Post-Impressionist Paintings (page 3)

Showing 97 to 144 of 188 paintings

Three light-skinned girls hold hands to create a loose ring with their arms extended, in a grassy field in this horizontal painting. All three girls wear white headdresses, ankle-length, long-sleeved dresses, and clogs.

Paul Gauguin Breton Girls Dancing, Pont-Aven, 1888 National Gallery of Art

We look across rolling, bright green pastures and honey-brown farmland to a cluster of buildings nestled beyond a copse of trees, along the horizon in this horizontal, stylized landscape painting.

Paul Gauguin Landscape at Le Pouldu, 1890 National Gallery of Art

Rectangular plots of flowers, each in a single color, stretch toward us below a sky nearly filled with cream-white clouds in this horizontal landscape painting.

Vincent van Gogh Flower Beds in Holland, c. 1883 National Gallery of Art

Painted entirely with small dots of pure color mostly in slate and azure blue, olive green, and cream white, this scene shows a sandy beach stretching to a lighthouse at the center and a four-story building to our right in this horizontal…

Georges Seurat The Lighthouse at Honfleur, 1886 National Gallery of Art

A road or path curves away from us, past a tall formation, perhaps rocks, to our left, and into a valley filled with trees and a low hill beyond in this stylized, vertical landscape.

Paul Cézanne The Bend in the Road, 1900/1906 National Gallery of Art

Painted in muted lime green, plum purple, buttercup yellow, slate and royal blue, the head and shoulders of a man with peach-colored skin sitting in front of a window looks at us in this stylized, vertical portrait.

Paul Gauguin Self-Portrait Dedicated to Carrière, 1888 or 1889 National Gallery of Art

A profusion of white roses bursting from the neck of a tan jug almost fills the height of this horizontal still life painting.

Vincent van Gogh Roses, 1890 National Gallery of Art

About a dozen ruby-red and bright pink peonies in a gold and green vase sit on a rumpled cloth in this loosely painted, horizontal still life.

Paul Gauguin Still Life with Peonies, 1884 National Gallery of Art

The Fishermen (Fantastic Scene), Paul Cézanne, ca. 1875, oil on canvas

Paul Cézanne The Fishermen (Fantastic Scene), ca. 1875 The Met

In the center of this painting, there is a horse-drawn cart turned away from us, facing the right. In the cart is a person wearing dark blue clothing and a dark hat, and next to them is a white-and-pink bundle that could be another person.

Henri de Toulouse-Lautrec The Trap, 1880 National Gallery of Art

Apples, Paul Cézanne, 1878–79, oil on canvas

Paul Cézanne Apples, 1878–79 The Met

Still Life with Teapot and Fruit, Paul Gauguin, 1896, oil on canvas

Paul Gauguin Still Life with Teapot and Fruit, 1896 The Met

Still Life with a Ginger Jar and Eggplants, Paul Cézanne, 1893–94, oil on canvas

Paul Cézanne Still Life with a Ginger Jar and Eggplants, 1893–94 The Met

At the Circus: The Bareback Rider (Au Cirque: Écuyère), Henri de Toulouse-Lautrec, 1888, oil on vellum

Henri de Toulouse-Lautrec At the Circus: The Bareback Rider (Au Cirque: Écuyère), 1888 Art Institute of Chicago

A glass bottle, a glass carafe, a stemmed glass, several pieces of fruit, and white and blue cloths are arranged on a wooden table in this horizontal still life. The bottle and carafe are at the center of this composition.

Paul Cézanne The Peppermint Bottle, 1893/1895 National Gallery of Art

Painting in tones of gray and brown, with some green and blue, of a woman digging with a garden tool before a structure with a thatched roof that descends almost to the ground. Above her the sky is gray and blue, a haze of clouds.

Vincent van Gogh A Peasant Woman Digging in Front of Her Cottage, c. 1885 Art Institute of Chicago

Heavy daubs of pigment form a crowded scene of roughly defined, finely dressed individuals in a brightly color park along a riverbank.

Georges Seurat Oil Sketch for "A Sunday on La Grande Jatte — 1884", 1884 Art Institute of Chicago

Peasant Woman Cooking by a Fireplace, Vincent van Gogh, 1885, oil on canvas

Vincent van Gogh Peasant Woman Cooking by a Fireplace, 1885 The Met

Three whole, green pears against a caramel-brown background fill this horizontal still life painting. The painting was created with long, parallel, visible brushstrokes throughout, and a strip of unpainted canvas lines the top edge.

Paul Cézanne Three Pears, 1878/1879 National Gallery of Art

This painting depicts a landscape with several haystacks in the center, arranged in a line that cuts diagonally across a green field from left to right.

Georges Seurat Haystacks, c. 1882 National Gallery of Art

This horizontal landscape is painted with dots and dashes in fresh green, shimmering blue, amethyst purple, shell pink, pale yellow, and cream white against the brown wood of the panel, which is visible throughout.

Georges Seurat Study for "La Grande Jatte", 1884/1885 National Gallery of Art

Woman and Child at the Well, Camille Pissarro, 1882, oil on canvas

Camille Pissarro Woman and Child at the Well, 1882 Art Institute of Chicago

Gardanne, Paul Cézanne, 1885–86, oil on canvas

Paul Cézanne Gardanne, 1885–86 The Met

The House with the Cracked Walls, Paul Cézanne, 1892–94, oil on canvas

Paul Cézanne The House with the Cracked Walls, 1892–94 The Met

Tahitian Landscape, Paul Gauguin, 1892, oil on canvas

Paul Gauguin Tahitian Landscape, 1892 The Met

We look across a placid pond at sandstone-white buildings with brown and terracotta-red roofs nestled within a grove of green trees and plants in this vertical landscape painting.

