Paintings Above a Desk (page 12)

Showing 529 to 576 of 1,111 paintings that fit

The Harvest, Pontoise (La Récolte, Pontoise), Camille Pissarro, 1881, oil on canvas

Camille Pissarro The Harvest, Pontoise (La Récolte, Pontoise), 1881 The Met

This painting shows a view from above, looking down a path on the left where several people walk away from us towards a house in the distance surrounded by lush green vegetation.

Pierre-Auguste Renoir The Mussel Harvest, 1879 National Gallery of Art

A dimly lit ballet studio is filled with about two dozen young dancers tying on their shoes, stretching, or practicing en pointe in this horizontal painting.

Edgar Degas The Dance Class, c. 1873 National Gallery of Art

Two men with pale skin, wearing white sleeveless shirts and royal-blue caps, row in unison in a long, narrow boat on a placid blue river in this horizontal landscape painting.

Thomas Eakins The Biglin Brothers Racing, 1872 National Gallery of Art

Dancers Practicing at the Barre, Edgar Degas, 1877, mixed media on canvas

Edgar Degas Dancers Practicing at the Barre, 1877 The Met

Long scroll drawing, upper half is script; lower half depicts people in courtyard.

Ike Taiga Group Pilgrimage to the Jizo Nun, 1755/65 Art Institute of Chicago

Close to us, a young man and four boys sit or recline in a small sailboat that tips to our left on a choppy dark green sea fringed with white foam in this horizontal painting.

Winslow Homer The Flirt, 1874 National Gallery of Art

A butter-yellow sky fills the top two-thirds of this square landscape painting while in the bottom third, a brown structure is surrounded by golden yellow and pine-green forms like clouds.

Joseph Mallord William Turner The Evening of the Deluge, c. 1843 National Gallery of Art

Composition with Red, Yellow, and Blue, Piet Mondrian, 1927, oil on canvas

Piet Mondrian Composition with Red, Yellow, and Blue, 1927 Cleveland Museum of Art

Fir Trees and Storm Clouds, Albert Bierstadt, c. 1870, oil on paper mounted on canvas

Albert Bierstadt Fir Trees and Storm Clouds, c. 1870 Cleveland Museum of Art

Willows and Farmhouse at Sainte-Catherine-lès-Arras, Camille Corot, 1871, oil on fabric

Camille Corot Willows and Farmhouse at Sainte-Catherine-lès-Arras, 1871 Cleveland Museum of Art

This painting depicts a young boy sitting in a relaxed position, with his right arm leaning on a black surface. He has pale skin, wide eyes, and a small, slightly downturned mouth.

Camille Corot Italian Peasant Boy, 1825/1827 National Gallery of Art

The Nativity, Lorenzo Monaco, ca. 1406–10, tempera and gold on wood

Lorenzo Monaco The Nativity, ca. 1406–10 The Met

Antiochus and Stratonice, Jean-Auguste-Dominique Ingres, c. 1838, oil on linen

Jean-Auguste-Dominique Ingres Antiochus and Stratonice, c. 1838 Cleveland Museum of Art

Copy after Delacroix's "Bark of Dante", Édouard Manet, ca. 1859, oil on canvas

Édouard Manet Copy after Delacroix's "Bark of Dante", ca. 1859 The Met

This painting shows a person bent over, working the land outdoors. The person is in the center of the painting, surrounded by green grass and dark trees. The sky is not visible. In the bottom left corner, there is a section of brown earth.

Georges Seurat Man with a Hoe, c. 1882 National Gallery of Art

Fishing, Édouard Manet, ca. 1862–63, oil on canvas

Édouard Manet Fishing, ca. 1862–63 The Met

Houses at Murnau, Wassily Kandinsky, 1909, oil on cardboard

Wassily Kandinsky Houses at Murnau, 1909 Art Institute of Chicago

Farm near Duivendrecht, Piet Mondrian, c. 1916, oil on canvas

Piet Mondrian Farm near Duivendrecht, c. 1916 Art Institute of Chicago

Under the Cypress Trees at Corfu, John Singer Sargent, 1909, oil on canvas

John Singer Sargent Under the Cypress Trees at Corfu, 1909 Art Institute of Chicago

Virgin and Child with Two Angels, Sandro Botticelli, 1485–95, tempera on panel

Sandro Botticelli Virgin and Child with Two Angels, 1485–95 Art Institute of Chicago

Young Woman, Jean-François Millet, 1844–45, oil on canvas

Jean-François Millet Young Woman, 1844–45 Art Institute of Chicago

The Capture of Samson, Peter Paul Rubens, 1609–10, oil on panel

Peter Paul Rubens The Capture of Samson, 1609–10 Art Institute of Chicago

Music and Dance, François Boucher, 1740s, oil on canvas

François Boucher Music and Dance, 1740s Cleveland Museum of Art

Edge of the Woods Near L'Hermitage, Pontoise, Camille Pissarro, 1879, oil on fabric

