Thomas Cole View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm—The Oxbow, 1836
The Return
Thomas Cole (American, 1801–1848)
- Date
- 1837
- Medium
- oil on canvas
- Size
- 39½ × 63½ in (100.3 × 161.4 cm)
- Museum
- National Gallery of Art, Washington, accession 2014.79.12. See the museum’s record
- Credit
- Corcoran Collection (Gift of William Wilson Corcoran, 1869)
Public domain image courtesy of the National Gallery of Art (Open Access, CC0).
Palette
- #38220F, 34 % of the picture, closest to Chocolate walls
- #A1B6BC, 21 % of the picture, closest to Powder Blue walls
- #624017, 20 % of the picture, closest to Chocolate walls
- #CFC1A6, 16 % of the picture, closest to Sand walls
- #93774B, 9 % of the picture, closest to Olive walls
Closest wall colors:
Fits these rooms
Hang it
Pick the furniture and a print size to see it to scale on your wall.
- 25 × 40 in, the whole painting on 30 × 40 in paper
- Center
- 55¾ in (141 cm) from the floor
- Above the sofa
- 8 in (20 cm) from the sofa to the frame
- Ideal width
- 56 to 63 in over an 84 in sofa
- Why this height
- Centered at eye level, this frame would not sit 6 to 10 in above the sofa, so the 8 in gap sets the height.
Try it on your wall color
Default greige
Print it
No standard paper matches this painting’s proportions closely, so print it whole with a white border, or trim the edges to fill the paper.
| Paper | Filling the paper | Printed whole | Frame | Frame with a 2 in mat | Frame with a 3 in mat | Sharpness |
|---|---|---|---|---|---|---|
| 5 × 7 in | trims 13 % | 4½ × 7 in | 5 × 7 in ready-made | 9 × 11 in custom | 11 × 13 in custom | 3565 dpi, crisp up close |
| 12 × 16 in | trims 17.1 % | 10 × 16 in | 12 × 16 in ready-made | 16 × 20 in ready-made | 18 × 22 in custom | 1584 dpi, crisp up close |
| 18 × 24 in | trims 17.1 % | 15 × 24 in | 18 × 24 in ready-made | 22 × 28 in ready-made | 24 × 30 in ready-made | 1052 dpi, crisp up close |
| 20 × 30 in | trims 6.8 % | 18½ × 30 in | 20 × 30 in ready-made | 24 × 34 in custom | 26 × 36 in custom | 843 dpi, crisp up close |
| 24 × 36 in | trims 6.8 % | 22½ × 36 in | 24 × 36 in ready-made | 28 × 40 in custom | 30 × 42 in custom | 700 dpi, crisp up close |
| 30 × 40 in | trims 17.1 % | 25 × 40 in | 30 × 40 in ready-made | 34 × 44 in custom | 36 × 46 in custom | 630 dpi, crisp up close |
Sharpness is worked out from the largest file the museum offers. Above 300 dpi a print holds up at arm’s length; 150 dpi is plenty for a picture seen from across a sofa.
Download
Free for any use, including commercial: this image is public domain (CC0).
- Thumbnail (WebP) 560 × 346 px from Room Paintings
- Web image 843 × 521 px from National Gallery of Art
- Print file 2,000 × 1,236 px from National Gallery of Art
- Original file 25,386 × 15,687 px from National Gallery of Art
- The museum’s record of this painting National Gallery of Art
Public domain image courtesy of the National Gallery of Art (Open Access, CC0). You may print, share, change and sell it without asking. Read what that means on our image license page, and how to get a good result in how to print a public-domain painting.
More like this
By Thomas Cole, or in the same style or subject.
All works by Thomas ColeThomas Cole Distant View of Niagara Falls, 1830
Thomas Cole View of Florence, 1837
Thomas Cole View of Schroon Mountain, Essex County, New York, After a Storm, 1838
Francisco de Goya Manuel Osorio Manrique de Zuñiga (1784–1792), 1787–88
John Constable Salisbury Cathedral from Lower Marsh Close, 1820
Frederic Edwin Church Twilight in the Wilderness, 1860
Frederic Edwin Church Heart of the Andes, 1859