All paintings (page 20)

Showing 913 to 960 of 2,374 paintings

Shown from the thighs up, a man with pale, peachy skin, wearing a black suit, cape, and hat, stands with one hand on his hip against an elephant-gray background in this vertical portrait painting.

Frans Hals Portrait of a Gentleman, 1650/1652 National Gallery of Art

Shown from about the knees up, a man with peachy skin, wearing a voluminous black cloak and a tall, brimmed hat, looks directly at us in this vertical portrait painting.

Rembrandt van Rijn Portrait of a Man in a Tall Hat, c. 1663 National Gallery of Art

Light from the upper left falls across a glass, a pitcher, peaches in a basket, and other fruit arranged along a brown tabletop or ledge in this horizontal still life painting.

Jean-Baptiste-Siméon Chardin Fruit, Jug, and a Glass, c. 1726/1728 National Gallery of Art

Two minuscule people stand in the center of an expansive, rugged landscape dusted with snow in this horizontal painting.

Caspar David Friedrich Northern Landscape, Spring, c. 1825 National Gallery of Art

Three whole, green pears against a caramel-brown background fill this horizontal still life painting. The painting was created with long, parallel, visible brushstrokes throughout, and a strip of unpainted canvas lines the top edge.

Paul Cézanne Three Pears, 1878/1879 National Gallery of Art

This painting shows an expansive green and yellow grassland under a textured blue and white sky. The horizon line is high, separating the fields and clouds with a thin line of dark trees and small white buildings.

Georges Seurat A Summer Landscape, 1883 National Gallery of Art

This painting shows a scene with several people spaced out across a grassy expanse. The horizon is high in the painting, lined with white structures with red roofs and green trees.

Georges Seurat Figures in a Landscape, c. 1883 National Gallery of Art

This painting depicts a landscape with several haystacks in the center, arranged in a line that cuts diagonally across a green field from left to right.

Georges Seurat Haystacks, c. 1882 National Gallery of Art

Four women and two children, all with pale skin, carry baskets as they walk along a beach under a brilliant blue sky in this horizontal painting. The scene is painted with visible dabs and blended strokes.

John Singer Sargent En route pour la pêche (Setting Out to Fish), 1878 National Gallery of Art

A young woman with light skin stands in a garden, wearing a voluminous, full-length, silvery, shimmering gown in this vertical portrait painting. Her body faces us, as she looks into the distance to our left.

François Boucher Madame Bergeret, possibly 1766 National Gallery of Art

Shown from the knees up, a pale-skinned woman wearing an off-the-shoulder, black gown stands in front of a maroon-red wall in this vertical portrait painting. Her body is angled to our left, but she turns her round face to us.

Jean-Auguste-Dominique Ingres Madame Moitessier, 1851 National Gallery of Art

The painting depicts a rural scene with a wide, cloudy blue sky over a riverbank. On the right there are tall, dark green trees that stretch up to the top of the painting.

Camille Corot River View, 1868/1872 National Gallery of Art

A woman with pale skin, wearing a sheer, lace shawl over a high-necked, ink-black dress sits in an upholstered chair in front of a dark, cranberry-red curtain in this vertical portrait painting.

John Singer Sargent Ellen Peabody Endicott (Mrs. William Crowninshield Endicott), 1901 National Gallery of Art

A young woman with pale, peachy skin, wearing a long, silvery blue dress with a rose-pink train looks out at us in this vertical portrait painting.

John Singer Sargent Miss Mathilde Townsend, 1907 National Gallery of Art

A young woman, holding a knife and vegetable in her lap and wearing a clay-brown jacket over a long, poppy-red skirt, sits on a wooden ladderback chair angled to our right in the center of this vertical painting.

Jean-Baptiste-Siméon Chardin The Kitchen Maid, 1738 National Gallery of Art

Shown from the knees up, a young woman with pale skin and flushed cheeks looks at us, wearing a long, shimmering white dress partially draped with powder-blue fabric in this vertical portrait painting.

