dimly lit room, nearly filling the height of this portrait painting. He faces us with his body turned slightly to our left, and he wears a charcoal-gray suit and black shoes.

James McNeill Whistler George W. Vanderbilt, 1897/1903 National Gallery of Art

Dense canopies enclose a forested interior along a stream in this horizontal landscape painting.

Gustave Courbet The Stream (Le Ruisseau du Puits-Noir; vallée de la Loue), 1855 National Gallery of Art

Portrait of a Man, possibly Matteo di Sebastiano di Bernardino Gozzadini, Unknown artist, 1494(?), tempera on wood

Unknown artist Portrait of a Man, possibly Matteo di Sebastiano di Bernardino Gozzadini, 1494(?) The Met

Worthington Whittredge, Emanuel Leutze, 1856, oil on canvas

Emanuel Leutze Worthington Whittredge, 1856 The Met

This painting shows a young girl standing and facing forward. She is holding an open, dark-colored parasol with one hand and a small, indistinct object with the other hand.

George Bellows Anne with a Japanese Parasol, 1917 National Gallery of Art

Child with Brown Hair, Pierre-Auguste Renoir, 1887/1888, oil on canvas

Pierre-Auguste Renoir Child with Brown Hair, 1887/1888 National Gallery of Art

Portrait of Franklin H. Delano, Eastman Johnson, c. 1881, oil on board

Eastman Johnson Portrait of Franklin H. Delano, c. 1881 Cleveland Museum of Art

Small in scale within a towering room, a man wearing a white and gold robe sits or stands on a high, covered throne, surrounded by dozens of men in this nearly square painting.

Jean-Auguste-Dominique Ingres Pope Pius VII in the Sistine Chapel, 1814 National Gallery of Art

Moonlight, Wood Island Light, Winslow Homer, 1894, oil on canvas

Winslow Homer Moonlight, Wood Island Light, 1894 The Met

Still Life with a Ginger Jar and Eggplants, Paul Cézanne, 1893–94, oil on canvas

Paul Cézanne Still Life with a Ginger Jar and Eggplants, 1893–94 The Met

Man with a Magnifying Glass, Rembrandt van Rijn, early 1660s, oil on canvas

Rembrandt van Rijn Man with a Magnifying Glass, early 1660s The Met

We look across a body of water at two houses, some smaller outbuildings, and a houseboat along the far bank in this abstracted, horizontal landscape painting.

Paul Cézanne At the Water's Edge, c. 1890 National Gallery of Art

Woman with a Water Pitcher, and a Man by a Bed, Pieter de Hooch, ca. 1667–70, oil on canvas

Pieter de Hooch Woman with a Water Pitcher, and a Man by a Bed, ca. 1667–70 The Met

Doge Andrea Gritti, Titian, c. 1535, oil on canvas

Titian Doge Andrea Gritti, c. 1535 Art Institute of Chicago

Portrait of a Man, Gustave Courbet, probably ca. 1862, oil on canvas

Gustave Courbet Portrait of a Man, probably ca. 1862 The Met

Six jockeys wearing colorful silks sit astride brown and black horses on a grassy field in this horizontal painting. Two more riders wearing top hats sit a bit farther back from the group, and two horses run on a grass track behind that.

Edgar Degas The Races, 1871-1872 National Gallery of Art

William Fraser of Reelig (1784–1835), Henry Raeburn, 1801, oil on canvas

Henry Raeburn William Fraser of Reelig (1784–1835), 1801 The Met

Carmencita, William Merritt Chase, 1890, oil on canvas

William Merritt Chase Carmencita, 1890 The Met

Copy after Delacroix's "Bark of Dante", Édouard Manet, ca. 1859, oil on canvas

Édouard Manet Copy after Delacroix's "Bark of Dante", ca. 1859 The Met

Shown from the knees up, a woman stands facing us as she turns her head to look off to our right in this vertical portrait painting. The woman has pale, peachy skin, deeply shadowed, hooded eyes, and a straight nose.

Camille Corot Agostina, 1866 National Gallery of Art

Composition with Red, Yellow, and Blue, Piet Mondrian, 1927, oil on canvas

Piet Mondrian Composition with Red, Yellow, and Blue, 1927 Cleveland Museum of Art

Jacques-Louis Leblanc (1774–1846), Jean-Auguste-Dominique Ingres, 1823, oil on canvas

Jean-Auguste-Dominique Ingres Jacques-Louis Leblanc (1774–1846), 1823 The Met

Shown from the hips up, a young boy with pale, peachy skin wears a voluminous, black cloak that nearly falls off his shoulders over a rose-pink tunic, with a sword hanging from one hip in this vertical portrait painting.

Titian Ranuccio Farnese, 1541-1542 National Gallery of Art

Albert Gallatin, Gilbert Stuart, ca. 1803, oil on canvas

Gilbert Stuart Albert Gallatin, ca. 1803 The Met

This painting depicts the upper half of a woman's body. She is turned slightly to the left and faces us, with pale skin, soft, rosy cheeks, dark brown eyes, and a neutral expression.

Gilbert Stuart Ann Calvert Stuart Robinson (Mrs. William Robinson), c. 1804 National Gallery of Art

Lieutenant General Duncan Campbell, Henry Raeburn, c. 1810, oil on canvas

Henry Raeburn Lieutenant General Duncan Campbell, c. 1810 Cleveland Museum of Art

A nude man holding a book in one hand and a rock down by his other side kneels at the opening of a rocky cave in this vertical painting. The man’s body and the shadowy cave opening nearly fill the composition.

El Greco Saint Jerome, c. 1610/1614 National Gallery of Art

Samuel Verplanck, John Singleton Copley, 1771, oil on canvas

John Singleton Copley Samuel Verplanck, 1771 The Met

Boy in a Blue Coat, George Bellows, 1915, oil on canvas

George Bellows Boy in a Blue Coat, 1915 Cleveland Museum of Art

David Sears, Jr., Gilbert Stuart, ca. 1815, oil on canvas

Gilbert Stuart David Sears, Jr., ca. 1815 The Met

The Mountain Ford, Thomas Cole, 1846, oil on canvas

Thomas Cole The Mountain Ford, 1846 The Met

Portrait of Gerard de Lairesse, Rembrandt van Rijn, 1665–67, oil on canvas

Rembrandt van Rijn Portrait of Gerard de Lairesse, 1665–67 The Met

Jalais Hill, Pontoise, Camille Pissarro, 1867, oil on canvas

Camille Pissarro Jalais Hill, Pontoise, 1867 The Met

Portrait of a Man, Frans Hals, early 1650s, oil on canvas

Frans Hals Portrait of a Man, early 1650s The Met

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