Paintings Above the Fireplace (page 7)

Showing 289 to 336 of 971 paintings that fit

Still Life with Peaches and Grapes, Pierre-Auguste Renoir, 1881, oil on canvas

Pierre-Auguste Renoir Still Life with Peaches and Grapes, 1881 The Met

Hills around the Bay of Moulin Huet, Guernsey, Pierre-Auguste Renoir, 1883, oil on canvas

Pierre-Auguste Renoir Hills around the Bay of Moulin Huet, Guernsey, 1883 The Met

A Forest at Dawn with a Deer Hunt, Peter Paul Rubens, ca. 1635, oil on wood

Peter Paul Rubens A Forest at Dawn with a Deer Hunt, ca. 1635 The Met

The Triumph of Henry IV, Peter Paul Rubens, ca. 1630, oil on wood

Peter Paul Rubens The Triumph of Henry IV, ca. 1630 The Met

The Bridge at Villeneuve-la-Garenne, Alfred Sisley, 1872, oil on canvas

Alfred Sisley The Bridge at Villeneuve-la-Garenne, 1872 The Met

View of Marly-le-Roi from Coeur-Volant, Alfred Sisley, 1876, oil on canvas

Alfred Sisley View of Marly-le-Roi from Coeur-Volant, 1876 The Met

Sahurs Meadows in Morning Sun, Alfred Sisley, 1894, oil on canvas

Alfred Sisley Sahurs Meadows in Morning Sun, 1894 The Met

The Road from Versailles to Louveciennes, Alfred Sisley, probably 1879, oil on canvas

Alfred Sisley The Road from Versailles to Louveciennes, probably 1879 The Met

Rue Eugène Moussoir at Moret: Winter, Alfred Sisley, 1891, oil on canvas

Alfred Sisley Rue Eugène Moussoir at Moret: Winter, 1891 The Met

Saltash with the Water Ferry, Cornwall, Joseph Mallord William Turner, 1811, oil on canvas

Joseph Mallord William Turner Saltash with the Water Ferry, Cornwall, 1811 The Met

The Supper at Emmaus, Diego Velázquez, 1622–23, oil on canvas

Diego Velázquez The Supper at Emmaus, 1622–23 The Met

Olive Trees, Vincent van Gogh, 1889, oil on canvas

Vincent van Gogh Olive Trees, 1889 The Met

Gray Weather, Grande Jatte, Georges Seurat, ca. 1886–88, oil on canvas

Georges Seurat Gray Weather, Grande Jatte, ca. 1886–88 The Met

The Grand Canal, Venice, Looking South toward the Rialto Bridge, Canaletto, 1730s, oil on canvas

Canaletto The Grand Canal, Venice, Looking South toward the Rialto Bridge, 1730s The Met

Campo Santa Maria Zobenigo, Venice, Canaletto, 1730s, oil on canvas

Canaletto Campo Santa Maria Zobenigo, Venice, 1730s The Met

The Grand Canal, Venice, Looking Southeast, with the Campo della Carità to the Right, Canaletto, 1730s, oil on canvas

Canaletto The Grand Canal, Venice, Looking Southeast, with the Campo della Carità to the Right, 1730s The Met

Campo Sant'Angelo, Venice, Canaletto, 1730s, oil on canvas

Canaletto Campo Sant'Angelo, Venice, 1730s The Met

A Lock, a Column, and a Church beside a Lagoon, Canaletto, 1743, oil on canvas

Canaletto A Lock, a Column, and a Church beside a Lagoon, 1743 The Met

Warwick Castle, Canaletto, 1748, oil on canvas

Canaletto Warwick Castle, 1748 The Met

The Meeting of Antony and Cleopatra, Giovanni Battista Tiepolo, ca. 1745–47, oil on canvas

Giovanni Battista Tiepolo The Meeting of Antony and Cleopatra, ca. 1745–47 The Met

Haystacks, Morning, Eragny, Camille Pissarro, 1899, oil on canvas

Camille Pissarro Haystacks, Morning, Eragny, 1899 The Met

View of Saint-Valéry-sur-Somme, Edgar Degas, 1896–98, oil on canvas

Edgar Degas View of Saint-Valéry-sur-Somme, 1896–98 The Met

Figures on the Beach, Pierre-Auguste Renoir, 1890, oil on canvas

Pierre-Auguste Renoir Figures on the Beach, 1890 The Met

Sea and Cliffs, Pierre-Auguste Renoir, ca. 1885, oil on canvas

Pierre-Auguste Renoir Sea and Cliffs, ca. 1885 The Met

Versailles, Pierre-Auguste Renoir, 1900–1905, oil on canvas

Pierre-Auguste Renoir Versailles, 1900–1905 The Met

Allée of Chestnut Trees, Alfred Sisley, 1878, oil on canvas

Alfred Sisley Allée of Chestnut Trees, 1878 The Met

The Seine at Bougival, Alfred Sisley, 1876, oil on canvas

Alfred Sisley The Seine at Bougival, 1876 The Met

A river winds through forest-green trees and vegetation between rolling hills and mountains extending into the deep distance under a pale, orchid-purple sky in this nearly square landscape painting.

