Bartolomé Esteban Murillo Virgin and Child, 1670s
The Return of the Prodigal Son
Bartolomé Esteban Murillo (Spanish, 1617–1682)
- Date
- 1667/1670
- Medium
- oil on canvas
- Size
- 93 × 102¾ in (236.3 × 261 cm)
- Museum
- National Gallery of Art, Washington, accession 1948.12.1. See the museum’s record
- Credit
- Gift of the Avalon Foundation
Public domain image courtesy of the National Gallery of Art (Open Access, CC0).
Palette
- #352923, 27 % of the picture, closest to Black walls
- #7A6550, 24 % of the picture, closest to Olive walls
- #594637, 22 % of the picture, closest to Chocolate walls
- #9B8569, 16 % of the picture, closest to Taupe walls
- #B1A694, 11 % of the picture, closest to Taupe walls
Closest wall colors:
Fits these rooms
Hang it
Pick the furniture and a print size to see it to scale on your wall.
- 21¾ × 24 in, the whole painting on 24 × 24 in paper
- Center
- 66 in (168 cm) from the floor
- Above the mantel
- 6 in (15 cm) from the mantel to the frame
- Ideal width
- 44 to 50 in over a 66 in mantel
- Why this height
- Centered at eye level, this frame would not sit 4 to 8 in above the mantel, so the 6 in gap sets the height.
Try it on your wall color
Default greige
Print it
No standard paper matches this painting’s proportions closely, so print it whole with a white border, or trim the edges to fill the paper.
| Paper | Filling the paper | Printed whole | Frame | Frame with a 2 in mat | Frame with a 3 in mat | Sharpness |
|---|---|---|---|---|---|---|
| 8 × 10 in | trims 11.6 % | 8 × 8¾ in | 8 × 10 in ready-made | 12 × 14 in custom | 14 × 16 in custom | 2478 dpi, crisp up close |
| 12 × 12 in | trims 9.5 % | 11 × 12 in | 12 × 12 in ready-made | 16 × 16 in ready-made | 18 × 18 in custom | 1819 dpi, crisp up close |
| 16 × 16 in | trims 9.5 % | 14½ × 16 in | 16 × 16 in ready-made | 20 × 20 in ready-made | 22 × 22 in custom | 1367 dpi, crisp up close |
| 16 × 20 in | trims 11.6 % | 16 × 17¾ in | 16 × 20 in ready-made | 20 × 24 in ready-made | 22 × 26 in custom | 1236 dpi, crisp up close |
| 20 × 20 in | trims 9.5 % | 18 × 20 in | 20 × 20 in ready-made | 24 × 24 in ready-made | 26 × 26 in custom | 1094 dpi, crisp up close |
| 24 × 24 in | trims 9.5 % | 21¾ × 24 in | 24 × 24 in ready-made | 28 × 28 in custom | 30 × 30 in custom | 911 dpi, crisp up close |
Sharpness is worked out from the largest file the museum offers. Above 300 dpi a print holds up at arm’s length; 150 dpi is plenty for a picture seen from across a sofa.
Download
Free for any use, including commercial: this image is public domain (CC0).
- Thumbnail (WebP) 560 × 508 px from Room Paintings
- Web image 843 × 764 px from National Gallery of Art
- Print file 2,000 × 1,812 px from National Gallery of Art
- Original file 21,882 × 19,829 px from National Gallery of Art
- The museum’s record of this painting National Gallery of Art
Public domain image courtesy of the National Gallery of Art (Open Access, CC0). You may print, share, change and sell it without asking. Read what that means on our image license page, and how to get a good result in how to print a public-domain painting.
More like this
By Bartolomé Esteban Murillo, or in the same style or subject.
All works by Bartolomé Esteban MurilloBartolomé Esteban Murillo Ecce Agnus Dei, c. 1655
Bartolomé Esteban Murillo Don Andrés de Andrade y la Cal, ca. 1665–72
Bartolomé Esteban Murillo A Knight of Alcántara or Calatrava, ca. 1650–55
Giovanni Battista Tiepolo Armida Encounters the Sleeping Rinaldo, c. 1742–45
Claude Lorrain View of Delphi with a Procession, 1673
Georges Seurat A Sunday on La Grande Jatte — 1884, 1884–86, border added 1888–89
Pierre-Auguste Renoir Two Sisters (On the Terrace), 1881