Paintings Above a Desk (page 11)

Showing 481 to 528 of 1,111 paintings that fit

This painting shows an expansive green and yellow grassland under a textured blue and white sky. The horizon line is high, separating the fields and clouds with a thin line of dark trees and small white buildings.

Georges Seurat A Summer Landscape, 1883 National Gallery of Art

This painting shows a scene with several people spaced out across a grassy expanse. The horizon is high in the painting, lined with white structures with red roofs and green trees.

Georges Seurat Figures in a Landscape, c. 1883 National Gallery of Art

This painting depicts a landscape with several haystacks in the center, arranged in a line that cuts diagonally across a green field from left to right.

Georges Seurat Haystacks, c. 1882 National Gallery of Art

Four women and two children, all with pale skin, carry baskets as they walk along a beach under a brilliant blue sky in this horizontal painting. The scene is painted with visible dabs and blended strokes.

John Singer Sargent En route pour la pêche (Setting Out to Fish), 1878 National Gallery of Art

The painting depicts a rural scene with a wide, cloudy blue sky over a riverbank. On the right there are tall, dark green trees that stretch up to the top of the painting.

Camille Corot River View, 1868/1872 National Gallery of Art

A plate of oysters, a halved lemon, an oyster fork and shells, and a dish of salt are arranged on a wooden tabletop in front of a gray wall in this horizontal still life painting.

Édouard Manet Oysters, 1862 National Gallery of Art

This horizontal landscape is painted with broad, visible strokes in shades of laurel, fern, and pine green, dark yellow, and ash brown.

Pierre-Auguste Renoir Landscape between Storms, 1874/1875 National Gallery of Art

Tall grasses lead back to a body of water and then perhaps a town in this loosely painted, horizontal landscape.

Pierre-Auguste Renoir Landscape at Vétheuil, c. 1890 National Gallery of Art

This painting depicts a while villa partially hidden by greenery. The villa has several buildings on different levels with small windows and reddish-brown roofs. The brushstrokes are loose and broad, giving the image a blurred effect.

Pierre-Auguste Renoir Maison de la Poste, Cagnes, 1906/1907 National Gallery of Art

This horizontal landscape is painted with dots and dashes in fresh green, shimmering blue, amethyst purple, shell pink, pale yellow, and cream white against the brown wood of the panel, which is visible throughout.

Georges Seurat Study for "La Grande Jatte", 1884/1885 National Gallery of Art

A passenger boat, its bright tan sails reflecting the sun, careens among choppy water with at least eight more sailboats and a town along the water’s edge in the distance in this horizontal landscape painting.

Joseph Mallord William Turner Rotterdam Ferry-Boat, 1833 National Gallery of Art

Three apples and two pears sit next to a knife and a luminous, white mug on a tan, stone surface before a muted, olive-green background in this horizontal still life painting.

Jean-Baptiste-Siméon Chardin Still Life with a White Mug, c. 1764 National Gallery of Art

A pale-skinned woman sits at a table leaning over an open book in a brightly lit room in this loosely painted, horizontal scene.

Camille Corot Woman Reading in the Studio, c. 1868 National Gallery of Art

We look slightly down onto a bare, gnarled tree near a gray, dirt path, which leads back to a hamlet in this horizontal landscape painting. The scene is loosely painted with visible brushstrokes, so many details are indistinct.

Camille Pissarro The Fence, 1872 National Gallery of Art

This horizontal landscape painting shows a cluster of tan and rust-brown buildings set on a tiny island at the center of a wide brownish-gray river.

Camille Corot The Island and Bridge of San Bartolomeo, Rome, 1825/1828 National Gallery of Art

The dark, forest-green canopies of trees to our right are silhouetted against a sky that warms from pale blue along the top edge of the composition to butter yellow along the horizon, which comes about a quarter of the way up this…

Jean-Honoré Fragonard Mountain Landscape at Sunset, c. 1765 National Gallery of Art

Boats at Berck-sur-Mer, Édouard Manet, 1873, oil on fabric

Édouard Manet Boats at Berck-sur-Mer, 1873 Cleveland Museum of Art

In this painting, a person appears to pull a long brown-and-green canoe out of the water and onto a grassy stretch of land. The person wears a hat and a green shirt with brown trousers, and their face is indistinct.

Winslow Homer Sunset, c. 1875 National Gallery of Art

Eagle Head, Manchester, Massachusetts (High Tide), Winslow Homer, 1870, oil on canvas

Winslow Homer Eagle Head, Manchester, Massachusetts (High Tide), 1870 The Met

We look slightly down onto the surface of a river in which three narrow canoes, each paddled by a single person, are being rowed toward us in this horizontal landscape painting.

Gustave Caillebotte Skiffs, 1877 National Gallery of Art

Six men on horseback and wearing jockeys’ uniforms line up on a grassy field in front of us in this loosely painted horizontal scene. The jockeys and horses’ features are especially freely painted so much of the detail is indistinct.

Edgar Degas The Riders, c. 1885 National Gallery of Art

Two women, a man, and three small children gather around a baby sleeping in a wicker cradle near an open window in this horizontal painting. The people all have pale skin with rosy cheeks.

