Francisco de Goya Manuel Osorio Manrique de Zuñiga (1784–1792), 1787–88
Moonlight
Ralph Albert Blakelock (American, 1847–1919)
- Date
- 1886/1895
- Medium
- oil on canvas
- Size
- 27 × 37 in (68.7 × 94.1 cm)
- Museum
- National Gallery of Art, Washington, accession 2014.136.20. See the museum’s record
- Credit
- Corcoran Collection (William A. Clark Collection, 1926)
Public domain image courtesy of the National Gallery of Art (Open Access, CC0).
Palette
- #756D34, 29 % of the picture, closest to Olive walls
- #615725, 26 % of the picture, closest to Olive walls
- #908647, 20 % of the picture, closest to Olive walls
- #382B14, 19 % of the picture, closest to Chocolate walls
- #B7A461, 6 % of the picture, closest to Olive walls
Closest wall colors:
Fits these rooms
Hang it
Pick the furniture and a print size to see it to scale on your wall.
- 36 × 48 in, filling the paper (trims 2.7 % of the picture)
- Center
- 61¼ in (156 cm) from the floor
- Above the sofa
- 8 in (20 cm) from the sofa to the frame
- Ideal width
- 56 to 63 in over an 84 in sofa
- Why this height
- Centered at eye level, this frame would not sit 6 to 10 in above the sofa, so the 8 in gap sets the height.
Try it on your wall color
Default greige
Print it
Standard paper sizes that keep this painting’s proportions, the frames that fit them, and how sharp each one prints.
| Paper | Filling the paper | Printed whole | Frame | Frame with a 2 in mat | Frame with a 3 in mat | Sharpness |
|---|---|---|---|---|---|---|
| 5 × 7 in | trims 2.1 % | 5 × 7 in | 5 × 7 in ready-made | 9 × 11 in custom | 11 × 13 in custom | 3557 dpi, crisp up close |
| 12 × 16 in | trims 2.7 % | 11¾ × 16 in | 12 × 16 in ready-made | 16 × 20 in ready-made | 18 × 22 in custom | 1504 dpi, crisp up close |
| 18 × 24 in | trims 2.7 % | 17½ × 24 in | 18 × 24 in ready-made | 22 × 28 in ready-made | 24 × 30 in ready-made | 1003 dpi, crisp up close |
| 30 × 40 in | trims 2.7 % | 29¼ × 40 in | 30 × 40 in ready-made | 34 × 44 in custom | 36 × 46 in custom | 601 dpi, crisp up close |
| 36 × 48 in | trims 2.7 % | 35 × 48 in | 36 × 48 in ready-made | 40 × 52 in custom | 42 × 54 in custom | 501 dpi, crisp up close |
Sharpness is worked out from the largest file the museum offers. Above 300 dpi a print holds up at arm’s length; 150 dpi is plenty for a picture seen from across a sofa.
Download
Free for any use, including commercial: this image is public domain (CC0).
- Thumbnail (WebP) 560 × 406 px from Room Paintings
- Web image 843 × 611 px from National Gallery of Art
- Print file 2,000 × 1,450 px from National Gallery of Art
- Original file 24,901 × 18,059 px from National Gallery of Art
- The museum’s record of this painting National Gallery of Art
Public domain image courtesy of the National Gallery of Art (Open Access, CC0). You may print, share, change and sell it without asking. Read what that means on our image license page, and how to get a good result in how to print a public-domain painting.
More like this
By Ralph Albert Blakelock, or in the same style or subject.
All works by Ralph Albert BlakelockJohn Constable Salisbury Cathedral from Lower Marsh Close, 1820
James McNeill Whistler Nocturne: Blue and Gold—Southampton Water, 1872
James McNeill Whistler The Yellow Room, ca. 1883–84
Georges Seurat A Sunday on La Grande Jatte — 1884, 1884–86, border added 1888–89
Claude Monet Stacks of Wheat (End of Summer), 1890–91
Frederic Edwin Church Twilight in the Wilderness, 1860
Joseph Mallord William Turner Keelmen Heaving in Coals by Moonlight, 1835