Famous Religious Paintings (page 4)

Showing 145 to 192 of 220 paintings

The Adoration of the Magi, Giovanni Battista Tiepolo, late 1750s, oil on canvas

Giovanni Battista Tiepolo The Adoration of the Magi, late 1750s The Met

Madonna and Child, Titian, ca. 1508, oil on wood

Titian Madonna and Child, ca. 1508 The Met

The Denial of Saint Peter, Caravaggio, 1610, oil on canvas

Caravaggio The Denial of Saint Peter, 1610 The Met

The Virgin Adoring the Host, Jean-Auguste-Dominique Ingres, 1852, oil on canvas

Jean-Auguste-Dominique Ingres The Virgin Adoring the Host, 1852 The Met

The Baptism of Christ, Jacopo Bassano, ca. 1590, oil on canvas

Jacopo Bassano The Baptism of Christ, ca. 1590 The Met

The Adoration of the Magi, Bartolo di Fredi, ca. 1390, tempera and gold on wood

Bartolo di Fredi The Adoration of the Magi, ca. 1390 The Met

The Coronation of the Virgin, Niccolò di Buonaccorso, ca. 1380, tempera on wood, gold ground

Niccolò di Buonaccorso The Coronation of the Virgin, ca. 1380 The Met

The Creation of the World and the Expulsion from Paradise, Giovanni di Paolo, 1445, tempera and gold on wood

Giovanni di Paolo The Creation of the World and the Expulsion from Paradise, 1445 The Met

The Annunciation to Zacharias; (verso) The Angel of the Annunciation, Giovanni di Paolo, ca. 1455–60, tempera and gold on wood

Giovanni di Paolo The Annunciation to Zacharias; (verso) The Angel of the Annunciation, ca. 1455–60 The Met

Coronation of the Virgin, Giovanni di Paolo, ca. 1455, tempera on wood, gold ground

Giovanni di Paolo Coronation of the Virgin, ca. 1455 The Met

Madonna and Child, Benvenuto di Giovanni, ca. 1475–85, tempera on wood, gold ground

Benvenuto di Giovanni Madonna and Child, ca. 1475–85 The Met

The Assumption of the Virgin, Bernardo Daddi, 1337–38, tempera on wood, gold ground

Bernardo Daddi The Assumption of the Virgin, 1337–38 The Met

Madonna Adoring the Child, Sandro Botticelli, ca. 1490–95, tempera and gold on wood

Sandro Botticelli Madonna Adoring the Child, ca. 1490–95 The Met

Madonna and Child, Giovanni Bellini, ca. 1470, tempera, oil, and gold on wood

Giovanni Bellini Madonna and Child, ca. 1470 The Met

Saints Bartholomew and Simon, Master of Saint Francis, ca. 1272, tempera on wood, gold ground

Master of Saint Francis Saints Bartholomew and Simon, ca. 1272 The Met

Madonna and Child, Simone Martini, ca. 1326, tempera on wood, gold ground

Simone Martini Madonna and Child, ca. 1326 The Met

The Virgin of Guadalupe with the Four Apparitions, Nicolás Enríquez, 1773, oil on copper

Nicolás Enríquez The Virgin of Guadalupe with the Four Apparitions, 1773 The Met

Our Lady of Valvanera, Unknown artist, ca. 1770–80, oil and gold on canvas

Unknown artist Our Lady of Valvanera, ca. 1770–80 The Met

Nun’s Badge with the Virgin of the Immaculate Conception, Nicolás Rodríguez Juárez, ca. 1710, oil and gold on copper; tortoiseshell and silver frame

Nicolás Rodríguez Juárez Nun’s Badge with the Virgin of the Immaculate Conception, ca. 1710 The Met

Shown from the chest up, a young woman faces us holding a nude baby in her arms in this vertical painting. They both have pale, peachy skin with pink cheeks.

Giovanni Battista Tiepolo Madonna of the Goldfinch, c. 1767/1770 National Gallery of Art

An armored man on horseback hands a piece of emerald-green cloth down to the nearly nude man standing next to him in this slightly stylized, vertical painting.

El Greco Saint Martin and the Beggar, 1597/1599 National Gallery of Art

A woman and the baby she holds float in a cloud flanked by two winged angels, as two women stand below in this tall, vertical painting. All the people have pale skin shaded with smoke gray, and their necks, fingers, and limbs are elongated.

El Greco Madonna and Child with Saint Martina and Saint Agnes, 1597/1599 National Gallery of Art

A woman and nude child, both with pale skin, sit in front of a deep landscape in this vertical painting.

Raphael The Small Cowper Madonna, c. 1505 National Gallery of Art

Shown from about the knees up, an older, bearded, pale-skinned man sits at a desk with his head in one hand in a shadowy room in this vertical painting. His body is angled to our right, and he sits in a heavy wooden armchair next to a desk.

Rembrandt van Rijn The Apostle Paul, c. 1657 National Gallery of Art

In a space almost entirely shrouded in shadow, light falls across a bearded man kneeling in front of a woman cradling an infant, as about a dozen people to our left look on in this horizontal painting.

Rembrandt van Rijn The Circumcision, 1661 National Gallery of Art

Shown from the chest up, a young woman faces us holding a nude baby in her arms in this vertical painting. They both have pale, peachy skin with pink cheeks.

