Paintings for Warm White Walls (page 3)

Soft and muted

Gentle, low-color paintings that keep a pale room calm. The warmest come first, to answer the cream in the wall. Showing 97 to 144 of 1,315.

The Baptism of Christ, Jacopo Bassano, ca. 1590, oil on canvas

Jacopo Bassano The Baptism of Christ, ca. 1590 The Met

Our Lady of Valvanera, Unknown artist, ca. 1770–80, oil and gold on canvas

Unknown artist Our Lady of Valvanera, ca. 1770–80 The Met

Three men and a woman sit around a wooden table on the right side of a dimly lit room in this horizontal painting. The scene is painted entirely in warm shades of bronze, golden yellow, and dark brown.

Rembrandt van Rijn Philemon and Baucis, 1658 National Gallery of Art

Shown from about the waist up, a light-skinned man with sagging jowls and a double chin wears a fur garment and hat, a large teardrop pearl earring, and gold chains in this vertical painting.

Rembrandt van Rijn A Polish Nobleman, 1637 National Gallery of Art

The Adoration of the Shepherds, El Greco, ca. 1605–10, oil on canvas

El Greco The Adoration of the Shepherds, ca. 1605–10 The Met

Charles Claude de Flahaut (1730–1809), Comte d'Angiviller, Jean-Baptiste Greuze, 1763, oil on canvas

Jean-Baptiste Greuze Charles Claude de Flahaut (1730–1809), Comte d'Angiviller, 1763 The Met

A jumble of pewter plates and a pitcher, glass goblets, a gold chalice, a brass candlestick, and other vessels along with lemons, olives, and the remains of a mince pie are arranged on a cream-white tablecloth bunched on a dark green…

Willem Claesz Heda Banquet Piece with Mince Pie, 1635 National Gallery of Art

This oval painting shows a cherubic child floating mid-air with one leg bent and their arms outstretched. The cherub has curly hair, a round face, and pale skin dusted with rosy pink and light teal shadows. They are smiling gently.

Jean-Honoré Fragonard Love as Folly, c. 1773/1776 National Gallery of Art

Daniel Crommelin Verplanck, John Singleton Copley, 1771, oil on canvas

John Singleton Copley Daniel Crommelin Verplanck, 1771 The Met

We look across churning waves at four sailing ships and a wooden rowboat with four men aboard in this horizontal painting. Dark, iron-gray and tawny-brown clouds approaching from the right fill the top two-thirds of the composition.

Joseph Mallord William Turner The Junction of the Thames and the Medway, 1807 National Gallery of Art

Summer Day on Conesus Lake, John Frederick Kensett, 1870, oil on canvas

John Frederick Kensett Summer Day on Conesus Lake, 1870 The Met

Albert Gallatin, Gilbert Stuart, ca. 1803, oil on canvas

Gilbert Stuart Albert Gallatin, ca. 1803 The Met

John Shaw, Gilbert Stuart, 1793, oil on canvas

Gilbert Stuart John Shaw, 1793 The Met

Edouard Delessert, Jean-Léon Gérôme, 1864, oil on panel

Jean-Léon Gérôme Edouard Delessert, 1864 National Gallery of Art

The Clove - A Storm Scene in the Catskill Mountains, Jasper Francis Cropsey, 1851, oil on canvas

Jasper Francis Cropsey The Clove - A Storm Scene in the Catskill Mountains, 1851 Cleveland Museum of Art

This painting is a portrait of a man standing, seen from the knees up, his torso and head slightly turned to the left.

Thomas Gainsborough Francis Basset, Lord de Dunstanville, c. 1786 National Gallery of Art

This oval painting depicts a cherubic child in a garden setting. The child is standing with one foot in front of the other and has small wings on their back. The child has light skin, curly blond hair, rosy cheeks, and a playful expression.

Jean-Honoré Fragonard Love the Sentinel, c. 1773/1776 National Gallery of Art

Stefanina Primicile Carafa, Marchioness of Cicerale and Duchess of Montejasi, Edgar Degas, c. 1875, oil on fabric

Edgar Degas Stefanina Primicile Carafa, Marchioness of Cicerale and Duchess of Montejasi, c. 1875 Cleveland Museum of Art

The Sofa, Henri de Toulouse-Lautrec, ca. 1894–96, oil on cardboard

Henri de Toulouse-Lautrec The Sofa, ca. 1894–96 The Met

Portrait of a Man with a Rosary, Lucas Cranach the Elder, ca. 1508, oil on oak

Lucas Cranach the Elder Portrait of a Man with a Rosary, ca. 1508 The Met

This is a painting of a seaside scene with people sitting on a sandy beach. In the center is a group of three women and one child. The women wear high-necked dresses and tall hats in shades of red, yellow, and pink.

Eugène Boudin On the Beach, Trouville, 1887 National Gallery of Art

The Honorable Henry Fane (1739–1802) with Inigo Jones and Charles Blair, Joshua Reynolds, 1761–66, oil on canvas

Joshua Reynolds The Honorable Henry Fane (1739–1802) with Inigo Jones and Charles Blair, 1761–66 The Met

Dr. James Stuart; Mary Campbell Stuart, Gilbert Stuart, c. 1815, oil on wood

Gilbert Stuart Dr. James Stuart; Mary Campbell Stuart, c. 1815 Cleveland Museum of Art

Young Woman with Her Hand over Her Mouth, Edgar Degas, ca. 1875, oil colors freely mixed with turpentine on canvas

Edgar Degas Young Woman with Her Hand over Her Mouth, ca. 1875 The Met

Shown from the chest up, a pale-skinned, clean-shaven man looks off to our left against a moss-green background in this vertical portrait painting.

