Famous Portrait Paintings (page 10)

Showing 433 to 480 of 542 paintings

The painting shows a woman's figure from the waist up, seated, and her body is turned slightly to our left. Her head is turned to face the viewer.

Charles Willson Peale Rebecca Bryan White (Mrs. John White), 1788 National Gallery of Art

This painting depicts a man from the waist up, facing us. He has light skin with a curled white mustache and pointed beard, and gray, wavy hair.

William Merritt Chase Self-Portrait, 1915 National Gallery of Art

Edouard Delessert, Jean-Léon Gérôme, 1864, oil on panel

Jean-Léon Gérôme Edouard Delessert, 1864 National Gallery of Art

Charlotte Morton Dexter (Mrs. Andrew Dexter), Gilbert Stuart, 1808/c. 1825, oil on wood

Gilbert Stuart Charlotte Morton Dexter (Mrs. Andrew Dexter), 1808/c. 1825 National Gallery of Art

The image shows a portrait of a man with a soft, round face, a slightly double chin, small eyes, and a neutral expression. He has gray, voluminous hair styled in the fashion of the 18th century.

Joseph Wright of Derby Portrait of a Gentleman, c. 1760 National Gallery of Art

Shown from about the waist up, a woman with smooth, pale skin sits in a chair facing our right in front of a canvas on an easel in this vertical portrait. She leans onto her right elbow, which rests on the seat back.

Judith Leyster Self-Portrait, c. 1630 National Gallery of Art

This painting shows a portrait of a man. His head is turned to the left. He has light skin, a straight nose, a soft jawline, and pale lips in a neutral expression. He has closely cropped brown hair mostly covered by a black cap.

Andrea Mantegna Portrait of a Man, c. 1470 National Gallery of Art

Shown from the hips up, a light-skinned woman with deeply flushed cheeks sits in an armchair, looking at us from under raised and pointed eyebrows in this vertical portrait painting.

Gilbert Stuart Abigail Smith Adams (Mrs. John Adams), 1800/1815 National Gallery of Art

Shown from the waist up, a clean-shaven man with pale, peachy skin is dressed in black and burgundy red in this vertical portrait painting.

Lucas Cranach the Elder Portrait of a Man, 1522 National Gallery of Art

Shown from the lap up, a pale-skinned woman looks off to the left in front of a vivid green background in this vertical portrait painting.

Lucas Cranach the Elder Portrait of a Woman, 1522 National Gallery of Art

This painting features a woman from the waist up, her body angled slightly to the right, looking out at us. She has pale skin with rosy cheeks, blue eyes, arched gray eyebrows, and pink lips that are slightly upturned.

Gilbert Stuart Henrietta Marchant Liston (Mrs. Robert Liston), 1800 National Gallery of Art

Henri Fantin-Latour Duchess de Fitz-James, 1867 National Gallery of Art

This painting shows a man's head and shoulders in a portrait. He is turned slightly to the left, looking out towards us. The left half of his face and torso are in shadow.

Henri Fantin-Latour Self-Portrait, 1858 National Gallery of Art

Shown from the shoulders up, a man with peachy skin looks off to our left as he holds the feathered end of an arrow up in a hand resting along the bottom edge of this vertical portrait painting.

Hans Memling Portrait of a Man with an Arrow, c. 1470/1475 National Gallery of Art

Shown from the waist-up, a pale-skinned woman wearing a gold-colored gown and a muted dark pink shawl stands before a hazy landscape in this vertical portrait painting.

Benjamin West Mary Bethel Boude (Mrs. Samuel Boude), 1755/1756 National Gallery of Art

A woman with pale white skin and her blond hair covered by a wide veil is shown from the waist up in this vertical portrait painting.

Rogier van der Weyden Portrait of a Lady, c. 1460 National Gallery of Art

The image is a portrait painting of a woman. She is seated with her body turned slightly to the right, while her head is facing forward towards the viewer. She has a gentle expression with slightly raised eyebrows.

Henry Raeburn Mrs. George Hill, c. 1790/1800 National Gallery of Art

Miss Davidson Reid, Henry Raeburn, c. 1800/1806, oil on canvas

Henry Raeburn Miss Davidson Reid, c. 1800/1806 National Gallery of Art

This painting shows the upper body of a woman seated in a chair. She is wearing a white bonnet with ruffled edges, covering her wavy, light brown hair. Her facial features include fair skin, thin lips, a long nose, and a pointed chin.

Gilbert Stuart Sarah Homes Tappan (Mrs. Benjamin Tappan), 1814 National Gallery of Art

This painting is a portrait of a seated woman looking off to the left with a composed expression. She has light skin with rosy cheeks, brown eyes, and slightly upturned pink lips.

Gilbert Stuart Eleanor Parke Custis Lewis (Mrs. Lawrence Lewis), 1804 National Gallery of Art

Shown from the lap up, a woman with pale skin wearing a white satin dress and tall white bonnet sits sewing with her body facing our left in this vertical portrait painting.

Gilbert Stuart Catherine Brass Yates (Mrs. Richard Yates), 1793/1794 National Gallery of Art

Shown from the chest up, an older man with pale, peachy skin, wearing a high-collared black coat and a cream-white, ruffled collar, is shown against a deep wine-red background in this vertical portrait painting.