John Singer Sargent Mary Crowninshield Endicott Chamberlain (Mrs. Joseph Chamberlain), 1902 National Gallery of Art

A plate of oysters, a halved lemon, an oyster fork and shells, and a dish of salt are arranged on a wooden tabletop in front of a gray wall in this horizontal still life painting.

Édouard Manet Oysters, 1862 National Gallery of Art

Shown from about the knees up, a young woman with pale skin, wearing a long, flowing, peachy-pink satin dress, looks at us in this vertical portrait painting.

John Singer Sargent Miss Grace Woodhouse, 1890 National Gallery of Art

This painting shows a portrait of a woman, depicted from the thighs up. She is seated with her body and head facing forward.

Amedeo Modigliani Madame Amédée (Woman with Cigarette), 1918 National Gallery of Art

An older woman wearing a long black dress sits reading a book in front of a younger woman wearing cream white, who sits on a couch just beyond, in this vertical portrait painting.

Berthe Morisot The Mother and Sister of the Artist, 1869/1870 National Gallery of Art

Shown from the shins up, a woman with pale skin, iron-gray hair, and wearing a high-collared, long-sleeved black dress, stands next to a table against a caramel-brown wall in this vertical portrait painting.

John Singer Sargent Eleanora O'Donnell Iselin (Mrs. Adrian Iselin), 1888 National Gallery of Art

This painting depicts a woman and a child standing in a wooded area. The woman holds a closed parasol in one hand and reaches down towards the child with the other.

Camille Corot Madame Stumpf and Her Daughter, 1872 National Gallery of Art

A small child stands facing us on a sun-dappled path that runs up the center of a garden dominated by towering yellow and burnt-orange sunflowers in this loosely painted, vertical scene.

Claude Monet The Artist's Garden at Vétheuil, 1881 National Gallery of Art

This horizontal landscape is painted with broad, visible strokes in shades of laurel, fern, and pine green, dark yellow, and ash brown.

Pierre-Auguste Renoir Landscape between Storms, 1874/1875 National Gallery of Art

Tall grasses lead back to a body of water and then perhaps a town in this loosely painted, horizontal landscape.

Pierre-Auguste Renoir Landscape at Vétheuil, c. 1890 National Gallery of Art

This painting depicts a while villa partially hidden by greenery. The villa has several buildings on different levels with small windows and reddish-brown roofs. The brushstrokes are loose and broad, giving the image a blurred effect.

Pierre-Auguste Renoir Maison de la Poste, Cagnes, 1906/1907 National Gallery of Art

This horizontal landscape is painted with dots and dashes in fresh green, shimmering blue, amethyst purple, shell pink, pale yellow, and cream white against the brown wood of the panel, which is visible throughout.

Georges Seurat Study for "La Grande Jatte", 1884/1885 National Gallery of Art

A passenger boat, its bright tan sails reflecting the sun, careens among choppy water with at least eight more sailboats and a town along the water’s edge in the distance in this horizontal landscape painting.

Joseph Mallord William Turner Rotterdam Ferry-Boat, 1833 National Gallery of Art

Three apples and two pears sit next to a knife and a luminous, white mug on a tan, stone surface before a muted, olive-green background in this horizontal still life painting.

Jean-Baptiste-Siméon Chardin Still Life with a White Mug, c. 1764 National Gallery of Art

A baby nestles in a mass of frilly white fabric atop a colorful patchwork, perhaps a pile of quilts, against a sage and spring-green background in this square painting.

Gustav Klimt Baby (Cradle), 1917/1918 National Gallery of Art

Shown from the knees up, a pale-skinned woman wears a wide, pleated collar and a black gown in this vertical portrait painting. Her body is angled to our left, and she looks at us from the corners of her light brown eyes.

Anthony van Dyck Portrait of a Flemish Lady, probably 1618 National Gallery of Art

A pale-skinned woman sits at a table leaning over an open book in a brightly lit room in this loosely painted, horizontal scene.

