Horace Pippin Cabin in the Cotton, c. 1931–37
Locksmith's Shop
Sir Aston Webb, English (1849–1930)
- Date
- 1924
- Medium
- watercolor on paper
- Size
- 12 × 7½ in (30.5 × 19 cm)
- Museum
- Smithsonian American Art Museum, Washington, accession 1962.13.2. See the museum’s record
- Credit
- Smithsonian American Art Museum, Bequest of Emily Finch Gilbert through Julia Post Bastedo, executor
Public domain image courtesy of the Smithsonian American Art Museum (Smithsonian Open Access, CC0).
Palette
- #DECCAC, 25 % of the picture, closest to Sand walls
- #C18C54, 24 % of the picture, closest to Terracotta walls
- #D1AF7A, 21 % of the picture, closest to Taupe walls
- #A07142, 19 % of the picture, closest to Terracotta walls
- #774C29, 10 % of the picture, closest to Chocolate walls
Closest wall colors:
Fits these rooms
Hang it
Pick the furniture and a print size to see it to scale on your wall.
- 25 × 40 in, the whole painting on 30 × 40 in paper
- Center
- 58 in (147 cm) above the stair line
Try it on your wall color
Default greige
Print it
No standard paper matches this painting’s proportions closely, so print it whole with a white border, or trim the edges to fill the paper.
| Paper | Filling the paper | Printed whole | Frame | Frame with a 2 in mat | Frame with a 3 in mat | Sharpness |
|---|---|---|---|---|---|---|
| 5 × 7 in | trims 12.8 % | 4½ × 7 in | 5 × 7 in ready-made | 9 × 11 in custom | 11 × 13 in custom | 424 dpi, crisp up close |
| 12 × 16 in | trims 16.9 % | 10 × 16 in | 12 × 16 in ready-made | 16 × 20 in ready-made | 18 × 22 in custom | 186 dpi, crisp from a step back |
| 18 × 24 in | trims 16.9 % | 15 × 24 in | 18 × 24 in ready-made | 22 × 28 in ready-made | 24 × 30 in ready-made | 124 dpi, soft up close |
| 20 × 30 in | trims 6.6 % | 18¾ × 30 in | 20 × 30 in ready-made | 24 × 34 in custom | 26 × 36 in custom | 99 dpi, soft up close |
| 24 × 36 in | trims 6.6 % | 22½ × 36 in | 24 × 36 in ready-made | 28 × 40 in custom | 30 × 42 in custom | 83 dpi, soft up close |
| 30 × 40 in | trims 16.9 % | 25 × 40 in | 30 × 40 in ready-made | 34 × 44 in custom | 36 × 46 in custom | 75 dpi, soft up close |
Sharpness is worked out from the largest file the museum offers. Above 300 dpi a print holds up at arm’s length; 150 dpi is plenty for a picture seen from across a sofa.
Download
Free for any use, including commercial: this image is public domain (CC0).
- Thumbnail (WebP) 349 × 560 px from Room Paintings
- Web image 525 × 843 px from Smithsonian American Art Museum
- Print file 1,245 × 2,000 px from Smithsonian American Art Museum
- Original file 1,868 × 3,000 px from Smithsonian American Art Museum
- The museum’s record of this painting Smithsonian American Art Museum
Public domain image courtesy of the Smithsonian American Art Museum (Smithsonian Open Access, CC0). You may print, share, change and sell it without asking. Read what that means on our image license page, and how to get a good result in how to print a public-domain painting.
More like this
By Sir Aston Webb, English, or in the same style or subject.
All works by Sir Aston Webb, EnglishPiet Mondrian Field with Young Trees in the Foreground, c. 1907
Gustave Caillebotte Paris Street; Rainy Day, 1877
Georges Seurat A Sunday on La Grande Jatte — 1884, 1884–86, border added 1888–89
Claude Monet Stacks of Wheat (End of Summer), 1890–91
Pierre-Auguste Renoir Two Sisters (On the Terrace), 1881
Pieter Bruegel the Elder The Harvesters, 1565
Edgar Degas The Millinery Shop, 1879-86