Horace Pippin Cabin in the Cotton, c. 1931–37
Abundance of Today (mural study, Clarksville, Tennessee Post Office)
F. Luis Mora (1874–1940)
- Date
- ca. 1937-1938
- Medium
- tempera on fiberboard
- Size
- 16 × 31 in (40.5 × 78.8 cm)
- Museum
- Smithsonian American Art Museum, Washington, accession 1965.18.79. See the museum’s record
- Credit
- Smithsonian American Art Museum, Transfer from the U.S. Department of the Interior, National Park Service
Public domain image courtesy of the Smithsonian American Art Museum (Smithsonian Open Access, CC0).
Palette
- #F9D8A3, 29 % of the picture, closest to Sand walls
- #998854, 25 % of the picture, closest to Olive walls
- #626744, 19 % of the picture, closest to Olive walls
- #CAAA70, 16 % of the picture, closest to Taupe walls
- #866C33, 10 % of the picture, closest to Olive walls
Closest wall colors:
Fits these rooms
Hang it
Pick the furniture and a print size to see it to scale on your wall.
- 20½ × 40 in, the whole painting on 30 × 40 in paper
- Center
- 53½ in (136 cm) from the floor
- Above the sofa
- 8 in (20 cm) from the sofa to the frame
- Ideal width
- 56 to 63 in over an 84 in sofa
- Why this height
- Centered at eye level, this frame would not sit 6 to 10 in above the sofa, so the 8 in gap sets the height.
Try it on your wall color
Default greige
Print it
No standard paper matches this painting’s proportions closely, so print it whole with a white border, or trim the edges to fill the paper.
| Paper | Filling the paper | Printed whole | Frame | Frame with a 2 in mat | Frame with a 3 in mat | Sharpness |
|---|---|---|---|---|---|---|
| 5 × 7 in | trims 28.1 % | 3½ × 7 in | 5 × 7 in ready-made | 9 × 11 in custom | 11 × 13 in custom | 428 dpi, crisp up close |
| 12 × 16 in | trims 31.5 % | 8¼ × 16 in | 12 × 16 in ready-made | 16 × 20 in ready-made | 18 × 22 in custom | 187 dpi, crisp from a step back |
| 18 × 24 in | trims 31.5 % | 12¼ × 24 in | 18 × 24 in ready-made | 22 × 28 in ready-made | 24 × 30 in ready-made | 125 dpi, soft up close |
| 20 × 30 in | trims 22.9 % | 15½ × 30 in | 20 × 30 in ready-made | 24 × 34 in custom | 26 × 36 in custom | 100 dpi, soft up close |
| 24 × 36 in | trims 22.9 % | 18½ × 36 in | 24 × 36 in ready-made | 28 × 40 in custom | 30 × 42 in custom | 83 dpi, soft up close |
| 30 × 40 in | trims 31.5 % | 20½ × 40 in | 30 × 40 in ready-made | 34 × 44 in custom | 36 × 46 in custom | 75 dpi, soft up close |
Sharpness is worked out from the largest file the museum offers. Above 300 dpi a print holds up at arm’s length; 150 dpi is plenty for a picture seen from across a sofa.
Download
Free for any use, including commercial: this image is public domain (CC0).
- Thumbnail (WebP) 560 × 310 px from Room Paintings
- Web image 843 × 466 px from Smithsonian American Art Museum
- Print file 2,000 × 1,105 px from Smithsonian American Art Museum
- Original file 3,000 × 1,657 px from Smithsonian American Art Museum
- The museum’s record of this painting Smithsonian American Art Museum
Public domain image courtesy of the Smithsonian American Art Museum (Smithsonian Open Access, CC0). You may print, share, change and sell it without asking. Read what that means on our image license page, and how to get a good result in how to print a public-domain painting.
More like this
By F. Luis Mora, or in the same style or subject.
All works by F. Luis MoraPiet Mondrian Field with Young Trees in the Foreground, c. 1907
Georges Seurat A Sunday on La Grande Jatte — 1884, 1884–86, border added 1888–89
Claude Monet Stacks of Wheat (End of Summer), 1890–91
Gustave Caillebotte Paris Street; Rainy Day, 1877
Pierre-Auguste Renoir Two Sisters (On the Terrace), 1881
Pieter Bruegel the Elder The Harvesters, 1565
Gustav Klimt Mäda Primavesi (1903–2000), 1912–13