Gilbert Stuart George Washington (Vaughan-Sinclair portrait), 1795 National Gallery of Art

This painting is a portrait of a seated woman shown from the knees upwards. She is seated in a woven yellow armchair, with her right arm resting on one arm of the chair, while her left hand rests on her lap.

George Bellows Florence Sittenham Davey (Mrs. Randall Davey), 1914 National Gallery of Art

This painting is a portrait of a woman. She has fair skin, a straight nose, and thin red lips, with her dark hair styled up with flowers.

John Singleton Copley Elizabeth Gray Otis (Mrs. Samuel Alleyne Otis), c. 1764 National Gallery of Art

A pale-skinned child wearing a short-sleeved red dress and a white bonnet stands before a shadowy green forest under dark clouds in this vertical portrait painting. The child’s over-large head is out of scale with the rest of her body.

Edward Hicks Portrait of a Child, c. 1840 National Gallery of Art

The painting is of an older woman from the waist up, her body slightly turned to the left and her head facing us. She has pale skin with soft lines, rosy cheeks, deep-set eyes, thin eyebrows, and thin red lips in a neutral expression.

Robert Henri Elizabeth Virginia Laning Bradner Smith (Mrs. George Cotton Smith), 1908 National Gallery of Art

Sketch for The Copley Family, John Singleton Copley, 1776, oil on canvas

John Singleton Copley Sketch for The Copley Family, 1776 National Gallery of Art

This painting depicts the upper half of a seated young woman who is facing forward. She has fair skin, pale eyebrows, gray eyes, and thin lips in a neutral expression. The right side of her face is partially in shadow.

Joshua Reynolds Miss Beatrix Lister, 1765 National Gallery of Art

This painting is a close-up portrait of a man's head and shoulders. He has pale skin and light, slightly disheveled brown hair with a strong widow's peak, and a short brown beard.

Henri Fantin-Latour Self-Portrait, 1861 National Gallery of Art

This painting shows the upper half of a woman's body, focusing on her face, head, and large hat. The woman's body is slightly turned toward the right, but she is looking directly at us.

Édouard Vuillard Madame Bonnard, 1895/1900 National Gallery of Art

The head of a pale-skinned man nearly fills this shadowy, vertical portrait painting. His shoulders angle to our right, and his dark eyes cut back to look at us.

Édouard Vuillard Self-Portrait, Aged 21, 1889 National Gallery of Art

Portrait of Charlotte and Sarah Carteret-Hardy, Thomas Lawrence, 1801, oil on canvas

Thomas Lawrence Portrait of Charlotte and Sarah Carteret-Hardy, 1801 Cleveland Museum of Art

Madame Lerolle, Henri Fantin-Latour, 1882, oil on fabric

Henri Fantin-Latour Madame Lerolle, 1882 Cleveland Museum of Art

Portrait of Colonel Charles Heathcote, Joseph Wright of Derby, c. 1771–72, oil on canvas

Joseph Wright of Derby Portrait of Colonel Charles Heathcote, c. 1771–72 Cleveland Museum of Art

Joseph Sherburne, John Singleton Copley, ca. 1767–70, oil on canvas

John Singleton Copley Joseph Sherburne, ca. 1767–70 The Met

Midshipman Augustus Brine, John Singleton Copley, 1782, oil on canvas

John Singleton Copley Midshipman Augustus Brine, 1782 The Met

Mrs. Jerathmael Bowers, John Singleton Copley, ca. 1763, oil on canvas

John Singleton Copley Mrs. Jerathmael Bowers, ca. 1763 The Met

Mrs. Sylvanus Bourne, John Singleton Copley, 1766, oil on canvas

John Singleton Copley Mrs. Sylvanus Bourne, 1766 The Met

Richard Dana, John Singleton Copley, ca. 1770, oil on canvas

John Singleton Copley Richard Dana, ca. 1770 The Met

Worthington Whittredge, Emanuel Leutze, 1856, oil on canvas

Emanuel Leutze Worthington Whittredge, 1856 The Met

Mrs. Samuel Mifflin and Her Granddaughter Rebecca Mifflin Francis, Charles Willson Peale, 1777–80, oil on canvas

Charles Willson Peale Mrs. Samuel Mifflin and Her Granddaughter Rebecca Mifflin Francis, 1777–80 The Met

Samuel Mifflin, Charles Willson Peale, 1777–80, oil on canvas

Charles Willson Peale Samuel Mifflin, 1777–80 The Met

Thomas Willing, Charles Willson Peale, 1782, oil on canvas

Charles Willson Peale Thomas Willing, 1782 The Met

Horatio Gates, Gilbert Stuart, ca. 1793–94, oil on canvas

Gilbert Stuart Horatio Gates, ca. 1793–94 The Met

James Monroe, Gilbert Stuart, ca. 1820–22, oil on canvas

Gilbert Stuart James Monroe, ca. 1820–22 The Met

Josef de Jaudenes y Nebot, Gilbert Stuart, 1794, oil on canvas

Gilbert Stuart Josef de Jaudenes y Nebot, 1794 The Met

Louis-Marie, Vicomte de Noailles, Gilbert Stuart, 1798, oil on canvas

Gilbert Stuart Louis-Marie, Vicomte de Noailles, 1798 The Met

Matilda Stoughton de Jaudenes, Gilbert Stuart, 1794, oil on canvas

Gilbert Stuart Matilda Stoughton de Jaudenes, 1794 The Met

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