John Singer Sargent Madame X (Virginie Amélie Avegno Gautreau), 1883–84
The Letter (Mr. and Mrs. Samuel Colgate)
James Wells Champney (American, 1843–1903)
- Date
- 1881
- Medium
- oil on canvas
- Museum
- Smithsonian American Art Museum, Washington, accession 2025.47.3. See the museum’s record
- Credit
- Smithsonian American Art Museum, Gift of Walter and Lucille Rubin
Public domain image courtesy of the Smithsonian American Art Museum (Smithsonian Open Access, CC0).
Palette
- #422618, 30 % of the picture, closest to Chocolate walls
- #674121, 27 % of the picture, closest to Chocolate walls
- #A07A48, 16 % of the picture, closest to Terracotta walls
- #845F34, 14 % of the picture, closest to Olive walls
- #D0AF82, 13 % of the picture, closest to Taupe walls
Closest wall colors:
Fits these rooms
Hang it
Pick the furniture and a print size to see it to scale on your wall.
- 36 × 48 in, filling the paper (trims 2.9 % of the picture)
- Center
- 61¼ in (156 cm) from the floor
- Above the sofa
- 8 in (20 cm) from the sofa to the frame
- Ideal width
- 56 to 63 in over an 84 in sofa
- Why this height
- Centered at eye level, this frame would not sit 6 to 10 in above the sofa, so the 8 in gap sets the height.
Try it on your wall color
Default greige
Print it
Standard paper sizes that keep this painting’s proportions, the frames that fit them, and how sharp each one prints.
| Paper | Filling the paper | Printed whole | Frame | Frame with a 2 in mat | Frame with a 3 in mat | Sharpness |
|---|---|---|---|---|---|---|
| 8 × 10 in | trims 3.5 % | 7¾ × 10 in | 8 × 10 in ready-made | 12 × 14 in custom | 14 × 16 in custom | 626 dpi, crisp up close |
| 11 × 14 in | trims 1.7 % | 10¾ × 14 in | 11 × 14 in ready-made | 15 × 18 in custom | 17 × 20 in custom | 455 dpi, crisp up close |
| 12 × 16 in | trims 2.9 % | 12 × 15½ in | 12 × 16 in ready-made | 16 × 20 in ready-made | 18 × 22 in custom | 406 dpi, crisp up close |
| 16 × 20 in | trims 3.5 % | 15½ × 20 in | 16 × 20 in ready-made | 20 × 24 in ready-made | 22 × 26 in custom | 313 dpi, crisp up close |
| 18 × 24 in | trims 2.9 % | 18 × 23¼ in | 18 × 24 in ready-made | 22 × 28 in ready-made | 24 × 30 in ready-made | 270 dpi, crisp from a step back |
| 30 × 40 in | trims 2.9 % | 30 × 38¾ in | 30 × 40 in ready-made | 34 × 44 in custom | 36 × 46 in custom | 162 dpi, crisp from a step back |
| 36 × 48 in | trims 2.9 % | 36 × 46½ in | 36 × 48 in ready-made | 40 × 52 in custom | 42 × 54 in custom | 135 dpi, soft up close |
Sharpness is worked out from the largest file the museum offers. Above 300 dpi a print holds up at arm’s length; 150 dpi is plenty for a picture seen from across a sofa.
Download
Free for any use, including commercial: this image is public domain (CC0).
- Thumbnail (WebP) 560 × 432 px from Room Paintings
- Web image 843 × 651 px from Smithsonian American Art Museum
- Print file 2,000 × 1,544 px from Smithsonian American Art Museum
- Original file 6,497 × 5,015 px from Smithsonian American Art Museum
- The museum’s record of this painting Smithsonian American Art Museum
Public domain image courtesy of the Smithsonian American Art Museum (Smithsonian Open Access, CC0). You may print, share, change and sell it without asking. Read what that means on our image license page, and how to get a good result in how to print a public-domain painting.
More like this
By James Wells Champney, or in the same style or subject.
All works by James Wells ChampneyWilliam Michael Harnett Still Life—Violin and Music, 1888
Gustave Caillebotte Paris Street; Rainy Day, 1877
Claude Monet Stacks of Wheat (End of Summer), 1890–91
Pierre-Auguste Renoir Two Sisters (On the Terrace), 1881
Francisco de Goya Manuel Osorio Manrique de Zuñiga (1784–1792), 1787–88
Georges Seurat A Sunday on La Grande Jatte — 1884, 1884–86, border added 1888–89
Pieter Bruegel the Elder The Harvesters, 1565