Hans Memling Tommaso di Folco Portinari (1428–1501); Maria Portinari (Maria Maddalena Baroncelli, born 1456), ca. 1470
Virgin and Child with Saints Catherine of Alexandria and Barbara
Hans Memling (Netherlandish, 1465–1494)
- Date
- early 1480s
- Medium
- Oil on wood
- Size
- 27 × 28¾ in (68.3 × 73.3 cm)
- Museum
- The Metropolitan Museum of Art, New York, accession 14.40.634. See the museum’s record
- Credit
- Bequest of Benjamin Altman, 1913
Public domain image courtesy of The Metropolitan Museum of Art (Open Access, CC0).
Palette
- #403323, 30 % of the picture, closest to Chocolate walls
- #242017, 29 % of the picture, closest to Black walls
- #5B543B, 20 % of the picture, closest to Chocolate walls
- #773125, 13 % of the picture, closest to Burgundy walls
- #7F786A, 8 % of the picture, closest to Olive walls
Closest wall colors:
Fits these rooms
Hang it
Pick the furniture and a print size to see it to scale on your wall.
- 22½ × 24 in, the whole painting on 24 × 24 in paper
- Center
- 66½ in (169 cm) from the floor
- Above the mantel
- 6 in (15 cm) from the mantel to the frame
- Ideal width
- 44 to 50 in over a 66 in mantel
- Why this height
- Centered at eye level, this frame would not sit 4 to 8 in above the mantel, so the 6 in gap sets the height.
Try it on your wall color
Default greige
Print it
No standard paper matches this painting’s proportions closely, so print it whole with a white border, or trim the edges to fill the paper.
| Paper | Filling the paper | Printed whole | Frame | Frame with a 2 in mat | Frame with a 3 in mat | Sharpness |
|---|---|---|---|---|---|---|
| 8 × 10 in | trims 14.2 % | 8 × 8½ in | 8 × 10 in ready-made | 12 × 14 in custom | 14 × 16 in custom | 465 dpi, crisp up close |
| 12 × 12 in | trims 6.8 % | 11¼ × 12 in | 12 × 12 in ready-made | 16 × 16 in ready-made | 18 × 18 in custom | 333 dpi, crisp up close |
| 16 × 16 in | trims 6.8 % | 15 × 16 in | 16 × 16 in ready-made | 20 × 20 in ready-made | 22 × 22 in custom | 250 dpi, crisp from a step back |
| 16 × 20 in | trims 14.2 % | 16 × 17¼ in | 16 × 20 in ready-made | 20 × 24 in ready-made | 22 × 26 in custom | 232 dpi, crisp from a step back |
| 20 × 20 in | trims 6.8 % | 18½ × 20 in | 20 × 20 in ready-made | 24 × 24 in ready-made | 26 × 26 in custom | 200 dpi, crisp from a step back |
| 24 × 24 in | trims 6.8 % | 22½ × 24 in | 24 × 24 in ready-made | 28 × 28 in custom | 30 × 30 in custom | 166 dpi, crisp from a step back |
Sharpness is worked out from the largest file the museum offers. Above 300 dpi a print holds up at arm’s length; 150 dpi is plenty for a picture seen from across a sofa.
Download
Free for any use, including commercial: this image is public domain (CC0).
- Thumbnail (WebP) 560 × 524 px from Room Paintings
- Web image 599 × 560 px from The Met
- Print and original file 4,000 × 3,737 px from The Met
- The museum’s record of this painting The Met
Public domain image courtesy of The Metropolitan Museum of Art (Open Access, CC0). You may print, share, change and sell it without asking. Read what that means on our image license page, and how to get a good result in how to print a public-domain painting.
More like this
By Hans Memling, or in the same style or subject.
All works by Hans MemlingHans Memling The Annunciation, 1480–89
Hans Memling The Annunciation, ca. 1465–70
Hans Memling Portrait of an Old Man, ca. 1475
Pieter Bruegel the Elder The Harvesters, 1565
Sandro Botticelli The Annunciation, ca. 1490
Gustave Caillebotte Paris Street; Rainy Day, 1877
Georges Seurat A Sunday on La Grande Jatte — 1884, 1884–86, border added 1888–89