Giovanni Battista Tiepolo Madonna of the Goldfinch, c. 1767/1770 National Gallery of Art

Shown from about the knees up, a woman, baby, and two angels crowd together in a narrow interior space pierced by three window openings.

Sandro Botticelli Madonna and Child with Angels, 1465/1470 National Gallery of Art

A nude man holding a book in one hand and a rock down by his other side kneels at the opening of a rocky cave in this vertical painting. The man’s body and the shadowy cave opening nearly fill the composition.

El Greco Saint Jerome, c. 1610/1614 National Gallery of Art

Light pours over a woman floating in front of a bank of clouds, surrounded by ten mostly nude, toddler-like winged putti in this vertical painting. The woman, Mary, and the putti all have pale, peachy skin.

Anthony van Dyck The Virgin as Intercessor, 1628/1629 National Gallery of Art

A young, pale-skinned woman with reddish-blond hair sits with a nearly nude, chubby toddler standing in her lap in this vertical painting. She looks down at him, her body and face angled to our left.

Sandro Botticelli Madonna and Child, c. 1470 National Gallery of Art

About three dozen people gather in a grassy field to either side of a crumbling structure to kneel and pray before a woman and baby in the center of this horizontal painting.

Sandro Botticelli The Adoration of the Magi, c. 1478/1482 National Gallery of Art

A woman holds and looks toward a nude, young child, who sits on her lap and looks out at us, smiling, in this vertical painting. They both have pale skin and thin, gold halos floating above their heads.

Raphael The Niccolini-Cowper Madonna, 1508 National Gallery of Art

A man wearing armor, sitting astride a cream-white horse, drives a long lance down at a lizard-like dragon as a woman kneels with her hands in prayer in the landscape beyond in this vertical painting.

Raphael Saint George and the Dragon, c. 1506 National Gallery of Art

Twelve people and one child stand, sit, or kneel along a riverbank in this horizontal painting. All the people have pale or tanned skin, and are muscular.

Nicolas Poussin The Baptism of Christ, 1641/1642 National Gallery of Art

Nine people are gathered in a landscape around the gaunt body of a young man being carried on a cloth in the lower half of this vertical painting. All the people have pale skin tinged with yellow, and all but one have shiny gold halos.

Fra Angelico The Entombment of Christ, c. 1450 National Gallery of Art

Dozens of people line up around a shed-like structure and around stone ruins to kneel before a woman and baby at the lower center of this circular painting. All the people have pale skin.

Fra Angelico The Adoration of the Magi, c. 1440/1460 National Gallery of Art

A woman kneels, angled to our left, and tips her face down toward a naked baby propped on a pillow against a pile of hay in a shed-like structure in this round painting.

Sandro Botticelli The Virgin Adoring the Child, 1480/1490 National Gallery of Art

Shown from the hips up in a room on the far side of a ledge, a young woman props up a naked baby so he stands on a cushion in this vertical painting.

Albrecht Dürer Madonna and Child [obverse], c. 1496/1499 National Gallery of Art

A group of four people gather around a person in a bed, seen through an open doorway to our left, while a man and woman stand near a second doorway of a beige building in this horizontal painting. All the people have pale skin.

Fra Angelico The Healing of Palladia by Saint Cosmas and Saint Damian, c. 1438/1440 National Gallery of Art

This painting shows several people in the sky, surrounded by billowing fabric. In the center is a person who appears to be sitting on a cloud-like form. The person is on their back with their legs towards us and their head tilted up.

Giovanni Battista Tiepolo Saint Roch Carried to Heaven by Angels, c. 1735/1745 National Gallery of Art

From far below, we look up at an older man with standing on a cliff edge or rocky ledge with his arms raised as he turns his head to gaze up to a second man and winged, child-like angels surrounded by clouds in the sky above in this square…

Titian Saint John the Evangelist on Patmos, c. 1553/1555 National Gallery of Art

A woman and winged angel, both with pale, peach skin, are situated in a church interior in this tall, narrow painting. To our left, the angel has long, blond, curly hair, smooth skin, and is smiling.

Jan van Eyck The Annunciation, c. 1434/1436 National Gallery of Art

Shown from the waist up, an elderly man with pale, peachy skin, wavy, silvery-gray hair, and a long beard stands facing our right, almost filling this vertical painting.

Peter Paul Rubens Saint Peter, c. 1616/1618 National Gallery of Art

A woman, Mary, floats in the sky surrounded by eleven winged angels above fifteen men and women gathered around an open, stone coffin in this vertical painting. All the people have pale, peachy skin.

Peter Paul Rubens The Assumption of the Virgin, probably mid 1620s National Gallery of Art

A woman floats among billowing clouds over a rectangular stone coffin in this vertical painting.

Nicolas Poussin The Assumption of the Virgin, c. 1630/1632 National Gallery of Art

Shown from the waist up, a young woman holds a baby up against her chest in this vertical painting. They both face us and have pale skin.

Giovanni Bellini Madonna and Child, c. 1480/1485 National Gallery of Art

A woman sits in the center of this vertical panel painting and gazes down at a baby lying across her lap while two winged angels hold up a red, gold, and black brocade-like patterned cloth behind her.

Fra Angelico The Madonna of Humility, c. 1430 National Gallery of Art

A light-skinned man wearing a voluminous, ocean-blue, hooded robe sits at a cloth-draped writing table and looks up, fingers splayed over an open book and a pen held in his other hand, in this vertical painting.

El Greco Saint Ildefonso, c. 1603/1614 National Gallery of Art

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