Paintings Above the Fireplace (page 19)

Showing 865 to 912 of 971 paintings that fit

Shown from the lap up, two women with pale skin and dark hair pulled up and back, wearing white dresses with baby-blue polka dots, sit on a couch in this horizontal portrait painting.

Berthe Morisot The Sisters, 1869 National Gallery of Art

A bearded man with copper-blond hair and flushed, peachy skin stands on a stone-gray pedestal and gestures toward a group of five more men gathered before him in this square painting. Some of the men are light-skinned, others are tan.

Peter Paul Rubens Decius Mus Addressing the Legions, probably 1616 National Gallery of Art

From far below, we look up at an older man with standing on a cliff edge or rocky ledge with his arms raised as he turns his head to gaze up to a second man and winged, child-like angels surrounded by clouds in the sky above in this square…

Titian Saint John the Evangelist on Patmos, c. 1553/1555 National Gallery of Art

This horizontal painting shows a tapestry being unfurled and held up by winged, baby-like putti against a structure with gray and gold columns, seen at the edges of the composition.

Peter Paul Rubens The Meeting of Abraham and Melchizedek, c. 1626 National Gallery of Art

Close to us, a woman and a winged, child-like putto float on clouds above a clean-shaven young man in a forest setting in this horizontal painting. All three people have smooth, pale skin, rosy cheeks, and ash-blond hair.

Jean-Honoré Fragonard Diana and Endymion, c. 1753/1756 National Gallery of Art

A man and woman are surrounded by six pudgy children, some with wings, against a deep landscape in this square painting. At the center of the composition, the man, Bacchus, sits astride a wine barrel, which is about half his height.

Giovanni Battista Tiepolo Bacchus and Ariadne, c. 1743/1745 National Gallery of Art

A woman wearing a breastplate and helmet over a toga stands to our left on a platform, gesturing with one arm extended to a group of about a dozen soldiers gathered around her in this horizontal painting.

Giovanni Battista Tiepolo Queen Zenobia Addressing Her Soldiers, 1725/1730 National Gallery of Art

Warm light pours onto white stone and brown brick buildings in a grassy landscape in this horizontal painting. Tiny people walk, stand, sit, and work across the turf, among the buildings, and over a bridge spanning a canal to our right.

Canaletto The Porta Portello, Padua, c. 1741/1742 National Gallery of Art

Against a hilly landscape and on a patch of dirt, five people wearing tattered clothing gather around a bearded man who holds a violin in his lap in this horizontal painting. Most of them have pale skin.

Édouard Manet The Old Musician, 1862 National Gallery of Art

A nearly nude, muscular man with pale, peachy skin sits in an underground cave among seven male and two female lions in this horizontal painting.

Peter Paul Rubens Daniel in the Lions' Den, c. 1614/1616 National Gallery of Art

A young man sets out in a golden boat on a river that winds from the bottom right corner of this horizontal painting across a lush landscape and into the distance before disappearing beyond two rocky outcroppings far off to our right.

Thomas Cole The Voyage of Life: Youth, 1842 National Gallery of Art

A man looks up as he kneels with his hands clasped in prayer in a small golden boat on a river that rushes toward craggy rocks in this horizontal landscape painting.

Thomas Cole The Voyage of Life: Manhood, 1842 National Gallery of Art

A balding, older man sits in a golden boat guided by a winged angel away from craggy rocks to calm waters, toward a shaft of light piercing a billowing bank of clouds in this horizontal landscape painting.

Thomas Cole The Voyage of Life: Old Age, 1842 National Gallery of Art

On the brick pavement of a sunny veranda, a young toddler leans heavily on her right arm, to our left, as she reaches for a wooden block in this horizontal painting.

Thomas Eakins Baby at Play, 1876 National Gallery of Art

From high above the earth, we look onto a dramatically lit scene with a man falling from a horse-drawn chariot in midair, surrounded by eleven women against a bank of clouds in this horizontal painting.

Peter Paul Rubens The Fall of Phaeton, c. 1604/1605, probably reworked c. 1606/1608 National Gallery of Art

An older girl and a younger child, both with pale skin, bend toward each other as they look at a book spread open on a wooden cupboard in this nearly square painting.

Jean-Baptiste-Siméon Chardin The Little Schoolmistress, after 1740 National Gallery of Art

A man and woman greet each other at the center of a group of about a dozen people set within a landscape in this horizontal painting. All the people have pale, peachy skin.

Peter Paul Rubens The Meeting of David and Abigail, c. 1630 National Gallery of Art

From a darkened arena around a boxing ring, we look up at two bare chested men, one with pale, white skin and the other with brown skin, who lock arms in a boxing match in this horizontal painting.

George Bellows Both Members of This Club, 1909 National Gallery of Art

Painting of a young woman outdoors in a light purple dress and head covering with a wooden yoke around her neck suspending large bundles of brightly colored flowers.

George Hitchcock Flower Girl in Holland, 1887 Art Institute of Chicago

Brooklyn Bridge, Henry Ward Ranger, 1899, oil on canvas

Henry Ward Ranger Brooklyn Bridge, 1899 Art Institute of Chicago

Landscape at Saint-André, Near Marseilles, Paul Guigou, c. 1865, oil on wood panel

Paul Guigou Landscape at Saint-André, Near Marseilles, c. 1865 Cleveland Museum of Art

The Pink Cloud, Henri-Edmond Cross, c. 1896, oil on canvas

Henri-Edmond Cross The Pink Cloud, c. 1896 Cleveland Museum of Art

We look out across a band of broad, craggy boulders at an ocean bay dotted with boats in this horizontal landscape painting. The tops of the flat boulders are caramel brown in the sunlight and darker, rust-brown shadows down the sides.

