Paintings for Charcoal Walls (page 19)

Warm palettes

Golds, reds and browns. The ones that differ most from the wall in lightness come first, because they stand out best. Showing 865 to 912 of 1,211.

This painting is a portrait of a man from his chest up. He is positioned slightly angled to the left and looks directly at us.

Gilbert Stuart George Washington, c. 1803 National Gallery of Art

Portejoie on the Seine, Charles-François Daubigny, 1858 or 1868, oil on wood

Charles-François Daubigny Portejoie on the Seine, 1858 or 1868 The Met

Portrait of a Woman, Joseph Wright of Derby, ca. 1770, oil on canvas

Joseph Wright of Derby Portrait of a Woman, ca. 1770 The Met

The Rommel-Pot Player, Frans Hals, c. 1630, oil on panel

Frans Hals The Rommel-Pot Player, c. 1630 Art Institute of Chicago

Cupid and Psyche, Jacques-Louis David, 1817, oil on canvas

Jacques-Louis David Cupid and Psyche, 1817 Cleveland Museum of Art

Landscape (The Lock), John Constable, c. 1820–25, oil on canvas

John Constable Landscape (The Lock), c. 1820–25 Art Institute of Chicago

Sebastián Martínez y Pérez (1747–1800), Francisco de Goya, 1792, oil on canvas

Francisco de Goya Sebastián Martínez y Pérez (1747–1800), 1792 The Met

Imaginary View with a Tomb by the Lagoon, Canaletto, early 1740s, oil on canvas

Canaletto Imaginary View with a Tomb by the Lagoon, early 1740s The Met

Shown from the shins up, a woman with pale skin, iron-gray hair, and wearing a high-collared, long-sleeved black dress, stands next to a table against a caramel-brown wall in this vertical portrait painting.

John Singer Sargent Eleanora O'Donnell Iselin (Mrs. Adrian Iselin), 1888 National Gallery of Art

A man sitting in a tall, upholstered armchair reads a newspaper in this vertical portrait painting. The man and the room in which he sits is loosely painted with bold, visible strokes throughout.

Paul Cézanne The Artist's Father, Reading "L'Événement", 1866 National Gallery of Art

Two women and a baby, all with pale skin, sit together on a gray, stone throne with patterned fabric hanging behind them and a patterned rug below in this narrow, vertical painting.

Gerard David The Saint Anne Altarpiece: Saint Anne with the Virgin and Child [middle panel], c. 1500/1520 National Gallery of Art

Saint Jerome as Scholar, El Greco, ca. 1610, oil on canvas

El Greco Saint Jerome as Scholar, ca. 1610 The Met

Lachrymae, Frederic Leighton, 1894–95, oil on canvas

Frederic Leighton Lachrymae, 1894–95 The Met

A long haired, bearded man holds a whip and stands in the middle of a crowd of about two dozen people who stand or twist, all in a building with columns and arches in this horizontal painting.

El Greco Christ Cleansing the Temple, probably before 1570 National Gallery of Art

A Matador, Édouard Manet, 1866–67, oil on canvas

Édouard Manet A Matador, 1866–67 The Met

The Miracle of the Loaves and Fishes, Jacopo Tintoretto, ca. 1545–50, oil on canvas

Jacopo Tintoretto The Miracle of the Loaves and Fishes, ca. 1545–50 The Met

Three light-skinned men, one with his head and knee bandaged, sit and stand around a rusty, free-standing stove in a room with wide plank floors in this horizontal painting.

William Sidney Mount The Tough Story - Scene in a Country Tavern, 1837 National Gallery of Art

Queen Henrietta Maria, Anthony van Dyck, 1636, oil on canvas

Anthony van Dyck Queen Henrietta Maria, 1636 The Met

Still life painting of dead waterfowl and vegetables in windowsill.

Juan Sánchez Cotán Still Life with Game Fowl, c. 1600–3 Art Institute of Chicago

Shown from the knees up, a pale-skinned woman wears a wide, pleated collar and a black gown in this vertical portrait painting. Her body is angled to our left, and she looks at us from the corners of her light brown eyes.

Anthony van Dyck Portrait of a Flemish Lady, probably 1618 National Gallery of Art

Samson Captured by the Philistines, Guercino, 1619, oil on canvas

Guercino Samson Captured by the Philistines, 1619 The Met

Landscape with Figures (Les Bohémiens), Camille Corot, 1872, oil on canvas

Camille Corot Landscape with Figures (Les Bohémiens), 1872 The Met

This painting depicts a young boy sitting in a relaxed position, with his right arm leaning on a black surface. He has pale skin, wide eyes, and a small, slightly downturned mouth.

