Paintings for Burgundy Walls (page 3)

Contrasts with your wall

Paintings built around the opposite color, which stand out against this wall. The truest opposites come first. Showing 97 to 144 of 230.

Adeline Ravoux, Vincent van Gogh, 1890, oil on fabric

Vincent van Gogh Adeline Ravoux, 1890 Cleveland Museum of Art

A young, smiling boy in a ruffled collar, hat, and cumberbun rides outdoors on a brown ram, a small whip held aloft in his hand.

Francisco de Goya Boy on a Ram, 1786–87 Art Institute of Chicago

The Brook, Paul Cézanne, c. 1895–1900, oil on fabric

Paul Cézanne The Brook, c. 1895–1900 Cleveland Museum of Art

The Departure of the Boats, Étretat, Claude Monet, 1885, oil on canvas

Claude Monet The Departure of the Boats, Étretat, 1885 Art Institute of Chicago

The Banks of the Marne at Charenton, Armand Guillaumin, c. 1895, oil on fabric

Armand Guillaumin The Banks of the Marne at Charenton, c. 1895 Cleveland Museum of Art

The Grand Canal, Venice, Looking Southeast, with the Campo della Carità to the Right, Canaletto, 1730s, oil on canvas

Canaletto The Grand Canal, Venice, Looking Southeast, with the Campo della Carità to the Right, 1730s The Met

Waterloo Bridge, Gray Weather, Claude Monet, 1900, oil on canvas

Claude Monet Waterloo Bridge, Gray Weather, 1900 Art Institute of Chicago

We look across the water at two sailing ships with cream-white sails and dark rigging floating in a shimmering, ice-blue river against a distant shore lined with trees, hills, and buildings in this nearly square landscape painting.

Claude Monet Ships Riding on the Seine at Rouen, 1872/1873 National Gallery of Art

Johann I (1468–1532), the Constant, Elector of Saxony, Lucas Cranach the Elder, 1532–33, oil on canvas, transferred from wood, with letterpress-printed paper labels

Lucas Cranach the Elder Johann I (1468–1532), the Constant, Elector of Saxony, 1532–33 The Met

This painting displays an elevated view of a bustling port town. In the center, a tall tree with dense green foliage stands out against a light blue sky with fluffy white clouds.

Jurgan Frederick Huge Composite Harbor Scene with Castle, c. 1875 National Gallery of Art

A bearded man with wrinkled, peachy skin and reddened cheeks sits and smokes a pipe on a wooden box in a landscape in this vertical painting. The man’s body faces us, and he peers at us with dark eyes under heavy, bushy white brows.

George Caleb Bingham Mississippi Boatman, 1850 National Gallery of Art

Orange, yellow, and white flowers in a brown vase on a round table, with a blue-green floral tablecloth and mottled, brownish background.

Pierre-Auguste Renoir Chrysanthemums, 1881–82 Art Institute of Chicago

Boston Harbor, Thomas Chambers, mid 19th century, oil on canvas

Thomas Chambers Boston Harbor, mid 19th century National Gallery of Art

The Factory Village, Julian Alden Weir, 1897, oil on canvas

Julian Alden Weir The Factory Village, 1897 The Met

We look across rolling, bright green pastures and honey-brown farmland to a cluster of buildings nestled beyond a copse of trees, along the horizon in this horizontal, stylized landscape painting.

Paul Gauguin Landscape at Le Pouldu, 1890 National Gallery of Art

Campo Sant'Angelo, Venice, Canaletto, 1730s, oil on canvas

Canaletto Campo Sant'Angelo, Venice, 1730s The Met

We look across an ochre-yellow field to a band of pearl-white buildings under an azure-blue sky in this horizontal landscape painting. Flecks of red in the lower right corner could be flowers.

Odilon Redon Breton Village, c. 1890 National Gallery of Art

A woman holds and looks toward a nude, young child, who sits on her lap and looks out at us, smiling, in this vertical painting. They both have pale skin and thin, gold halos floating above their heads.

Raphael The Niccolini-Cowper Madonna, 1508 National Gallery of Art

Watering Place at Marly, Alfred Sisley, 1875, oil on canvas

Alfred Sisley Watering Place at Marly, 1875 Art Institute of Chicago

Painted in mostly in jewel tones of topaz and aquamarine blue, and sage, spring, and pine green, a meadow is enclosed by a wooden fence, against a landscape of gently rolling hills under a vibrant sky in this horizontal painting.

Alfred Sisley Meadow, 1875 National Gallery of Art

Verdant green fields roll in undulating waves back alongside a road in this horizontal landscape painting.

Vincent van Gogh Green Wheat Fields, Auvers, 1890 National Gallery of Art

Impressionist sea landscape, tan houses, blue ocean, distant mountains.

Paul Cézanne The Bay of Marseille, Seen from L'Estaque, c. 1885 Art Institute of Chicago

This painting shows several people in the sky, surrounded by billowing fabric. In the center is a person who appears to be sitting on a cloud-like form. The person is on their back with their legs towards us and their head tilted up.

