Paintings for Chocolate Walls (page 11)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 481 to 528 of 1,861.

This painting shows a woman sitting, her body facing the left and her head turned to look at us, with one arm resting on a wooden surface on the right.

Camille Corot Italian Woman (La Morieri), c. 1872 National Gallery of Art

This painting shows the upper half of a woman's body, focusing on her face, head, and large hat. The woman's body is slightly turned toward the right, but she is looking directly at us.

Édouard Vuillard Madame Bonnard, 1895/1900 National Gallery of Art

From high above the earth, we look onto a dramatically lit scene with a man falling from a horse-drawn chariot in midair, surrounded by eleven women against a bank of clouds in this horizontal painting.

Peter Paul Rubens The Fall of Phaeton, c. 1604/1605, probably reworked c. 1606/1608 National Gallery of Art

A woman wearing a white and pale pink robe and holding a sickle sits on billowing clouds flanked by a lion and two young people in this vertical, oval painting. All three people have pale skin with rosy cheeks and blond hair.

Antoine Watteau Ceres (Summer), c. 1717/1718 National Gallery of Art

Three Pears and an Apple, Eastman Johnson, 1857, oil on board

Eastman Johnson Three Pears and an Apple, 1857 National Gallery of Art

A River in a Meadow, Théodore Rousseau, ca. 1840, oil on wood

Théodore Rousseau A River in a Meadow, ca. 1840 The Met

Near Squam Lake, New Hampshire, Eastman Johnson, 1856, oil on canvas

Eastman Johnson Near Squam Lake, New Hampshire, 1856 The Met

A woman with pale, peachy skin and dark brown hair, wearing a long sleeved, floor-length white satin dress, stands facing and looking out at us in a room hung with shimmering, ivory-white drapery in this vertical portrait.

John Singer Sargent Margaret Stuyvesant Rutherfurd White (Mrs. Henry White), 1883 National Gallery of Art

Madonna and Child, Benvenuto di Giovanni, ca. 1475–85, tempera on wood, gold ground

Benvenuto di Giovanni Madonna and Child, ca. 1475–85 The Met

Jean-Baptiste Faure (1830–1914), Édouard Manet, 1882–83, oil on canvas

Édouard Manet Jean-Baptiste Faure (1830–1914), 1882–83 The Met

Alessandro Vittoria (1525–1608), Paolo Veronese, ca. 1580, oil on canvas

Paolo Veronese Alessandro Vittoria (1525–1608), ca. 1580 The Met

A man sitting in a tall, upholstered armchair reads a newspaper in this vertical portrait painting. The man and the room in which he sits is loosely painted with bold, visible strokes throughout.

Paul Cézanne The Artist's Father, Reading "L'Événement", 1866 National Gallery of Art

Hamlet and His Mother, Eugène Delacroix, 1849, oil on canvas

Eugène Delacroix Hamlet and His Mother, 1849 The Met

The Holy Family with Saints Francis and Anne and the Infant Saint John the Baptist, Peter Paul Rubens, early or mid-1630s, oil on canvas

Peter Paul Rubens The Holy Family with Saints Francis and Anne and the Infant Saint John the Baptist, early or mid-1630s The Met

Man and Pool, Florida, John Singer Sargent, 1917, watercolor, gouache, and graphite on white wove paper

John Singer Sargent Man and Pool, Florida, 1917 The Met

Shown from the chest up with his body and head facing us, a pale-skinned young man cuts his light-brown eyes sharply to our right in this vertical portrait painting.

Anthony van Dyck Head of a Young Man, c. 1617/1618 National Gallery of Art

Self-Portrait with Two Pupils, Marie Gabrielle Capet (1761–1818) and Marie Marguerite Carraux de Rosemond (1765–1788), Adélaïde Labille-Guiard, 1785, oil on canvas

Adélaïde Labille-Guiard Self-Portrait with Two Pupils, Marie Gabrielle Capet (1761–1818) and Marie Marguerite Carraux de Rosemond (1765–1788), 1785 The Met

The Chariot of Aurora, Giovanni Battista Tiepolo, 1760s, oil on canvas

Giovanni Battista Tiepolo The Chariot of Aurora, 1760s The Met

Paying the Hostess, Pieter de Hooch, ca. 1670, oil on canvas

Pieter de Hooch Paying the Hostess, ca. 1670 The Met

This painting is a close-up portrait of a man's head and shoulders. He has pale skin and light, slightly disheveled brown hair with a strong widow's peak, and a short brown beard.

Henri Fantin-Latour Self-Portrait, 1861 National Gallery of Art

Shown from the chest up, a cleanshaven man with peachy skin sits angled to our right in this vertical portrait painting. He has chin-length, curly, auburn-red hair. He gazes off to our right with hazel eyes under thick brows.

Hans Holbein the Younger Portrait of a Young Man, c. 1520/1530 National Gallery of Art

The image depicts a group of individuals engaged in a dance. They are in a tightly-knit, curved line, with dynamic poses suggestive of movement and rhythm.

