Thomas Cole View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm—The Oxbow, 1836
The Subsiding of the Waters of the Deluge
Thomas Cole (American, 1801–1848)
- Date
- 1829
- Medium
- oil on canvas
- Size
- 35¾ × 47¾ in (90.8 × 121.4 cm)
- Museum
- Smithsonian American Art Museum, Washington, accession 1983.40. See the museum’s record
- Credit
- Smithsonian American Art Museum, Gift of Mrs. Katie Dean in memory of Minnibel S. and James Wallace Dean and museum purchase through the Smithsonian Institution Collections Acquisition Program
Public domain image courtesy of the Smithsonian American Art Museum (Smithsonian Open Access, CC0).
Palette
- #110F0A, 46 % of the picture, closest to Black walls
- #E3D5B5, 20 % of the picture, closest to Sand walls
- #3C2D13, 18 % of the picture, closest to Chocolate walls
- #765D2C, 9 % of the picture, closest to Olive walls
- #B3986F, 7 % of the picture, closest to Taupe walls
Closest wall colors:
Fits these rooms
Hang it
Pick the furniture and a print size to see it to scale on your wall.
- 36 × 48 in, filling the paper (trims 0.3 % of the picture)
- Center
- 61¼ in (156 cm) from the floor
- Above the sofa
- 8 in (20 cm) from the sofa to the frame
- Ideal width
- 56 to 63 in over an 84 in sofa
- Why this height
- Centered at eye level, this frame would not sit 6 to 10 in above the sofa, so the 8 in gap sets the height.
Try it on your wall color
Default greige
Print it
Standard paper sizes that keep this painting’s proportions, the frames that fit them, and how sharp each one prints.
| Paper | Filling the paper | Printed whole | Frame | Frame with a 2 in mat | Frame with a 3 in mat | Sharpness |
|---|---|---|---|---|---|---|
| 5 × 7 in | trims 4.5 % | 5 × 6¾ in | 5 × 7 in ready-made | 9 × 11 in custom | 11 × 13 in custom | 428 dpi, crisp up close |
| 11 × 14 in | trims 4.8 % | 10½ × 14 in | 11 × 14 in ready-made | 15 × 18 in custom | 17 × 20 in custom | 203 dpi, crisp from a step back |
| 12 × 16 in | trims 0.3 % | 12 × 16 in | 12 × 16 in ready-made | 16 × 20 in ready-made | 18 × 22 in custom | 186 dpi, crisp from a step back |
| 18 × 24 in | trims 0.3 % | 18 × 24 in | 18 × 24 in ready-made | 22 × 28 in ready-made | 24 × 30 in ready-made | 124 dpi, soft up close |
| 30 × 40 in | trims 0.3 % | 30 × 40 in | 30 × 40 in ready-made | 34 × 44 in custom | 36 × 46 in custom | 74 dpi, soft up close |
| 36 × 48 in | trims 0.3 % | 36 × 48 in | 36 × 48 in ready-made | 40 × 52 in custom | 42 × 54 in custom | 62 dpi, soft up close |
Sharpness is worked out from the largest file the museum offers. Above 300 dpi a print holds up at arm’s length; 150 dpi is plenty for a picture seen from across a sofa.
Download
Free for any use, including commercial: this image is public domain (CC0).
- Thumbnail (WebP) 560 × 418 px from Room Paintings
- Web image 843 × 629 px from Smithsonian American Art Museum
- Print file 2,000 × 1,493 px from Smithsonian American Art Museum
- Original file 3,000 × 2,239 px from Smithsonian American Art Museum
- The museum’s record of this painting Smithsonian American Art Museum
Public domain image courtesy of the Smithsonian American Art Museum (Smithsonian Open Access, CC0). You may print, share, change and sell it without asking. Read what that means on our image license page, and how to get a good result in how to print a public-domain painting.
More like this
By Thomas Cole, or in the same style or subject.
All works by Thomas ColeThomas Cole Distant View of Niagara Falls, 1830
Thomas Cole View of Florence, 1837
Thomas Cole View of Schroon Mountain, Essex County, New York, After a Storm, 1838
Frederic Edwin Church Twilight in the Wilderness, 1860
Frederic Edwin Church Heart of the Andes, 1859
Georges Seurat A Sunday on La Grande Jatte — 1884, 1884–86, border added 1888–89
Claude Monet Stacks of Wheat (End of Summer), 1890–91