Paintings for Charcoal Walls (page 22)

Warm palettes

Golds, reds and browns. The ones that differ most from the wall in lightness come first, because they stand out best. Showing 1,009 to 1,056 of 1,211.

Portrait of a Young Man, Hans Memling, ca. 1472–75, oil on oak panel

Hans Memling Portrait of a Young Man, ca. 1472–75 The Met

Still Life with a Glass and Oysters, Jan Davidsz de Heem, ca. 1640, oil on wood

Jan Davidsz de Heem Still Life with a Glass and Oysters, ca. 1640 The Met

A partially nude woman with pale, peachy skin sits to our left looking into a mirror held up by a nearly nude, winged child to our right in this vertical painting.

Titian Venus with a Mirror, c. 1555 National Gallery of Art

Portrait of a Carthusian, Petrus Christus, 1446, oil on oak

Petrus Christus Portrait of a Carthusian, 1446 The Met

Still life painting of strawberries, nuts, lemon, and porcelain vessels.

Raphaelle Peale Still Life—Strawberries, Nuts, &c., 1822 Art Institute of Chicago

Albert Gallatin, Gilbert Stuart, ca. 1803, oil on canvas

Gilbert Stuart Albert Gallatin, ca. 1803 The Met

James Monroe, Gilbert Stuart, ca. 1820–22, oil on canvas

Gilbert Stuart James Monroe, ca. 1820–22 The Met

Anthony van Dyck The Prefect Raffaele Raggi, c. 1625 National Gallery of Art

El Maragato Threatens Friar Pedro de Zaldivia with His Gun, Francisco de Goya, c. 1806, oil on panel

Francisco de Goya El Maragato Threatens Friar Pedro de Zaldivia with His Gun, c. 1806 Art Institute of Chicago

This painting shows a young boy sitting on a wooden rocking chair next to a dark metal stove. He is leaning forward with one arm extended towards the stove door, which is partially open, revealing bright orange light.

Eastman Johnson The Early Scholar, c. 1865 National Gallery of Art

The Supper at Emmaus, Diego Velázquez, 1622–23, oil on canvas

Diego Velázquez The Supper at Emmaus, 1622–23 The Met

Sibylle, Camille Corot, ca. 1870, oil on canvas

Camille Corot Sibylle, ca. 1870 The Met

View of La Crescenza, Claude Lorrain, 1648–50, oil on canvas

Claude Lorrain View of La Crescenza, 1648–50 The Met

Charles Rousseau Burney (1747–1819), Thomas Gainsborough, ca. 1780, oil on canvas

Thomas Gainsborough Charles Rousseau Burney (1747–1819), ca. 1780 The Met

Portrait of a Young Woman, Called Miss Sparrow, Thomas Gainsborough, 1770s, oil on canvas

Thomas Gainsborough Portrait of a Young Woman, Called Miss Sparrow, 1770s The Met

Shown from the hips up, a man with peachy skin and long, brown curly hair and goatee stands in front of a window opening onto a moonlit sky in this vertical portrait painting.

Frans Hals Portrait of a Member of the Haarlem Civic Guard, c. 1636/1638 National Gallery of Art

George Bellows Little Girl in White (Queenie Burnett), 1907 National Gallery of Art

Shown from the waist up, an elderly man with pale, peachy skin, wavy, silvery-gray hair, and a long beard stands facing our right, almost filling this vertical painting.

Peter Paul Rubens Saint Peter, c. 1616/1618 National Gallery of Art

Twilight in the Wilderness, Frederic Edwin Church, 1860, oil on canvas

Frederic Edwin Church Twilight in the Wilderness, 1860 Cleveland Museum of Art

Merrymakers at Shrovetide, Frans Hals, ca. 1616–17, oil on canvas

Frans Hals Merrymakers at Shrovetide, ca. 1616–17 The Met

Louis Gueymard (1822–1880) as Robert le Diable, Gustave Courbet, 1857, oil on canvas

Gustave Courbet Louis Gueymard (1822–1880) as Robert le Diable, 1857 The Met

This painting shows a woman standing in front of a wooden dresser with a mirror, her back to us. We can see her face reflected in the mirror. She is gazing at her reflection with both of her hands lifted towards her slightly tilted face.

Eastman Johnson The Toilet, 1873 National Gallery of Art

The Trout Pool, Worthington Whittredge, 1870, oil on canvas

Worthington Whittredge The Trout Pool, 1870 The Met

Friar Pedro Clubs El Maragato with the Butt of the Gun, Francisco de Goya, c. 1806, oil on panel

Francisco de Goya Friar Pedro Clubs El Maragato with the Butt of the Gun, c. 1806 Art Institute of Chicago

Mrs. Mayer and Daughter, Ammi Phillips, 1835–40, oil on canvas

Ammi Phillips Mrs. Mayer and Daughter, 1835–40 The Met

The Two Disciples at the Tomb, Henry Ossawa Tanner, c. 1906, oil on canvas

Henry Ossawa Tanner The Two Disciples at the Tomb, c. 1906 Art Institute of Chicago

Portrait of the Ladies Amabel and Mary Jemima Yorke, Joshua Reynolds, c. 1761, oil on canvas

Joshua Reynolds Portrait of the Ladies Amabel and Mary Jemima Yorke, c. 1761 Cleveland Museum of Art

Painting of three light-skinned girls in a woodland setting. A dog in the foreground faces a girl with a puppy in her lap.