Camille Corot Woman Reading in the Studio, c. 1868 National Gallery of Art

We look slightly down onto a bare, gnarled tree near a gray, dirt path, which leads back to a hamlet in this horizontal landscape painting. The scene is loosely painted with visible brushstrokes, so many details are indistinct.

Camille Pissarro The Fence, 1872 National Gallery of Art

This vertical portrait painting shows a pale-skinned older woman wearing a full, long-sleeved black dress with a wide white ruff at her neck and white lace cuffs at her wrists.

Frans Hals Portrait of a Woman Aged Sixty, 1633 National Gallery of Art

This horizontal landscape painting shows a cluster of tan and rust-brown buildings set on a tiny island at the center of a wide brownish-gray river.

Camille Corot The Island and Bridge of San Bartolomeo, Rome, 1825/1828 National Gallery of Art

Facing away from us, a light-skinned woman blowing a silver horn stands in a grassy landscape in this vertical painting. The woman is lit brightly from the upper right, making her ankle-length, white dress glow.

Winslow Homer The Dinner Horn (Blowing the Horn at Seaside), 1870 National Gallery of Art

The dark, forest-green canopies of trees to our right are silhouetted against a sky that warms from pale blue along the top edge of the composition to butter yellow along the horizon, which comes about a quarter of the way up this…

Jean-Honoré Fragonard Mountain Landscape at Sunset, c. 1765 National Gallery of Art

Boats at Berck-sur-Mer, Édouard Manet, 1873, oil on fabric

Édouard Manet Boats at Berck-sur-Mer, 1873 Cleveland Museum of Art

Shown from about the waist up, a young woman wearing white sits in an armchair cuddling a brown and black striped cat in this vertical painting. The scene is painted with blended brushstrokes, giving it a soft look.

Pierre-Auguste Renoir Woman with a Cat, c. 1875 National Gallery of Art

In this painting, a person appears to pull a long brown-and-green canoe out of the water and onto a grassy stretch of land. The person wears a hat and a green shirt with brown trousers, and their face is indistinct.

Winslow Homer Sunset, c. 1875 National Gallery of Art

Eagle Head, Manchester, Massachusetts (High Tide), Winslow Homer, 1870, oil on canvas

Winslow Homer Eagle Head, Manchester, Massachusetts (High Tide), 1870 The Met

We look slightly down onto the surface of a river in which three narrow canoes, each paddled by a single person, are being rowed toward us in this horizontal landscape painting.

Gustave Caillebotte Skiffs, 1877 National Gallery of Art

Vibrantly colored mythical scene depicting people, animals, and dragons in front of mountains.

Tibet Milarepa on Mount Kailash, c. 1500 Art Institute of Chicago

We look slightly down onto a baby tucked into an oval-shaped cradle with a woman sitting on the far side looking down at the child in this vertical painting. Both the woman and baby have light skin.

Claude Monet The Cradle - Camille with the Artist's Son Jean, 1867 National Gallery of Art

Shown from the knees up, a woman with peach-colored skin and dark hair sits facing us and holding a baby in this stylized, vertical portrait painting.

Amedeo Modigliani Roma Woman with Baby, 1919 National Gallery of Art

Six men on horseback and wearing jockeys’ uniforms line up on a grassy field in front of us in this loosely painted horizontal scene. The jockeys and horses’ features are especially freely painted so much of the detail is indistinct.

Edgar Degas The Riders, c. 1885 National Gallery of Art

Two women, a man, and three small children gather around a baby sleeping in a wicker cradle near an open window in this horizontal painting. The people all have pale skin with rosy cheeks.

Jean-Honoré Fragonard The Visit to the Nursery, c. 1775 National Gallery of Art

Virgin and Child with Saints Dominic and Hyacinth, Giovanni Battista Tiepolo, 1730–35, oil on canvas

Giovanni Battista Tiepolo Virgin and Child with Saints Dominic and Hyacinth, 1730–35 Art Institute of Chicago