Famous Paintings of Men (page 11)

Showing 481 to 528 of 562 paintings

Christ Healing the Blind, El Greco, ca. 1570, oil on canvas

El Greco Christ Healing the Blind, ca. 1570 The Met

Saint Andrew, El Greco, ca. 1610, oil on canvas

El Greco Saint Andrew, ca. 1610 The Met

The Smoker, Frans Hals, ca. 1623–25, oil on wood

Frans Hals The Smoker, ca. 1623–25 The Met

Calling the Cows Home, Jean-François Millet, ca. 1872, oil on wood

Jean-François Millet Calling the Cows Home, ca. 1872 The Met

The Companions of Rinaldo, Nicolas Poussin, ca. 1633, oil on canvas

Nicolas Poussin The Companions of Rinaldo, ca. 1633 The Met

Saints Peter and John Healing the Lame Man, Nicolas Poussin, 1655, oil on canvas

Nicolas Poussin Saints Peter and John Healing the Lame Man, 1655 The Met

The Coronation of the Virgin, Peter Paul Rubens, ca. 1632–33, oil on wood

Peter Paul Rubens The Coronation of the Virgin, ca. 1632–33 The Met

Saint Teresa of Avila Interceding for Souls in Purgatory, Peter Paul Rubens, 1619, oil on wood

Peter Paul Rubens Saint Teresa of Avila Interceding for Souls in Purgatory, 1619 The Met

Saint Andrew, Simone Martini, ca. 1326, tempera on wood, gold ground

Simone Martini Saint Andrew, ca. 1326 The Met

The Triumph of Marius, Giovanni Battista Tiepolo, 1729, oil on canvas

Giovanni Battista Tiepolo The Triumph of Marius, 1729 The Met

The French Comedians, Antoine Watteau, ca. 1720, oil on canvas

Antoine Watteau The French Comedians, ca. 1720 The Met

The Denial of Saint Peter, Caravaggio, 1610, oil on canvas

Caravaggio The Denial of Saint Peter, 1610 The Met

The Virgin Adoring the Host, Jean-Auguste-Dominique Ingres, 1852, oil on canvas

Jean-Auguste-Dominique Ingres The Virgin Adoring the Host, 1852 The Met

Lute Player, Valentin de Boulogne, ca. 1625–26, oil on canvas

Valentin de Boulogne Lute Player, ca. 1625–26 The Met

The Baptism of Christ, Jacopo Bassano, ca. 1590, oil on canvas

Jacopo Bassano The Baptism of Christ, ca. 1590 The Met

The Adoration of the Magi, Bartolo di Fredi, ca. 1390, tempera and gold on wood

Bartolo di Fredi The Adoration of the Magi, ca. 1390 The Met

The Annunciation to Zacharias; (verso) The Angel of the Annunciation, Giovanni di Paolo, ca. 1455–60, tempera and gold on wood

Giovanni di Paolo The Annunciation to Zacharias; (verso) The Angel of the Annunciation, ca. 1455–60 The Met

Saints Bartholomew and Simon, Master of Saint Francis, ca. 1272, tempera on wood, gold ground

Master of Saint Francis Saints Bartholomew and Simon, ca. 1272 The Met

The Virgin of Guadalupe with the Four Apparitions, Nicolás Enríquez, 1773, oil on copper

Nicolás Enríquez The Virgin of Guadalupe with the Four Apparitions, 1773 The Met

Male Academy Figure: Half-Length, Side View, Eugène Delacroix, ca. 1818–20, oil on paper laid down on panel (formerly canvas)

Eugène Delacroix Male Academy Figure: Half-Length, Side View, ca. 1818–20 The Met

Our Lady of Valvanera, Unknown artist, ca. 1770–80, oil and gold on canvas

Unknown artist Our Lady of Valvanera, ca. 1770–80 The Met

John, 4th Earl of Darnley, Thomas Gainsborough, 1785, oil on canvas

Thomas Gainsborough John, 4th Earl of Darnley, 1785 National Gallery of Art

A young man with smooth, pale peachy skin and long blond hair looks over his right shoulder at us in this vertical portrait painting. He has light green eyes, a straight nose, full pink lips, and a narrow chin.

Raphael Bindo Altoviti, c. 1515 National Gallery of Art

We look up through an opening surrounded by a stone ledge, with clusters of people and clouds swirling into a blue sky up and away from us in this vertical, rectangular painting.

Giovanni Battista Tiepolo Wealth and Benefits of the Spanish Monarchy under Charles III, 1762 National Gallery of Art

James McNeill Whistler Mother of Pearl and Silver: The Andalusian, 1888(?)-1900 National Gallery of Art

Shown from the knees up, a pale-skinned man wears a tall, black hat, wide white ruffs at the neck and cuffs, and a voluminous black garment in this vertical portrait painting.

Anthony van Dyck Giovanni Vincenzo Imperiale, 1626 National Gallery of Art

Anthony van Dyck The Prefect Raffaele Raggi, c. 1625 National Gallery of Art

Shown from the waist up, a bearded man with pale, peachy skin, wearing a black wide-brimmed hat and jacket, and a broad, layered, white collar, holds up a piece of rolled up paper in this vertical portrait painting.