Camille Pissarro Edge of the Woods Near L'Hermitage, Pontoise, 1879 Cleveland Museum of Art

The Large Tree, Paul Gauguin, 1891, oil on canvas

Paul Gauguin The Large Tree, 1891 Cleveland Museum of Art

Ville-d'Avray, Camille Corot, 1870, oil on canvas

Camille Corot Ville-d'Avray, 1870 The Met

The Natchez, Eugène Delacroix, 1823–24 and 1835, oil on canvas

Eugène Delacroix The Natchez, 1823–24 and 1835 The Met

Roman Interior, Jean-Honoré Fragonard, ca. 1760, oil on canvas

Jean-Honoré Fragonard Roman Interior, ca. 1760 The Met

A Farm in Brittany, Paul Gauguin, ca. 1894, oil on canvas

Paul Gauguin A Farm in Brittany, ca. 1894 The Met

Women Picking Olives, Vincent van Gogh, 1889, oil on canvas

Vincent van Gogh Women Picking Olives, 1889 The Met

Two Young Peasant Women, Camille Pissarro, 1891–92, oil on canvas

Camille Pissarro Two Young Peasant Women, 1891–92 The Met

Two Women, Paul Gauguin, 1901 or 1902, oil on canvas

Paul Gauguin Two Women, 1901 or 1902 The Met

A windmill stands on a promontory cutting into a waterway under a partially stormy sky in this square landcape painting.

Rembrandt van Rijn The Mill, 1645/1648 National Gallery of Art

This painting shows a person in an agricultural setting. The background is made of horizontal bands of browns and greens, painted in short, overlapping strokes.

Georges Seurat Peasant with a Hoe, c. 1882 National Gallery of Art

In this painting, short, angular brushstrokes suggest a person in motion. The person is bent over, facing the left, raising a large, thin object over one shoulder.

Georges Seurat The Stone Breaker, c. 1882 National Gallery of Art

Small in scale within a towering room, a man wearing a white and gold robe sits or stands on a high, covered throne, surrounded by dozens of men in this nearly square painting.

Jean-Auguste-Dominique Ingres Pope Pius VII in the Sistine Chapel, 1814 National Gallery of Art

In a deeply shadowed room, two women and several children are gathered at the center of this wide, oval painting, looking toward a young man and donkey who peer in over a half-door to our left.

Jean-Honoré Fragonard The Happy Family, c. 1775 National Gallery of Art

A white path and gray stone wall wind through ochre and harvest-yellow fields beneath a brilliant, turquoise sky in this stylized, horizontal landscape painting. The scene is created with long, visible brushstrokes of vivid color.

Vincent van Gogh Farmhouse in Provence, 1888 National Gallery of Art

Pierre-Auguste Renoir Young Spanish Woman with a Guitar, 1898 National Gallery of Art

A seated woman with an infant on her lap and three children are clustered on a terrace overlooking green hills and a body of water in this square painting. They all have pale skin with flushed cheeks.

Peter Paul Rubens Deborah Kip, Wife of Sir Balthasar Gerbier, and Her Children, 1629/1630, reworked probably mid 1640s National Gallery of Art

A densely packed crowd of men and women, all of them with pale skin and most of them wearing black, stand in a theater lobby beneath a mezzanine level that runs close to the top edge of the composition in this horizontal painting.

Édouard Manet Masked Ball at the Opera, 1873 National Gallery of Art

Two Girls on a Lawn, John Singer Sargent, ca. 1889, oil on canvas

John Singer Sargent Two Girls on a Lawn, ca. 1889 The Met

The Mower, Georges Seurat, 1881–82, oil on wood

Georges Seurat The Mower, 1881–82 The Met

In this painting, thick, overlapping strokes of paint create the blurred image of people standing and sitting on grass. In the center, two people in pink and dark purple appear to sit on the green ground, facing the left.

Georges Seurat Study of Figures for "La Grande Jatte", 1884/1885 National Gallery of Art

El Maragato Threatens Friar Pedro de Zaldivia with His Gun, Francisco de Goya, c. 1806, oil on panel

Francisco de Goya El Maragato Threatens Friar Pedro de Zaldivia with His Gun, c. 1806 Art Institute of Chicago

Five women, all with brown skin, sit and stand in a landscape painted with tones of emerald green, mauve pink, lilac and plum purple, and cobalt blue in this horizontal composition.

Paul Gauguin The Invocation, 1903 National Gallery of Art

Friar Pedro Binds El Maragato with a Rope, Francisco de Goya, c. 1806, oil on panel

Francisco de Goya Friar Pedro Binds El Maragato with a Rope, c. 1806 Art Institute of Chicago

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