Famous Paintings of Men to Print, page 6

The Thinker: Portrait of Louis N. Kenton, Thomas Eakins, 1900, oil on canvas

Thomas Eakins The Thinker: Portrait of Louis N. Kenton, 1900 The Met

Arrangement in Black, No. 3: Sir Henry Irving as Philip II of Spain, James McNeill Whistler, 1876, reworked 1885, oil on canvas

James McNeill Whistler Arrangement in Black, No. 3: Sir Henry Irving as Philip II of Spain, 1876, reworked 1885 The Met

General Étienne-Maurice Gérard (1773–1852), Jacques-Louis David, 1816, oil on canvas

Jacques-Louis David General Étienne-Maurice Gérard (1773–1852), 1816 The Met

James Stuart (1612–1655), Duke of Richmond and Lennox, Anthony van Dyck, ca. 1633–35, oil on canvas

Anthony van Dyck James Stuart (1612–1655), Duke of Richmond and Lennox, ca. 1633–35 The Met

Robert Rich (1587–1658), Second Earl of Warwick, Anthony van Dyck, ca. 1632–35, oil on canvas

Anthony van Dyck Robert Rich (1587–1658), Second Earl of Warwick, ca. 1632–35 The Met

Mrs. Grace Dalrymple Elliott (1754?–1823), Thomas Gainsborough, 1778, oil on canvas

Thomas Gainsborough Mrs. Grace Dalrymple Elliott (1754?–1823), 1778 The Met

Philip IV (1605–1665), King of Spain, Diego Velázquez, probably 1624, oil on canvas

Diego Velázquez Philip IV (1605–1665), King of Spain, probably 1624 The Met

Young Man in the Costume of a Majo, Édouard Manet, 1863, oil on canvas

Édouard Manet Young Man in the Costume of a Majo, 1863 The Met

A woman with pale, peachy skin and dark brown hair, wearing a long sleeved, floor-length white satin dress, stands facing and looking out at us in a room hung with shimmering, ivory-white drapery in this vertical portrait.

John Singer Sargent Margaret Stuyvesant Rutherfurd White (Mrs. Henry White), 1883 National Gallery of Art

A pale-skinned woman wearing a long, rose-pink gown sits amid a lush landscape in this vertical portrait painting. The woman’s body is angled to our left, but she turns her head to look at us with green eyes under dark brows.

Thomas Gainsborough Mrs. Richard Brinsley Sheridan, 1785-1787 National Gallery of Art

St. Albert of Louvain, Peter Paul Rubens, 1620, oil on panel

Peter Paul Rubens St. Albert of Louvain, 1620 Art Institute of Chicago

Rinaldo and the Magus of Ascalon, Giovanni Battista Tiepolo, c. 1742–45, oil on canvas

Giovanni Battista Tiepolo Rinaldo and the Magus of Ascalon, c. 1742–45 Art Institute of Chicago

Saint Martin and the Beggar, El Greco, c. 1597–c. 1600, oil on canvas

El Greco Saint Martin and the Beggar, c. 1597–c. 1600 Art Institute of Chicago

Souvenir of Italy, Camille Corot, 1855–60, oil on canvas

Camille Corot Souvenir of Italy, 1855–60 Art Institute of Chicago

The Woodchopper, Jean-François Millet, c. 1858–66, oil on canvas

Jean-François Millet The Woodchopper, c. 1858–66 Art Institute of Chicago

Winter Scene, Francisco de Goya, c. 1786, oil on canvas

Francisco de Goya Winter Scene, c. 1786 Art Institute of Chicago

Nevada Falls, Yosemite, Albert Bierstadt, 1872 or 1873, oil on canvas

Albert Bierstadt Nevada Falls, Yosemite, 1872 or 1873 The Met

Egyptians Raising Water from the Nile, John Singer Sargent, 1890–91, oil on canvas

John Singer Sargent Egyptians Raising Water from the Nile, 1890–91 The Met

Tahitian Landscape, Paul Gauguin, 1892, oil on canvas

Paul Gauguin Tahitian Landscape, 1892 The Met

George Moore (1852–1933) at the Café, Édouard Manet, 1878 or 1879, oil on canvas

Édouard Manet George Moore (1852–1933) at the Café, 1878 or 1879 The Met

The Investiture of Bishop Harold as Duke of Franconia, Giovanni Battista Tiepolo, ca. 1751–52, oil on canvas

Giovanni Battista Tiepolo The Investiture of Bishop Harold as Duke of Franconia, ca. 1751–52 The Met

An older man with a tanned skin and a white beard is shown from the waist up against a dark brown background in this vertical portrait painting. His body is angled to our right but he turns his head to look to our left.