Narcisse Virgilio Díaz de la Peña Three Little Girls, c. 1870 Art Institute of Chicago

Symbolic Head, Odilon Redon, c. 1890, oil on paper mounted on canvas

Odilon Redon Symbolic Head, c. 1890 Cleveland Museum of Art

A light-skinned man wearing a voluminous, ocean-blue, hooded robe sits at a cloth-draped writing table and looks up, fingers splayed over an open book and a pen held in his other hand, in this vertical painting.

El Greco Saint Ildefonso, c. 1603/1614 National Gallery of Art

A Goldsmith in his Shop, Petrus Christus, 1449, oil on oak panel

Petrus Christus A Goldsmith in his Shop, 1449 The Met

The Cascade, Jean-Honoré Fragonard, ca. 1775, oil on wood

Jean-Honoré Fragonard The Cascade, ca. 1775 The Met

A crouching tiger to our left bares its fangs at a hissing snake wound around a tree to our right in this nearly square painting.

Eugène Delacroix Tiger and Snake, 1862 National Gallery of Art

A woman with pale, peachy skin wearing elegant gold and ink-black garments sits in front of a stone portico in this vertical portrait painting. Her red armchair is angled to our right, but the woman turns to look at us under cocked brows.

Anthony van Dyck Isabella Brant, 1621 National Gallery of Art

Portrait of Mme Lisle and Mme Loubens, Edgar Degas, c. 1867, oil on canvas

Edgar Degas Portrait of Mme Lisle and Mme Loubens, c. 1867 Art Institute of Chicago

After the Hunt, Gustave Courbet, ca. 1859, oil on canvas

Gustave Courbet After the Hunt, ca. 1859 The Met

This vertical portrait shows the head, shoulders, and chest of a young man with smooth, pale skin and shoulder-length, dark blond hair positioned behind a narrow gray, stone ledge.

Sandro Botticelli Portrait of a Youth, c. 1482/1485 National Gallery of Art

Madame Jacques-Louis Leblanc (Françoise Poncelle, 1788–1839), Jean-Auguste-Dominique Ingres, 1823, oil on canvas

Jean-Auguste-Dominique Ingres Madame Jacques-Louis Leblanc (Françoise Poncelle, 1788–1839), 1823 The Met

Margaret Strachan (Mrs. Thomas Harwood), Charles Willson Peale, ca. 1771, oil on canvas

Charles Willson Peale Margaret Strachan (Mrs. Thomas Harwood), ca. 1771 The Met

The Artist's Wife and His Setter Dog, Thomas Eakins, ca. 1884–89, oil on canvas

Thomas Eakins The Artist's Wife and His Setter Dog, ca. 1884–89 The Met

Bashi-Bazouk, Jean-Léon Gérôme, 1868–69, oil on canvas

Jean-Léon Gérôme Bashi-Bazouk, 1868–69 The Met

Dominated by tones of red and fire orange, this nearly square painting shows a seated woman leaning forward in a high-backed chair, holding a round, flat, leaf-shaped fan.

Edgar Degas Madame Camus, 1869/1870 National Gallery of Art

Friar Pedro Offers Shoes to El Maragato and Prepares to Push Aside His Gun, Francisco de Goya, c. 1806, oil on panel

Francisco de Goya Friar Pedro Offers Shoes to El Maragato and Prepares to Push Aside His Gun, c. 1806 Art Institute of Chicago

Young Husband: First Marketing, Lilly Martin Spencer, 1854, oil on canvas

Lilly Martin Spencer Young Husband: First Marketing, 1854 The Met

The Deer, Gustave Courbet, ca. 1865, oil on canvas

Gustave Courbet The Deer, ca. 1865 The Met

Roses in a Bowl, Henri Fantin-Latour, 1881, oil on canvas

Henri Fantin-Latour Roses in a Bowl, 1881 Art Institute of Chicago

The image shows a man in a portrait from the waist up. He has fair skin, curly light-colored hair, and wears a dark navy coat with gold buttons and a vibrant red collar.

Thomas Gainsborough William Yelverton Davenport, c. 1785/1788 National Gallery of Art

Anna van der Aar (born 1576/77, died after 1626), Frans Hals, 1626, oil on wood

Frans Hals Anna van der Aar (born 1576/77, died after 1626), 1626 The Met

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