Albrecht Dürer Portrait of a Clergyman (Johann Dorsch?), 1516 National Gallery of Art

Shown from the chest up, a young man with a plump, pale-skinned face hooks one elbow over the back of a wooden chair and looks at us in this vertical portrait painting.

Frans Hals Portrait of a Young Man, 1646/1648 National Gallery of Art

A long, brightly lit room is filled with at least nine young ballerinas in robin’s egg-blue dance costumes and pale pink shoes in this wide, horizontal painting. They all have light skin and brown or dark blond hair.

Edgar Degas The Dance Lesson, c. 1879 National Gallery of Art

The Coronation of the Virgin, Annibale Carracci, after 1595, oil on canvas

Annibale Carracci The Coronation of the Virgin, after 1595 The Met

Two pale-skinned women are shown from the waist up behind a counter in an interior space in this nearly square painting.

Édouard Vuillard Woman in a Striped Dress, 1895 National Gallery of Art

Portejoie on the Seine, Charles-François Daubigny, 1858 or 1868, oil on wood

Charles-François Daubigny Portejoie on the Seine, 1858 or 1868 The Met

The Drummond Children, Henry Raeburn, ca. 1808–9, oil on canvas

Henry Raeburn The Drummond Children, ca. 1808–9 The Met

Shown from the waist up, a young woman holds a baby up against her chest in this vertical painting. They both face us and have pale skin.

Giovanni Bellini Madonna and Child, c. 1480/1485 National Gallery of Art

A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?), Edgar Degas, 1865, oil on canvas

Edgar Degas A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?), 1865 The Met

The Artist in His Studio, James McNeill Whistler, 1865–66, oil on paper mounted on panel

James McNeill Whistler The Artist in His Studio, 1865–66 Art Institute of Chicago

Saint Anthony the Abbot in the Wilderness, Sano di Pietro, ca. 1440, tempera and gold on wood

Sano di Pietro Saint Anthony the Abbot in the Wilderness, ca. 1440 The Met

A young woman reclines and reads a book near a stream that winds through a wooded landscape in this horizontal painting. Painted with rich pine green, trees tower along the riverbanks and fill most of the painting.

Camille Corot Forest of Fontainebleau, 1834 National Gallery of Art

A Matador, Édouard Manet, 1866–67, oil on canvas

Édouard Manet A Matador, 1866–67 The Met

Filippo Archinto (born about 1500, died 1558), Archbishop of Milan, Titian, mid-1550s, oil on canvas

Titian Filippo Archinto (born about 1500, died 1558), Archbishop of Milan, mid-1550s The Met

Saint John the Baptist in the Wilderness, Diego Velázquez, c. 1622, oil on canvas

Diego Velázquez Saint John the Baptist in the Wilderness, c. 1622 Art Institute of Chicago

A young, light-skinned, rosy-cheeked child stands against a landscape of trees and rolling hills in this vertical portrait painting. Some areas are loosely painted, especially in the background, giving the portrait a soft look.

Thomas Gainsborough Master John Heathcote, c. 1771/1772 National Gallery of Art

An October Day in the White Mountains, John Frederick Kensett, 1854, oil on canvas

John Frederick Kensett An October Day in the White Mountains, 1854 Cleveland Museum of Art

Adoration of the Magi, Titian, 1500s, oil on canvas

Titian Adoration of the Magi, 1500s Cleveland Museum of Art

The Aegean Sea, Frederic Edwin Church, ca. 1877, oil on canvas

Frederic Edwin Church The Aegean Sea, ca. 1877 The Met

Green Door, Santa Maria della Salute, John Singer Sargent, ca. 1904, watercolor, graphite, gouache, and wax crayon on white wove paper

John Singer Sargent Green Door, Santa Maria della Salute, ca. 1904 The Met

This vertical portrait painting shows the head and shoulders of a person with pale peach skin and an auburn, cheek-length bob hairstyle. The person has high cheek bones, deep pink lips, and an angular, pointed chin.

Amedeo Modigliani Madame Kisling, c. 1917 National Gallery of Art

A long-haired, small white dog with tawny-brown ears and spots sits on a garnet-red cushion in this loosely painted vertical portrait. The dog looks just to our left with large, round, black eyes under perked eyebrows.

Édouard Manet A King Charles Spaniel, c. 1866 National Gallery of Art

Green hills roll back to a turquoise-blue sea in this almost square painting. The scene is built with layers of small dots in lavender, lilac, cool blue, warm green, yellow, and peach.

Georges Seurat Seascape at Port-en-Bessin, Normandy, 1888 National Gallery of Art

Mademoiselle V. . . in the Costume of an Espada, Édouard Manet, 1862, oil on canvas

Édouard Manet Mademoiselle V. . . in the Costume of an Espada, 1862 The Met

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