Giovanni Battista Tiepolo Saint Roch Carried to Heaven by Angels, c. 1735/1745 National Gallery of Art

Te raau rahi (The Big Tree), Paul Gauguin, 1891, oil on jute canvas

Paul Gauguin Te raau rahi (The Big Tree), 1891 Art Institute of Chicago

The Veteran in a New Field, Winslow Homer, 1865, oil on canvas

Winslow Homer The Veteran in a New Field, 1865 The Met

Alfred Dedreux (1810–1860) as a Child, Théodore Géricault, ca. 1819–20, oil on canvas

Théodore Géricault Alfred Dedreux (1810–1860) as a Child, ca. 1819–20 The Met

A baby nestles in a mass of frilly white fabric atop a colorful patchwork, perhaps a pile of quilts, against a sage and spring-green background in this square painting.

Gustav Klimt Baby (Cradle), 1917/1918 National Gallery of Art

Poppy Field (Giverny), Claude Monet, 1890–91, oil on canvas

Claude Monet Poppy Field (Giverny), 1890–91 Art Institute of Chicago

Shown from the knees up, a young woman with peachy skin and red hair sits facing us on a pine-green bench in this vertical painting.

Mary Cassatt Woman with a Red Zinnia (Revery), 1891-1892 National Gallery of Art

View of Pirna with the Fortress of Sonnenstein, Bernardo Bellotto, c. 1760, oil on canvas

Bernardo Bellotto View of Pirna with the Fortress of Sonnenstein, c. 1760 Art Institute of Chicago

A light-skinned man and woman stand looking at each other, surrounded by blooming flowers and lush green trees in this square landscape painting.

Pierre-Auguste Renoir Picking Flowers, 1875 National Gallery of Art

This is a landscape painting depicting a body of water surrounded by greenery, with tall green and purple mountains in the background under a sky full of dark pink clouds and a strip of bright blue-green.

John La Farge The Entrance to the Tautira River, Tahiti. Fisherman Spearing a Fish, c. 1895 National Gallery of Art

Five women, all with brown skin, sit and stand in a landscape painted with tones of emerald green, mauve pink, lilac and plum purple, and cobalt blue in this horizontal composition.

Paul Gauguin The Invocation, 1903 National Gallery of Art

A seascape painted in pastel tones, light-colored houses with red chimneys and light-green shutters in the foreground. The scene is set on a rocky, green hillside overlooking a blue sea with small sailboats.

Childe Hassam New England Headlands, 1899 Art Institute of Chicago

Sun pours across a landscape with trees and plants growing around and on an arched stone ruin, a bridge and river, and, in the distance, buildings along a flat-topped hill carpeted with grass in this vertical painting.

Canaletto English Landscape Capriccio with a Palace, c. 1754 National Gallery of Art

Newport Rocks, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Newport Rocks, 1872 The Met

Madame Cézanne (Hortense Fiquet, 1850–1922) in the Conservatory, Paul Cézanne, 1891, oil on canvas

Paul Cézanne Madame Cézanne (Hortense Fiquet, 1850–1922) in the Conservatory, 1891 The Met

This horizontal, rectangular painting is created entirely with dots and touches of sky and royal blue, butter and sunshine yellow, and spring green.

Georges Seurat Seascape (Gravelines), 1890 National Gallery of Art

Sketch for "The Oriental Dream", Jean Lecomte du Nouÿ, before 1904, oil on fabric

Jean Lecomte du Nouÿ Sketch for "The Oriental Dream", before 1904 Cleveland Museum of Art

Pirna: The Obertor from the South, Bernardo Bellotto, mid-1750s, oil on canvas

Bernardo Bellotto Pirna: The Obertor from the South, mid-1750s The Met

We look across a river at a bridge that spans the center of this horizontal landscape, which is painted entirely with broad, visible brushstrokes in pastel colors.

Claude Monet Waterloo Bridge, London, at Sunset, 1904 National Gallery of Art

Two loosely painted people stand side by side in a field as they rake with their backs to us in this horizontal painting. The brushstrokes are soft and textured, and the details are loosely rendered, giving the scene a hazy appearance.

Georges Seurat Haymakers at Montfermeil, c. 1882 National Gallery of Art

Figures on the Beach, Pierre-Auguste Renoir, 1890, oil on canvas

Pierre-Auguste Renoir Figures on the Beach, 1890 The Met

The Grand Canal, Venice, Looking South toward the Rialto Bridge, Canaletto, 1730s, oil on canvas

Canaletto The Grand Canal, Venice, Looking South toward the Rialto Bridge, 1730s The Met

Portrait of Dora Wheeler, William Merritt Chase, 1882–83, oil on canvas

William Merritt Chase Portrait of Dora Wheeler, 1882–83 Cleveland Museum of Art

Derick Berck of Cologne, Hans Holbein the Younger, 1536, oil on canvas, transferred from wood

Hans Holbein the Younger Derick Berck of Cologne, 1536 The Met

A nearly nude man with peachy skin stands next to and looks up at a man with ashen, ivory-colored skin, wearing armor and riding a bright white horse in this vertical painting.

El Greco Saint Martin and the Beggar, 1600/1614 National Gallery of Art

The Villa Loredan, Paese, Francesco Guardi, early 1780s, oil on canvas

Francesco Guardi The Villa Loredan, Paese, early 1780s The Met

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