Paul Cézanne House of Père Lacroix, 1873 National Gallery of Art

Five monkeys rest and play amid a lush jungle landscape in this horizontal landscape painting. Painted with areas of flat color, thick vegetation fills most of the scene, with giant leaves overlapping in shades of green.

Henri Rousseau Tropical Forest with Monkeys, 1910 National Gallery of Art

This painting shows a woman sitting upright in a yellow-and-tan reclining chair, her body turned to the right, her face turned toward us. Her skin is pale, with shades of pale yellow and light pink, and shadows in a pale green shade.

Henri de Toulouse-Lautrec Lady with a Dog, 1891 National Gallery of Art

A man sitting in a tall, upholstered armchair reads a newspaper in this vertical portrait painting. The man and the room in which he sits is loosely painted with bold, visible strokes throughout.

Paul Cézanne The Artist's Father, Reading "L'Événement", 1866 National Gallery of Art

This painting shows a person bent over, working the land outdoors. The person is in the center of the painting, surrounded by green grass and dark trees. The sky is not visible. In the bottom left corner, there is a section of brown earth.

Georges Seurat Man with a Hoe, c. 1882 National Gallery of Art

A pale-skinned boy with round, almost doll-like proportions sits on pointed rocks in front of a pale blue sky in this slightly stylized, vertical painting. The boy’s body and face are square to us.

Henri Rousseau Boy on the Rocks, 1895/1897 National Gallery of Art

A diagonal line of leaping ballet dancers recedes from a starkly lit dancer partially visible at bottom left. All are broadly painted against a blue-green ground above them, pale pink below.

Henri de Toulouse-Lautrec Ballet Dancers, 1885–86 Art Institute of Chicago

Two Poplars in the Alpilles near Saint-Rémy, Vincent van Gogh, 1889, oil on fabric

Vincent van Gogh Two Poplars in the Alpilles near Saint-Rémy, 1889 Cleveland Museum of Art

The Large Tree, Paul Gauguin, 1891, oil on canvas

Paul Gauguin The Large Tree, 1891 Cleveland Museum of Art

A Farm in Brittany, Paul Gauguin, ca. 1894, oil on canvas

Paul Gauguin A Farm in Brittany, ca. 1894 The Met

Women Picking Olives, Vincent van Gogh, 1889, oil on canvas

Vincent van Gogh Women Picking Olives, 1889 The Met

Two Women, Paul Gauguin, 1901 or 1902, oil on canvas

Paul Gauguin Two Women, 1901 or 1902 The Met

Shown from the knees up, a pale-skinned woman wearing a floppy, canary-yellow hat and a long white dress stands in a field of spring green in this vertical painting. Brushstrokes and loose dabs of paint are visible throughout.

Vincent van Gogh Girl in White, 1890 National Gallery of Art

Seven people with cream-white skin crowd together, sitting at or standing among tables in an interior space in this vertical painting. The composition is dominated by shades of blue and pale green.

Henri de Toulouse-Lautrec A Corner of the Moulin de la Galette, 1892 National Gallery of Art

A man and woman standing with their backs to us face a room where others stand or pose in this vertical painting.

Henri de Toulouse-Lautrec Quadrille at the Moulin Rouge, 1892 National Gallery of Art

A white path and gray stone wall wind through ochre and harvest-yellow fields beneath a brilliant, turquoise sky in this stylized, horizontal landscape painting. The scene is created with long, visible brushstrokes of vivid color.

Vincent van Gogh Farmhouse in Provence, 1888 National Gallery of Art

A nude woman with brown skin and long black hair stands to our right against a landscape swirling with jewel-toned greens, pinks, and purples while a man, also with brown skin, sits under a tree behind her in this stylized vertical…

Paul Gauguin Parau na te Varua ino (Words of the Devil), 1892 National Gallery of Art

Five women, all with brown skin, sit and stand in a landscape painted with tones of emerald green, mauve pink, lilac and plum purple, and cobalt blue in this horizontal composition.

Paul Gauguin The Invocation, 1903 National Gallery of Art

The Siesta, Paul Gauguin, ca. 1892–94, oil on canvas

Paul Gauguin The Siesta, ca. 1892–94 The Met

Paul Cézanne Man with Pipe, 1892/1896 National Gallery of Art

This painting shows a woman sitting at a round table. She has fair skin, sharp cheekbones, thick eyebrows, and pale lips with one side of her mouth raised in a partial smile. She has short brown hair with bangs across her forehead.

Henri de Toulouse-Lautrec A la Bastille (Jeanne Wenz), 1888 National Gallery of Art

Shown from the waist up, pale-skinned young man wearing a bowler hat looks at us from the corners of his eyes in this vertical portrait painting.

Paul Cézanne The Artist's Son, Paul, 1886-1887 National Gallery of Art

The Sofa, Henri de Toulouse-Lautrec, ca. 1894–96, oil on cardboard

Henri de Toulouse-Lautrec The Sofa, ca. 1894–96 The Met

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