Rembrandt van Rijn Man with a Sheet of Music, 1633 National Gallery of Art

The image shows a person standing upright, facing slightly to the right. The person has indistinct facial features with a mustache and medium-length dark hair, wearing a dark overcoat and trousers with a white collar.

James McNeill Whistler Alexander Arnold Hannay, c. 1896 National Gallery of Art

This painting shows a man seated in a wooden chair, facing slightly to the right with his hands resting on his lap. He has pale, wrinkled skin, a large nose, prominent cheekbones, a thin, closed mouth, and short dark hair.

Thomas Eakins Archbishop Diomede Falconio, 1905 National Gallery of Art

A man with pale skin, wearing a gold-embroidered amber-yellow jacket and tomato-red pants, stands in front of a rocky outcropping with a distant view beyond in this vertical portrait painting.

Anthony van Dyck Henri II de Lorraine, c. 1634 National Gallery of Art

Shown from the chest up against a black background, a man with peachy skin wears a gold and rose-pink cloak in this vertical portrait painting.

Giovanni Bellini Giovanni Emo, c. 1475/1480 National Gallery of Art

Shown from about the waist up, a man with pale, peachy skin, wearing a marine-blue greatcoat over several layers of clothing, looks out at us in this vertical portrait painting.

Jean-Auguste-Dominique Ingres Marcotte d'Argenteuil, 1810 National Gallery of Art

Shown from the waist up, an older, pale-skinned man wearing clerical robes gestures to our right with one hand and turns his head to look off to our left in this vertical portrait painting.

Titian Cardinal Pietro Bembo, 1539/1540 National Gallery of Art

Shown from the chest up, a man with pale, yellow-tinged skin is angled to our right with downcast eyes in this vertical portrait painting. He is cleanshaven with chin-length black hair.

Sandro Botticelli Giuliano de' Medici, c. 1478/1480 National Gallery of Art

This painting shows a man from the chest up, positioned facing the right, gazing into the distance. The male has pale skin, a long nose, and deep-set eyes. He has dark, wavy hair, a pointed beard, and a mustache that hides his mouth.

Thomas Eakins Louis Husson, 1899 National Gallery of Art

Shown from the thighs up, an older, balding man with a long white beard stands wearing a full suit of armor draped in a burgundy-red cloak in this vertical portrait painting.

Titian Vincenzo Cappello, c. 1550/1560 National Gallery of Art

A tall, thin, pale-skinned young man stands in a dimly lit room, nearly filling the height of this portrait painting. He faces us with his body turned slightly to our left, and he wears a charcoal-gray suit and black shoes.

James McNeill Whistler George W. Vanderbilt, 1897/1903 National Gallery of Art

The head and chest of a man with pale pink skin, a honey-blond beard, and curly, mahogany-brown hair around a receding hairline fills this vertical portrait painting.

Peter Paul Rubens Peter Paul Rubens, c. 1620 National Gallery of Art

The image shows a man in a portrait from the waist up. He has fair skin, curly light-colored hair, and wears a dark navy coat with gold buttons and a vibrant red collar.

Thomas Gainsborough William Yelverton Davenport, c. 1785/1788 National Gallery of Art

Shown from the hips up, a pale-skinned, heavy-set, elegantly dressed man sits at the corner of a table, looking at us in this vertical portrait painting.

Francisco de Goya Don Antonio Noriega, 1801 National Gallery of Art

This painting is a portrait of a man from the waist up. He is positioned slightly to the left, with his head turned toward us. He has light skin, green eyes, a faint moustache, and a neutral expression.

Francisco de Goya The Duke of Wellington, c. 1812 National Gallery of Art

Shown from the knees up, a pale-skinned, clean-shaven man stands looking off to our right in this vertical portrait painting.

Jean-François Millet Leconte de Lisle, c. 1840/1841 National Gallery of Art

Shown from the knees up, a young man with pale, peachy skin, wearing a black uniform and cap, leans against the back of a chair in this vertical portrait painting. He looks at us with pale blue eyes under sloping brows.

Edgar Degas Achille De Gas in the Uniform of a Cadet, 1856/1857 National Gallery of Art

A light-skinned man with thick black hair and a squared off black beard, dressed in a black jacket over a gray vest and gray trousers, sits facing us in this vertical portrait painting.

Paul Cézanne Antony Valabrègue, 1866 National Gallery of Art

Shown from about the hips up, a young, pale-skinned man with curly brown hair stands facing and looking at us, wearing a plum-purple coat under a golden yellow cape in this vertical portrait painting.

Anthony van Dyck Philip, Lord Wharton, 1632 National Gallery of Art

Shown from the waist up, a smiling, light-skinned young man wears a voluminous, dark hat and a brown suit in this vertical portrait painting.

Frans Hals A Young Man in a Large Hat, 1626/1629 National Gallery of Art

Shown from the waist up, a bearded man with a tanned, peachy complexion wears a turban and voluminous robes and looks out at us in this vertical portrait painting.

Rembrandt van Rijn Man in Oriental Costume, c. 1635 National Gallery of Art

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