Titian Doge Andrea Gritti, c. 1546/1550 National Gallery of Art

The Interrupted Sleep, François Boucher, 1750, oil on canvas

François Boucher The Interrupted Sleep, 1750 The Met

Bullfight in a Divided Ring, Francisco de Goya, ca. 1810, oil on canvas

Francisco de Goya Bullfight in a Divided Ring, ca. 1810 The Met

Saint John the Baptist in the Wilderness, Diego Velázquez, c. 1622, oil on canvas

Diego Velázquez Saint John the Baptist in the Wilderness, c. 1622 Art Institute of Chicago

This painting shows a man standing upright, his body slightly turned to the right.

Francisco de Goya Charles IV of Spain as Huntsman, c. 1799/1800 National Gallery of Art

The Dancing Class, Edgar Degas, ca. 1870, oil on wood

Edgar Degas The Dancing Class, ca. 1870 The Met

Midas Washing at the Source of the Pactolus, Nicolas Poussin, ca. 1627, oil on canvas

Nicolas Poussin Midas Washing at the Source of the Pactolus, ca. 1627 The Met

The Sheepshearers, Jean-François Millet, c. 1857–61, oil on canvas

Jean-François Millet The Sheepshearers, c. 1857–61 Art Institute of Chicago

A man with pale peach skin and dark hair wears a military uniform and stands in front of a desk in this vertical portrait painting. He nearly fills the composition so seems close to us, and he looks directly at us.

Jacques-Louis David The Emperor Napoleon in His Study at the Tuileries, 1812 National Gallery of Art

A man sitting in a tall, upholstered armchair reads a newspaper in this vertical portrait painting. The man and the room in which he sits is loosely painted with bold, visible strokes throughout.

Paul Cézanne The Artist's Father, Reading "L'Événement", 1866 National Gallery of Art

Thomas Eakins Study for "The Dancing Lesson": The Banjo Player, probably 1877 National Gallery of Art

Wolf and Fox Hunt, Peter Paul Rubens, ca. 1616, oil on canvas

Peter Paul Rubens Wolf and Fox Hunt, ca. 1616 The Met

Watercolor of man with golden halo on horse, green background.

Ghasi Maharana Bhim Singh in Procession, c. 1820 Art Institute of Chicago

This painting shows a person bent over, working the land outdoors. The person is in the center of the painting, surrounded by green grass and dark trees. The sky is not visible. In the bottom left corner, there is a section of brown earth.

Georges Seurat Man with a Hoe, c. 1882 National Gallery of Art

Fishing, Édouard Manet, ca. 1862–63, oil on canvas

Édouard Manet Fishing, ca. 1862–63 The Met

The Capture of Samson, Peter Paul Rubens, 1609–10, oil on panel

Peter Paul Rubens The Capture of Samson, 1609–10 Art Institute of Chicago

Hamlet and His Mother, Eugène Delacroix, 1849, oil on canvas

Eugène Delacroix Hamlet and His Mother, 1849 The Met

The Natchez, Eugène Delacroix, 1823–24 and 1835, oil on canvas

Eugène Delacroix The Natchez, 1823–24 and 1835 The Met

The Adoration of the Shepherds, El Greco, ca. 1612–14, oil on canvas

El Greco The Adoration of the Shepherds, ca. 1612–14 The Met

The Glorification of the Barbaro Family, Giovanni Battista Tiepolo, ca. 1750, oil on canvas

Giovanni Battista Tiepolo The Glorification of the Barbaro Family, ca. 1750 The Met

This painting is a portrait showing a man from the chest up.

Amedeo Modigliani Léon Bakst, 1917 National Gallery of Art

Shown from the hips up, a young man with pale skin and wearing black clothing sits with his body angled to our right as he turns to look at us in this vertical portrait painting. He looks out with green eyes under hooded lids.

Rembrandt van Rijn A Young Man Seated at a Table (possibly Govaert Flinck), c. 1660 National Gallery of Art

An older man with ruddy, peachy skin stands in the lower right of this vertical painting holding a large, green, leafy cabbage. He is shown from the hips up and faces our left with his body angled slightly toward us.

Camille Pissarro The Gardener - Old Peasant with Cabbage, 1883-1895 National Gallery of Art

The Mower, Georges Seurat, 1881–82, oil on wood

Georges Seurat The Mower, 1881–82 The Met

El Maragato Threatens Friar Pedro de Zaldivia with His Gun, Francisco de Goya, c. 1806, oil on panel

Francisco de Goya El Maragato Threatens Friar Pedro de Zaldivia with His Gun, c. 1806 Art Institute of Chicago

Friar Pedro Binds El Maragato with a Rope, Francisco de Goya, c. 1806, oil on panel

Francisco de Goya Friar Pedro Binds El Maragato with a Rope, c. 1806 Art Institute of Chicago

The Dispatch of the Messenger, François Boucher, 1765, oil on canvas

François Boucher The Dispatch of the Messenger, 1765 The Met

Famous Paintings of Men (page 6)

Rooms these paintings suit

Styles