William Stanley Haseltine Narragansett Bay, 1864 National Gallery of Art

Cylindrical, C-shaped, and triangular forms are painted with flat areas of vivid pink, purple, navy, royal, and light blue, turquoise, white, black, and gray in this abstract, horizontal painting.

Patrick Henry Bruce Peinture/Nature Morte, c. 1924 National Gallery of Art

From atop a high hill, we look across a broad valley leading to a winding river in this loosely painted horizontal landscape. The scene is created entirely with visible brushstrokes in fresh and vibrant green and shimmering and smoky blues.

Theodore Robinson The Valley of the Seine, from the Hills of Giverny, 1892 National Gallery of Art

We look across a shaded field of snow, through a screen of loosely spaced trees at a cobalt-blue mountain that dominates this square landscape painting. The scene is painted with visible brushstrokes throughout.

Abbott Handerson Thayer Mount Monadnock, probably 1911/1914 National Gallery of Art

Landscape, Jean-Charles Cazin, after 1876, oil on canvas

Jean-Charles Cazin Landscape, after 1876 National Gallery of Art

This painting shows a slightly elevated viewpoint looking out across a green landscape towards a reflective body of water. In the green sky, the pale-yellow moon glows brightly, illuminating the scene.

Ralph Albert Blakelock Moonlight, 1886/1895 National Gallery of Art

Weary Wayfarers, Jean-Charles Cazin, 1888, oil on canvas

Jean-Charles Cazin Weary Wayfarers, 1888 National Gallery of Art

This painting depicts a landscape with rolling green hills viewed from an elevated perspective. Closest to us, the light green hills on the left are covered with yellowish grass.

Kenyon Cox Flying Shadows, 1883 National Gallery of Art

A nearly square landscape with a bridge to our right and a person walking at the lower center is painted loosely in tones of pine, spruce, and sage green with a few touches of yellow, black, and brown.

Ernest Lawson High Bridge at Night, New York City, c. 1910/1920 National Gallery of Art

This painting shows a landscape with castle-like structures on a green hill, with a group of people gathering in colorful clothing in the bottom left.

Dosso Dossi The Trojans Building the Temple to Venus and Making Offerings at Anchises's Grave in Sicily, c. 1520 National Gallery of Art

The painting depicts a wide country road seen from above. The horizon is halfway up the painting, showing the flat, green land meeting the blue sky. Far in the distance there are faint blue buildings, including a tall tower.

Jan Brueghel the Elder Wooded Landscape with Travelers, 1610 National Gallery of Art

The image shows a large blue and grey bowl filled with various fruits, including grapes, peaches, and a pineapple. The color palette consists of blues, greens, yellows, oranges, and browns.

William Stearns Bowl of Fruit, c. 1830/1840 National Gallery of Art

The Trotter, Charles S. Humphreys, c. 1860, oil on canvas

Charles S. Humphreys The Trotter, c. 1860 National Gallery of Art

View of Benjamin Reber's Farm, Charles C. Hofmann, 1872, oil on canvas

Charles C. Hofmann View of Benjamin Reber's Farm, 1872 National Gallery of Art

This painting shows a maritime scene from the water, with a coastline in the distance marked by small, colorful buildings and distant green hills.

A. Hashagen Ship "Arkansas" Leaving Havana, 1847 National Gallery of Art

The image features a variety of fruit, including large white melons, a sliced red watermelon, and clusters of dark and white grapes with an assortment of green leaves.

Chipman Melons and Grapes, mid 19th century National Gallery of Art

U.S. Mail Boat, Leila T. Bauman, 1855 or later, oil on canvas

Leila T. Bauman U.S. Mail Boat, 1855 or later National Gallery of Art

The painting depicts a rocky coastline dotted with color. The horizon is high in the scene, and a strip of pale-yellow sky is visible at the very top of the painting.

Henry Golden Dearth Flecks of Foam, c. 1911/1912 National Gallery of Art

This is a painting of a pastoral scene with animals, a watermill, and a bridge. The artwork features a rural landscape with lush greenery and a serene setting.

Charles Georges Dufresne Judgment of Paris, 1925 National Gallery of Art

This painting depicts a sunlit forest with densely packed trees. Sunlight filters through the leaves, casting a warm glow and illuminating shades of green with hints of yellow and gold.

Henry Ward Ranger Spring Woods, c. 1910 National Gallery of Art

The image shows four adults and one child seated on the ground within an oval frame. The child is on the far left, lying down with a bow and arrow.

George Catlin The Sioux Chief with Several Indians, 1861/1869 National Gallery of Art

A Dog Feast - Sioux, George Catlin, 1861/1869, oil on card mounted on paperboard

George Catlin A Dog Feast - Sioux, 1861/1869 National Gallery of Art

The artwork depicts a peaceful landscape viewed from an elevated perspective. The horizon divides the sky from the land below, with distant blue hills visible. The sky shows soft blues and gray clouds.

George Catlin Halsey's Bluff - Sioux Indians on the March, 1861/1869 National Gallery of Art

The image shows a landscape with a settlement surrounded by lush greenery and mountains in the distance. The mountains are partly covered by clouds. The painting technique is smooth and gentle, giving the scene a serene atmosphere.

George Catlin A Crow Village and the Salmon River Mountains, 1855/1869 National Gallery of Art

The image depicts a person standing beside a black horse. The person has long dark hair with feathers, wearing skin trousers, moccasins, a quiver, and a bow slung across their back.

George Catlin A Cheyenne Warrior Resting His Horse, 1861/1869 National Gallery of Art

The image shows a group of individuals on horseback in a landscape with hills in the distance. The perspective is from above, providing a panoramic view of the scene.

George Catlin Camanchee Horsemanship, 1861/1869 National Gallery of Art

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