Bernardo Bellotto View of Pirna with the Fortress of Sonnenstein, c. 1760
Pirna: The Obertor from the South
Bernardo Bellotto (Italian, 1722–1780)
- Date
- mid-1750s
- Medium
- Oil on canvas
- Size
- 18¼ × 30¾ in (46.4 × 78.1 cm)
- Museum
- The Metropolitan Museum of Art, New York, accession 1991.306. See the museum’s record
- Credit
- Wrightsman Fund, 1991
Public domain image courtesy of The Metropolitan Museum of Art (Open Access, CC0).
Palette
- #A6BDC5, 28 % of the picture, closest to Powder Blue walls
- #2B311B, 24 % of the picture, closest to Forest Green walls
- #5B512B, 18 % of the picture, closest to Chocolate walls
- #919380, 17 % of the picture, closest to Taupe walls
- #867950, 14 % of the picture, closest to Olive walls
Closest wall colors:
Fits these rooms
Hang it
Pick the furniture and a print size to see it to scale on your wall.
- 23¾ × 40 in, the whole painting on 30 × 40 in paper
- Center
- 55¼ in (140 cm) from the floor
- Above the sofa
- 8 in (20 cm) from the sofa to the frame
- Ideal width
- 56 to 63 in over an 84 in sofa
- Why this height
- Centered at eye level, this frame would not sit 6 to 10 in above the sofa, so the 8 in gap sets the height.
Try it on your wall color
Default greige
Print it
No standard paper matches this painting’s proportions closely, so print it whole with a white border, or trim the edges to fill the paper.
| Paper | Filling the paper | Printed whole | Frame | Frame with a 2 in mat | Frame with a 3 in mat | Sharpness |
|---|---|---|---|---|---|---|
| 5 × 7 in | trims 16.8 % | 4¼ × 7 in | 5 × 7 in ready-made | 9 × 11 in custom | 11 × 13 in custom | 544 dpi, crisp up close |
| 12 × 16 in | trims 20.8 % | 9½ × 16 in | 12 × 16 in ready-made | 16 × 20 in ready-made | 18 × 22 in custom | 238 dpi, crisp from a step back |
| 18 × 24 in | trims 20.8 % | 14¼ × 24 in | 18 × 24 in ready-made | 22 × 28 in ready-made | 24 × 30 in ready-made | 158 dpi, crisp from a step back |
| 20 × 30 in | trims 10.9 % | 17¾ × 30 in | 20 × 30 in ready-made | 24 × 34 in custom | 26 × 36 in custom | 126 dpi, soft up close |
| 24 × 36 in | trims 10.9 % | 21½ × 36 in | 24 × 36 in ready-made | 28 × 40 in custom | 30 × 42 in custom | 105 dpi, soft up close |
| 30 × 40 in | trims 20.8 % | 23¾ × 40 in | 30 × 40 in ready-made | 34 × 44 in custom | 36 × 46 in custom | 95 dpi, soft up close |
Sharpness is worked out from the largest file the museum offers. Above 300 dpi a print holds up at arm’s length; 150 dpi is plenty for a picture seen from across a sofa.
Download
Free for any use, including commercial: this image is public domain (CC0).
- Thumbnail (WebP) 560 × 345 px from Room Paintings
- Web image 600 × 370 px from The Met
- Print and original file 3,809 × 2,349 px from The Met
- The museum’s record of this painting The Met
Public domain image courtesy of The Metropolitan Museum of Art (Open Access, CC0). You may print, share, change and sell it without asking. Read what that means on our image license page, and how to get a good result in how to print a public-domain painting.
More like this
By Bernardo Bellotto, or in the same style or subject.
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Bernardo Bellotto The Campo di SS. Giovanni e Paolo, Venice, 1743/1747
Canaletto Piazza San Marco, late 1720s
Thomas Gainsborough Cottage Children (The Wood Gatherers), 1787
Gustave Caillebotte Paris Street; Rainy Day, 1877
Claude Monet Stacks of Wheat (End of Summer), 1890–91