All paintings (page 49)

Showing 2,305 to 2,352 of 2,374 paintings

Lieutenant General Duncan Campbell, Henry Raeburn, c. 1810, oil on canvas

Henry Raeburn Lieutenant General Duncan Campbell, c. 1810 Cleveland Museum of Art

Pope Pius VI Descending the Throne to Take Leave of the Doge in the Hall of Saints Giovanni e Paolo, 1782, Francesco Guardi, c. 1783, oil on canvas

Francesco Guardi Pope Pius VI Descending the Throne to Take Leave of the Doge in the Hall of Saints Giovanni e Paolo, 1782, c. 1783 Cleveland Museum of Art

Sunny Autumn Day, George Inness, 1892, oil on canvas

George Inness Sunny Autumn Day, 1892 Cleveland Museum of Art

The Troubadour, Honoré Daumier, 1868–73, oil on fabric

Honoré Daumier The Troubadour, 1868–73 Cleveland Museum of Art

Marshland, Jules Dupré, 1860s-1870s, oil on fabric

Jules Dupré Marshland, 1860s-1870s Cleveland Museum of Art

Graves of Travellers, Fort Kearny, Nebraska, Worthington Whittredge, 1866, oil on paper mounted on canvas

Worthington Whittredge Graves of Travellers, Fort Kearny, Nebraska, 1866 Cleveland Museum of Art

Anna Dummer Powell, John Singleton Copley, 1764, oil on canvas

John Singleton Copley Anna Dummer Powell, 1764 Cleveland Museum of Art

Bacchante on a Panther, William-Adolphe Bouguereau, 1855, oil on fabric

William-Adolphe Bouguereau Bacchante on a Panther, 1855 Cleveland Museum of Art

André Bénac, Édouard Vuillard, 1936, oil on fabric

Édouard Vuillard André Bénac, 1936 Cleveland Museum of Art

Marie-Yolande de Fitz-James, Henri Fantin-Latour, 1867, oil on fabric

Henri Fantin-Latour Marie-Yolande de Fitz-James, 1867 Cleveland Museum of Art

A Calling, William-Adolphe Bouguereau, 1896, oil on fabric

William-Adolphe Bouguereau A Calling, 1896 Cleveland Museum of Art

The Tired Gleaner, Jules Breton, 1880, oil on fabric

Jules Breton The Tired Gleaner, 1880 Cleveland Museum of Art

High Tide on the Marshes, Martin Johnson Heade, 1872, oil on canvas

Martin Johnson Heade High Tide on the Marshes, 1872 Cleveland Museum of Art

Summer, Pierre Puvis de Chavannes, 1891, oil on fabric

Pierre Puvis de Chavannes Summer, 1891 Cleveland Museum of Art

Seventeenth Century Lady, William Merritt Chase, ca. 1895, oil on canvas

William Merritt Chase Seventeenth Century Lady, ca. 1895 The Met

Peaceable Kingdom, Edward Hicks, ca. 1830–32, oil on canvas

Edward Hicks Peaceable Kingdom, ca. 1830–32 The Met

Florentine Poet, Alexandre Cabanel, 1861, oil on wood

Alexandre Cabanel Florentine Poet, 1861 The Met

Two Children Teasing a Cat, Annibale Carracci, 1588, oil on canvas

Annibale Carracci Two Children Teasing a Cat, 1588 The Met

Children and a Cow, Aelbert Cuyp, 1635–39, oil on wood

Aelbert Cuyp Children and a Cow, 1635–39 The Met

Christ Taking Leave of His Mother, Gerard David, ca. 1500, oil on wood

Gerard David Christ Taking Leave of His Mother, ca. 1500 The Met

Virgin and Child with Four Angels, Gerard David, ca. 1510–15, oil on wood

Gerard David Virgin and Child with Four Angels, ca. 1510–15 The Met

The Adoration of the Magi, Gerard David, ca. 1520, oil on wood

Gerard David The Adoration of the Magi, ca. 1520 The Met

Saint Lawrence Enthroned with Saints and Donors, Fra Filippo Lippi, 1440s, tempera on wood, gold ground

Fra Filippo Lippi Saint Lawrence Enthroned with Saints and Donors, 1440s The Met

Madonna and Child with Seraphim and Cherubim, Andrea Mantegna, ca. 1454, tempera and gold on wood

Andrea Mantegna Madonna and Child with Seraphim and Cherubim, ca. 1454 The Met

Virgin and Child, Gerard David, 1490–1523, oil on oak panel

Gerard David Virgin and Child, 1490–1523 The Met

The Return of Persephone, Frederic Leighton, ca. 1890–91, oil on canvas

Frederic Leighton The Return of Persephone, ca. 1890–91 The Met

This horizontal painting is made up of three parts: in the center square panel, a woman reclines under a wooden shelter set into a rocky cave, which is surrounded by angels, and narrower wings to either side are each occupied by a standing…

Duccio di Buoninsegna The Nativity with the Prophets Isaiah and Ezekiel, 1308-1311 National Gallery of Art

A pale-skinned woman wearing a cream-white dress stands in front of a shadowy landscape in this vertical portrait painting. Facing us, the woman looks directly out with dark gray eyes under gently curving brows.