George Catlin Dog Dance - Sioux, 1861 National Gallery of Art

About a dozen people walk and a few ride horses across a bridge spanning river that cuts through a sandy landscape in this horizontal painting.

Jean-Léon Gérôme View of Medinet El-Fayoum, c. 1868/1870 National Gallery of Art

Autumn Meadows, George Inness, 1869, oil on canvas

George Inness Autumn Meadows, 1869 The Met

Irregular, geometric shapes in burnt orange, pale peach, light blue, forest and mint green, brown, taupe, gray, and black are layered and spread across this horizontal, abstract painting. They are mostly flat planes of color.

Juan Gris Glass and Checkerboard, c. 1917 National Gallery of Art

A woman with pale skin, wearing a black dress and holding a full, billowing white ostrich feather, is shown from the hips up against a dark background in this vertical portrait painting.

Rembrandt van Rijn Portrait of a Lady with an Ostrich-Feather Fan, c. 1656/1658 National Gallery of Art

Landscape with Cottages, John Constable, 1809–10, oil on canvas

John Constable Landscape with Cottages, 1809–10 Art Institute of Chicago

The image shows a group of Native American men gathered closely together in a dance formation. They are positioned facing slightly towards the right, with their full bodies visible.

George Catlin Bear Dance - K'nisteneux, 1861 National Gallery of Art

The Two Sisters, Jean-Honoré Fragonard, ca. 1769–70, oil on canvas

Jean-Honoré Fragonard The Two Sisters, ca. 1769–70 The Met

Shown from about the hips up, a woman whose pale face is deep in shadow stands with her back to us, wearing a black and gray dress and hat, in front of a colorful but loosely painted, indistinct background in this nearly square painting.

Edgar Degas Woman Viewed from Behind (Visit to a Museum), c. 1879-1885 National Gallery of Art

Two Children Teasing a Cat, Annibale Carracci, 1588, oil on canvas

Annibale Carracci Two Children Teasing a Cat, 1588 The Met

Painting of bearded, ruddy-faced man in eighteenth century style clothing.

Jean-Honoré Fragonard Portrait of a Man in Costume, c. 1767–68 Art Institute of Chicago

The Pont Neuf, Johan Barthold Jongkind, 1849–50, oil on canvas

Johan Barthold Jongkind The Pont Neuf, 1849–50 The Met

George Harley Drummond (1783–1855), Henry Raeburn, ca. 1808–9, oil on canvas

Henry Raeburn George Harley Drummond (1783–1855), ca. 1808–9 The Met

Paul Cézanne Man with Pipe, 1892/1896 National Gallery of Art

Street, Tangier, John Singer Sargent, 1895, watercolor, gouache, and graphite on off-white wove paper

John Singer Sargent Street, Tangier, 1895 The Met

A baby-like winged putto flies above and drops a stream of white flowers onto a woman who sits leaning against a cut tree trunk this vertical landscape painting.

Lorenzo Lotto Allegory of Chastity, c. 1505 National Gallery of Art

Christ Taking Leave of His Mother, Gerard David, ca. 1500, oil on wood

Gerard David Christ Taking Leave of His Mother, ca. 1500 The Met

Madame Edouard Manet (Suzanne Leenhoff, 1829–1906), Édouard Manet, ca. 1873, oil on canvas

Édouard Manet Madame Edouard Manet (Suzanne Leenhoff, 1829–1906), ca. 1873 The Met

A wide creek winds between a tree-lined bank to our left and hazy mountains to our right in this horizontal landscape painting. The riverbank curves deeply like a backward capital letter B.

Camille Pissarro A Creek in St. Thomas (Virgin Islands), 1856 National Gallery of Art

Young Man in the Costume of a Majo, Édouard Manet, 1863, oil on canvas

Édouard Manet Young Man in the Costume of a Majo, 1863 The Met

Merrymakers at Shrovetide, Frans Hals, ca. 1616–17, oil on canvas

Frans Hals Merrymakers at Shrovetide, ca. 1616–17 The Met

The Adoration of the Magi, Giovanni Battista Tiepolo, late 1750s, oil on canvas

Giovanni Battista Tiepolo The Adoration of the Magi, late 1750s The Met

Set in a valley carpeted in sage green, about a dozen armed men, on foot and horseback, close to us, line up and face off against an attack advancing from the back left in this vertical painting.

Eugène Delacroix Arabs Skirmishing in the Mountains, 1863 National Gallery of Art

This painting shows a rocky green ravine with a gray stream running through it, surrounded by thick foliage and large boulders. An arched stone bridge crosses over the stream in the center of the painting.

Théodore Rousseau Mountain Stream in the Auvergne, 1830 National Gallery of Art

Madonna and Child with Seraphim and Cherubim, Andrea Mantegna, ca. 1454, tempera and gold on wood

Andrea Mantegna Madonna and Child with Seraphim and Cherubim, ca. 1454 The Met

Peter Paul Rubens Agrippina and Germanicus, c. 1614 National Gallery of Art

Madonna and Child Enthroned with Saints, Raphael, ca. 1504, oil and gold on wood

Raphael Madonna and Child Enthroned with Saints, ca. 1504 The Met

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