Camille Corot Italian Peasant Boy, 1825/1827 National Gallery of Art

The Fortune-Teller, Georges de La Tour, probably 1630s, oil on canvas

Georges de La Tour The Fortune-Teller, probably 1630s The Met

The Wheat Field, George Inness, c. 1875–77, oil on canvas

George Inness The Wheat Field, c. 1875–77 Cleveland Museum of Art

From high above the earth, we look onto a dramatically lit scene with a man falling from a horse-drawn chariot in midair, surrounded by eleven women against a bank of clouds in this horizontal painting.

Peter Paul Rubens The Fall of Phaeton, c. 1604/1605, probably reworked c. 1606/1608 National Gallery of Art

Florentine Poet, Alexandre Cabanel, 1861, oil on wood

Alexandre Cabanel Florentine Poet, 1861 The Met

Shown from the chest up with his body and head facing us, a pale-skinned young man cuts his light-brown eyes sharply to our right in this vertical portrait painting.

Anthony van Dyck Head of a Young Man, c. 1617/1618 National Gallery of Art

John Shaw, Gilbert Stuart, 1793, oil on canvas

Gilbert Stuart John Shaw, 1793 The Met

This painting depicts the upper half of a woman's body. She is turned slightly to the left and faces us, with pale skin, soft, rosy cheeks, dark brown eyes, and a neutral expression.

Gilbert Stuart Ann Calvert Stuart Robinson (Mrs. William Robinson), c. 1804 National Gallery of Art

Portrait of Isabella Brant, Peter Paul Rubens, c. 1620–25, oil on wood

Peter Paul Rubens Portrait of Isabella Brant, c. 1620–25 Cleveland Museum of Art

Shown from the waist up, a bearded man with pale, peachy skin, wearing a black wide-brimmed hat and jacket, and a broad, layered, white collar, holds up a piece of rolled up paper in this vertical portrait painting.

Rembrandt van Rijn Man with a Sheet of Music, 1633 National Gallery of Art

On the brick pavement of a sunny veranda, a young toddler leans heavily on her right arm, to our left, as she reaches for a wooden block in this horizontal painting.

Thomas Eakins Baby at Play, 1876 National Gallery of Art

Souvenir of the Environs of Lake Nemi, Camille Corot, 1865, oil on canvas

Camille Corot Souvenir of the Environs of Lake Nemi, 1865 Art Institute of Chicago

Jean-Baptiste-Siméon Chardin The House of Cards, probably 1737 National Gallery of Art

Sunrise, George Inness, 1887, oil on canvas

George Inness Sunrise, 1887 The Met

Shown from the lap up, a pale-skinned woman looks off to the left in front of a vivid green background in this vertical portrait painting.

Lucas Cranach the Elder Portrait of a Woman, 1522 National Gallery of Art

Wooded Landscape, Gustave Courbet, 1860–65, oil on canvas

Gustave Courbet Wooded Landscape, 1860–65 Art Institute of Chicago

Spring Flowers, Claude Monet, 1864, oil on canvas

Claude Monet Spring Flowers, 1864 Cleveland Museum of Art

Shown from about the waist up, a light-skinned man with sagging jowls and a double chin wears a fur garment and hat, a large teardrop pearl earring, and gold chains in this vertical painting.

Rembrandt van Rijn A Polish Nobleman, 1637 National Gallery of Art

General Étienne-Maurice Gérard (1773–1852), Jacques-Louis David, 1816, oil on canvas

Jacques-Louis David General Étienne-Maurice Gérard (1773–1852), 1816 The Met

In a dance studio, two ballerinas wearing knee-length tutus and ballet slippers sit on a bench and stretch to our right while four more pose at the back of the space, to our left, in this long, horizontal painting.

Edgar Degas Before the Ballet, 1890/1892 National Gallery of Art

Landscape with Ducks, Charles-François Daubigny, 1872, oil on wood

Charles-François Daubigny Landscape with Ducks, 1872 The Met

A large, dark sailing ship to our left is stranded near the shore, angled dramatically away from us, in choppy waves under a periwinkle-blue sky streaked with gray and copper-colored clouds in this horizontal painting.

Asher Brown Durand The Stranded Ship, 1844 National Gallery of Art

The Holy Family with Saint Mary Magdalen, Andrea Mantegna, ca. 1495–1500, distemper on canvas

Andrea Mantegna The Holy Family with Saint Mary Magdalen, ca. 1495–1500 The Met

Captain George K. H. Coussmaker (1759–1801), Joshua Reynolds, 1782, oil on canvas

Joshua Reynolds Captain George K. H. Coussmaker (1759–1801), 1782 The Met

Jo, La Belle Irlandaise, Gustave Courbet, 1865–66, oil on canvas

Gustave Courbet Jo, La Belle Irlandaise, 1865–66 The Met

Study for "The Dancing Lesson": The Boy, Thomas Eakins, probably 1877, oil on canvas

Thomas Eakins Study for "The Dancing Lesson": The Boy, probably 1877 National Gallery of Art

Back to every group for charcoal walls

Other wall colors