Joshua Reynolds Lady Elizabeth Compton, 1780-1782 National Gallery of Art

Colonel Francis James Scott, Henry Raeburn, 1796/1811, oil on canvas

Henry Raeburn Colonel Francis James Scott, 1796/1811 National Gallery of Art

An older, pale-skinned man wearing a richly brocaded robe and bishop’s mitre stands under a rounded arch in front of a deep landscape in this tall, narrow, vertical painting.

Gerard David The Saint Anne Altarpiece: Saint Nicholas [left panel], c. 1500/1520 National Gallery of Art

Two women and a baby, all with pale skin, sit together on a gray, stone throne with patterned fabric hanging behind them and a patterned rug below in this narrow, vertical painting.

Gerard David The Saint Anne Altarpiece: Saint Anne with the Virgin and Child [middle panel], c. 1500/1520 National Gallery of Art

David Anderson, Henry Raeburn, 1790, oil on canvas

Henry Raeburn David Anderson, 1790 National Gallery of Art

This painting depicts a seated woman facing the left. She has a pale complexion, rosy cheeks, arched eyebrows, and thin red lips set in a neutral expression. Her hands are resting on her lap.

Joshua Reynolds Lady Cornewall, c. 1785-1786 National Gallery of Art

Separated by a vertical, column-like partition, a woman to our right kneels opposite a winged angel to our left, who also kneels and holds the stem of a long white lily propped against one shoulder in this horizontal painting.

Fra Filippo Lippi The Annunciation, c. 1435/1440 National Gallery of Art

A young girl wearing a rust-red dress with a tight bodice and full, voluminous skirt sits in a hazy, garden-like setting in this vertical portrait painting. Her skin is pale with a greenish cast, but her cheeks are slightly flushed.

Joshua Reynolds Lady Elizabeth Hamilton, 1758 National Gallery of Art

A bearded man with wrinkled, peachy skin and reddened cheeks sits and smokes a pipe on a wooden box in a landscape in this vertical painting. The man’s body faces us, and he peers at us with dark eyes under heavy, bushy white brows.

George Caleb Bingham Mississippi Boatman, 1850 National Gallery of Art

This painting depicts a snowy forest scene with a path running through tall, leafless trees.

Eastman Johnson On Their Way to Camp, 1873 National Gallery of Art

This painting shows a seated woman, her body turned slightly to the left and her head turned towards us. She is holding a small white mask in her right hand, balancing it on one of her knees.

Thomas Wilmer Dewing Lady with a Mask, 1911 National Gallery of Art

This painting depicts a coastal scene with a large group of people with light skin dressed in draping fabric in shades of red, yellow, blue, and purple.

Benjamin West Telemachus and Calypso, c. 1809 National Gallery of Art

This painting depicts a seated woman looking off to the left, resting her head on her right hand, our left, with her elbow on an abstract green surface.

Joshua Reynolds Annetta Coke, 1758 National Gallery of Art

This is a painting of an auction scene featuring an auctioneer and an audience. The painting shows a group of people watching an auctioneer gesturing towards a framed artwork displayed on an easel.

Honoré Daumier At the Gallery Drouot, after 1863-before 1873 National Gallery of Art

Harriet Hubbard Ayer, Eastman Johnson, 1881, oil on canvas

Eastman Johnson Harriet Hubbard Ayer, 1881 National Gallery of Art

Shown from the waist up and nearly filling the picture, a young woman with pale skin, dressed in a jewel-toned gown and cape, looks out at us in this vertical painting.

Lorenzo Lotto Saint Catherine, 1522 National Gallery of Art

A man stands on a rocky, tan-colored outcropping and gestures to two men in a rowboat, all against a gold background in this square painting. The men’s pale skin is tinged with gray but they have rosy cheeks, and all three have beards.

Duccio di Buoninsegna The Calling of the Apostles Peter and Andrew, 1308-1311 National Gallery of Art

A baby-like winged putto flies above and drops a stream of white flowers onto a woman who sits leaning against a cut tree trunk this vertical landscape painting.

Lorenzo Lotto Allegory of Chastity, c. 1505 National Gallery of Art

Set on a strip of land under a cloud-filled sky and in front of a stormy sea, a nude, light-skinned satyr reclines to our right as a nude, pale-skinned, blond child crouches over some objects on the dirt ground to our left in this vertical…

Lorenzo Lotto Allegory of Virtue and Vice, 1505 National Gallery of Art

Two pale-skinned women sit facing each other on a long sofa centered on the wall across from us in a room warmly lit from the right in this horizontal painting. The scene is loosely painted so some details are indistinct.

William Merritt Chase A Friendly Call, 1895 National Gallery of Art

Robert Henri Young Woman in White, 1904 National Gallery of Art