Jean-Honoré Fragonard The Visit to the Nursery, c. 1775 National Gallery of Art

Ovid among the Scythians, Eugène Delacroix, 1862, oil on paper, laid down on wood

Eugène Delacroix Ovid among the Scythians, 1862 The Met

St. Albert of Louvain, Peter Paul Rubens, 1620, oil on panel

Peter Paul Rubens St. Albert of Louvain, 1620 Art Institute of Chicago

We look across a grassy expanse leading to a lake, with several women, tiny in scale, dancing under a grove of trees to our right in this horizontal landscape painting.

Camille Corot Dance under the Trees at the Edge of the Lake, 1865/1870 National Gallery of Art

Venetian Glass Workers, John Singer Sargent, 1880–82, oil on canvas

John Singer Sargent Venetian Glass Workers, 1880–82 Art Institute of Chicago

Study of Two Bedouins, John Singer Sargent, 1905–6, oil on canvas

John Singer Sargent Study of Two Bedouins, 1905–6 Art Institute of Chicago

Winter Scene, Francisco de Goya, c. 1786, oil on canvas

Francisco de Goya Winter Scene, c. 1786 Art Institute of Chicago

Jo, La Belle Irlandaise, Gustave Courbet, 1865–66, oil on canvas

Gustave Courbet Jo, La Belle Irlandaise, 1865–66 The Met

Madame Théodore Gobillard (Yves Morisot, 1838–1893), Edgar Degas, 1869, oil on canvas

Edgar Degas Madame Théodore Gobillard (Yves Morisot, 1838–1893), 1869 The Met

George Moore (1852–1933) at the Café, Édouard Manet, 1878 or 1879, oil on canvas

Édouard Manet George Moore (1852–1933) at the Café, 1878 or 1879 The Met

The Road from Moret to Saint-Mammès, Alfred Sisley, 1883–85, oil on canvas

Alfred Sisley The Road from Moret to Saint-Mammès, 1883–85 The Met

María Teresa (1638–1683), Infanta of Spain, Diego Velázquez, 1651–54, oil on canvas

Diego Velázquez María Teresa (1638–1683), Infanta of Spain, 1651–54 The Met

The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854–1935), Berthe Morisot, ca. 1870, oil on canvas

Berthe Morisot The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854–1935), ca. 1870 The Met

Dominated by tones of red and fire orange, this nearly square painting shows a seated woman leaning forward in a high-backed chair, holding a round, flat, leaf-shaped fan.

Edgar Degas Madame Camus, 1869/1870 National Gallery of Art

Shown from about the ankles up, a woman with ashen, pale skin, wearing a full, silvery-white dress with gray dots, sits on a low-backed white sofa against a pale peach background in this horizontal portrait painting.

Edgar Degas Madame René de Gas, 1872/1873 National Gallery of Art

We look slightly down onto a woman and a young boy, both with pale skin, sitting together on a grassy lawn with a chicken standing nearby in this horizontal painting. The scene is loosely painted with visible brushstrokes throughout.

Pierre-Auguste Renoir Madame Monet and Her Son, 1874 National Gallery of Art

White Mare, Winslow Homer, c. 1868, oil on panel

Winslow Homer White Mare, c. 1868 Cleveland Museum of Art

Bullfight in a Divided Ring, Francisco de Goya, ca. 1810, oil on canvas

Francisco de Goya Bullfight in a Divided Ring, ca. 1810 The Met

We find ourselves on an emerald-green, grassy racetrack as a dusty cluster of horses and their jockeys bear directly down on us in this loosely painted horizontal landscape.

Édouard Manet At the Races, c. 1875 National Gallery of Art

Five monkeys rest and play amid a lush jungle landscape in this horizontal landscape painting. Painted with areas of flat color, thick vegetation fills most of the scene, with giant leaves overlapping in shades of green.

Henri Rousseau Tropical Forest with Monkeys, 1910 National Gallery of Art

Neptune and the Winds, Giovanni Battista Tiepolo, 1760s, oil on canvas

Giovanni Battista Tiepolo Neptune and the Winds, 1760s The Met

Six jockeys wearing colorful silks sit astride brown and black horses on a grassy field in this horizontal painting. Two more riders wearing top hats sit a bit farther back from the group, and two horses run on a grass track behind that.

Edgar Degas The Races, 1871-1872 National Gallery of Art

Saddle Horse in Farm Yard, Winslow Homer, ca. 1870–75, oil on wood

Winslow Homer Saddle Horse in Farm Yard, ca. 1870–75 The Met

The Dancing Class, Edgar Degas, ca. 1870, oil on wood

Edgar Degas The Dancing Class, ca. 1870 The Met

Gnarled, ash-brown roots woven through a muddy, rocky bank and sprays of dark green leaves fill this loosely painted, horizontal landscape. Touches of spring green in the lower right corner suggest ground cover.

John Singer Sargent Wild Olive Tree Roots, Valldemosa, Majorca, 1908 National Gallery of Art

Mariana of Austria (1634–1696), Queen of Spain, Diego Velázquez, 1640, oil on canvas

Diego Velázquez Mariana of Austria (1634–1696), Queen of Spain, 1640 The Met

Market Place, John Singer Sargent, 1890s, watercolor, gouache, and graphite on white wove paper

John Singer Sargent Market Place, 1890s The Met

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