Thomas Gainsborough Mountain Landscape with Bridge, c. 1783/1784 National Gallery of Art

We look out onto a landscape with low, grassy hills to the left, a lake to the right, and a brick building in the center distance below a sky filled with towering white clouds in this horizontal painting.

John Constable Wivenhoe Park, Essex, 1816 National Gallery of Art

Painted in golden tones of butter and harvest yellow, tawny brown, and olive green, this horizontal landscape painting has a low wall stretching diagonally from the lower right corner off to our left, dividing a river to our right from a…

Joseph Mallord William Turner Mortlake Terrace, 1827 National Gallery of Art

Butter-yellow clouds and water, a periwinkle-blue sky, and pale plum-purple buildings blend in hazy, indistinct bands across this horizontal landscape painting.

Joseph Mallord William Turner Approach to Venice, 1844 National Gallery of Art

We look across a glittering waterway lined with long, low boats and sailboats at an ivory-white church in the distance to our right in this horizontal landscape painting.

Joseph Mallord William Turner Venice: The Dogana and San Giorgio Maggiore, 1834 National Gallery of Art

A band of indigenous Americans ride horses toward and through a herd of buffalo, which spreads along a river that winds through plains to mountains in the deep distance in this horizontal landscape painting.

Albert Bierstadt The Last of the Buffalo, 1888-1889 National Gallery of Art

Newport Mountain, Mount Desert, Frederic Edwin Church, 1851, oil on canvas

Frederic Edwin Church Newport Mountain, Mount Desert, 1851 National Gallery of Art

Sparrow Hall, Winslow Homer, c. 1881-1882, oil on canvas

Winslow Homer Sparrow Hall, c. 1881-1882 National Gallery of Art

This nearly square, sketchy painting shows the interior of an empty courtyard, created in milky tones of oatmeal brown, ivory, muted brick red, eucalyptus green, and slate blue.

John Singer Sargent Pavement, Cairo, 1891 National Gallery of Art

We stand on a beach lined with black rocks and boulders looking out onto the water below a brick-red sky that dominates this nearly square landscape painting.

Gustave Courbet The Black Rocks at Trouville, 1865/1866 National Gallery of Art

Verdant green fields roll in undulating waves back alongside a road in this horizontal landscape painting.

Vincent van Gogh Green Wheat Fields, Auvers, 1890 National Gallery of Art

Nine oranges and lemons sit in a shallow basket with dark green, spiky branches behind and a pair of cobalt-blue gloves in front in this horizontal still life painting.

Vincent van Gogh Still Life of Oranges and Lemons with Blue Gloves, 1889 National Gallery of Art

A golden yellow melon painted with thick strokes of straw and butter yellow with touches of camel brown sits at the center of a wooden table with a blue top in this almost square still life painting.

Édouard Manet The Melon, c. 1880 National Gallery of Art

Two bottles, a carafe, drinking glass, plate, knife, and loaf of bread are arranged on a table covered with a white cloth in this horizontal still-life painting. The narrow table angles from the lower left toward the wall to our right.

Claude Monet Still Life with Bottle, Carafe, Bread, and Wine, c. 1862/1863 National Gallery of Art

A man and woman stand in a sunny field near a line of cone-shaped haystacks under a massive blue sky in this horizontal landscape painting. The scene is loosely painted with visible brushstrokes throughout.

Camille Pissarro Landscape, Ile-de-France, 1873 National Gallery of Art

We look slightly down onto two girls or young women with light skin sitting close to us in a green, grassy field in this square landscape painting.

Camille Pissarro Young Peasant Girls Resting in the Fields near Pontoise, 1882 National Gallery of Art

The top three-quarters of this horizontal landscape painting is filled with roiling, deeply shadowed clouds that tower over a line of buffalo crossing a grassy meadow below.

Albert Bierstadt Buffalo Trail: The Impending Storm, 1869 National Gallery of Art

We look across the gleaming, forest-green surface of a lake at the foot of tall, jagged mountains in this horizontal landscape painting.

Albert Bierstadt Mount Corcoran, c. 1876-1877 National Gallery of Art

We look across a palm-tree lined river winding into the distance before a monumental, snow-covered mountain at the center of the composition in this horizontal landscape.

Frederic Edwin Church Tamaca Palms, 1854 National Gallery of Art

Honey-gold sunlight from low along the horizon to our left falls across the copper and bronze-colored canopies of trees that frame our view of a stone church with stained glass windows and ornate spires in this horizontal landscape…

Thomas Cole The Return, 1837 National Gallery of Art

In a verdant green landscape, a stone castle sits on a tree-lined hill in the distance in front of a high, craggy mountain peak while eighteen armored knights ride toward us along a bridge and path in this horizontal painting.

Thomas Cole The Departure, 1837 National Gallery of Art

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