Paintings for Charcoal Walls (page 26)

Warm palettes

Golds, reds and browns. The ones that differ most from the wall in lightness come first, because they stand out best. Showing 1,201 to 1,211 of 1,211.

Charles Claude de Flahaut (1730–1809), Comte d'Angiviller, Jean-Baptiste Greuze, 1763, oil on canvas

Jean-Baptiste Greuze Charles Claude de Flahaut (1730–1809), Comte d'Angiviller, 1763 The Met

Lucia, Frederic Leighton, possibly late 1870s, oil on canvas

Frederic Leighton Lucia, possibly late 1870s The Met

Virgin and Child with Saints Catherine of Alexandria and Barbara, Hans Memling, early 1480s, oil on wood

Hans Memling Virgin and Child with Saints Catherine of Alexandria and Barbara, early 1480s The Met

The Ridotto Pubblico at Palazzo Dandolo, Francesco Guardi, ca. 1765–68, oil on canvas

Francesco Guardi The Ridotto Pubblico at Palazzo Dandolo, ca. 1765–68 The Met

The Afternoon Meal (La Merienda), Luis Meléndez, ca. 1772, oil on canvas

Luis Meléndez The Afternoon Meal (La Merienda), ca. 1772 The Met

An orange and the bodies of a large fowl and two rabbits on a brown ledge nearly span the width of this square still life painting. The face of the ledge takes up the bottom quarter of the composition.

Jean-Baptiste-Siméon Chardin Still Life with Game, probably 1750s National Gallery of Art

Evening at Medfield, Massachusetts, George Inness, 1875, oil on canvas

George Inness Evening at Medfield, Massachusetts, 1875 The Met

A woman with a pale, peachy skin stands wearing a voluminous rose-pink, silk dress and holding a wreath of pink and white roses and greenery in this vertical portrait painting.

Anthony van Dyck Catherine Howard, Lady d'Aubigny, c. 1638 National Gallery of Art

A path enclosed almost entirely with trees stretches into a dense, sun-dappled forest before us in this horizontal landscape painting.

Narcisse Virgilio Díaz de la Peña In the Forest, 1874 National Gallery of Art

This painting shows a rocky green ravine with a gray stream running through it, surrounded by thick foliage and large boulders. An arched stone bridge crosses over the stream in the center of the painting.

Théodore Rousseau Mountain Stream in the Auvergne, 1830 National Gallery of Art

A tall woman with pale white skin and a shorter man with brown skin stand on a terrace in this vertical, full-length portrait.

Anthony van Dyck Marchesa Elena Grimaldi Cattaneo, 1623 National Gallery of Art

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