Paintings for Forest Green Walls (page 2)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 49 to 96 of 133.

We look across a placid pond at sandstone-white buildings with brown and terracotta-red roofs nestled within a grove of green trees and plants in this vertical landscape painting.

Paul Cézanne House of Père Lacroix, 1873 National Gallery of Art

Campo Sant'Angelo, Venice, Canaletto, 1730s, oil on canvas

Canaletto Campo Sant'Angelo, Venice, 1730s The Met

A road or path curves away from us, past a tall formation, perhaps rocks, to our left, and into a valley filled with trees and a low hill beyond in this stylized, vertical landscape.

Paul Cézanne The Bend in the Road, 1900/1906 National Gallery of Art

We look slightly down onto the surface of a river in which three narrow canoes, each paddled by a single person, are being rowed toward us in this horizontal landscape painting.

Gustave Caillebotte Skiffs, 1877 National Gallery of Art

Surrounded by lush, bright foliage, man and a young girl at close range lean against a fence near a lake. The man is smoking, and both wear straw hats.

Pierre-Auguste Renoir Near the Lake, 1879–80 Art Institute of Chicago

Sahurs Meadows in Morning Sun, Alfred Sisley, 1894, oil on canvas

Alfred Sisley Sahurs Meadows in Morning Sun, 1894 The Met

In saturated, vivid tones of mint green, marigold orange, dandelion yellow, sky blue, and rose pink, a long building stretches away from us along a walkway.

Ernst Ludwig Kirchner Dance Hall Bellevue [obverse], 1909/1910 National Gallery of Art

The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire, Johann Zoffany, c. 1772, oil on canvas

Johann Zoffany The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire, c. 1772 Cleveland Museum of Art

Mount Sainte-Victoire, Paul Cézanne, c. 1904, oil on fabric

Paul Cézanne Mount Sainte-Victoire, c. 1904 Cleveland Museum of Art

This painting shows a view from above, looking down a path on the left where several people walk away from us towards a house in the distance surrounded by lush green vegetation.

Pierre-Auguste Renoir The Mussel Harvest, 1879 National Gallery of Art

A young girl with pale skin and long brown hair looks at us as she braces a tall, wooden hoop with one hand by her hip in this vertical painting.

Pierre-Auguste Renoir Girl with a Hoop, 1885 National Gallery of Art

The Grand Canal, Venice, Looking South toward the Rialto Bridge, Canaletto, 1730s, oil on canvas

Canaletto The Grand Canal, Venice, Looking South toward the Rialto Bridge, 1730s The Met

We look across a dark, aquamarine-blue body of water at a bulky, stony outcropping to our right in this horizontal landscape painting.

John Frederick Kensett Beacon Rock, Newport Harbor, 1857 National Gallery of Art

Ia Orana Maria (Hail Mary), Paul Gauguin, 1891, oil on canvas

Paul Gauguin Ia Orana Maria (Hail Mary), 1891 The Met

Irises, Vincent van Gogh, 1890, oil on canvas

Vincent van Gogh Irises, 1890 The Met

Painted in mostly in jewel tones of topaz and aquamarine blue, and sage, spring, and pine green, a meadow is enclosed by a wooden fence, against a landscape of gently rolling hills under a vibrant sky in this horizontal painting.

Alfred Sisley Meadow, 1875 National Gallery of Art

The painting depicts an elevated viewpoint of a grand waterfall surrounded by a landscape filled with people and canoes. The horizon is high in the composition, marked by a line of trees and the flowing waterfall.

George Catlin Portage Around the Falls of Niagara at Table Rock, 1847/1848 National Gallery of Art

Beaulieu: The Bay of Fourmis, Eugène Boudin, 1892, oil on canvas

Eugène Boudin Beaulieu: The Bay of Fourmis, 1892 The Met

Pale beige, angular houses cluster at the center of the horizontal landscape painting. The hilly, rocky landscape around and below the houses is painted with cool blues and greens, and warm ivory and caramel brown beneath a pale blue sky.

Paul Cézanne Houses in Provence: The Riaux Valley near L'Estaque, c. 1883 National Gallery of Art

Lunch at the Restaurant Fournaise (The Rowers' Lunch), Pierre-Auguste Renoir, 1875, oil on canvas

Pierre-Auguste Renoir Lunch at the Restaurant Fournaise (The Rowers' Lunch), 1875 Art Institute of Chicago

Young Woman with Ibis, Edgar Degas, 1857–58; reworked 1860–62, oil on canvas

Edgar Degas Young Woman with Ibis, 1857–58; reworked 1860–62 The Met

Still life of geranium plant, fruit, water pitcher, and two cats.

Henri Matisse Still Life with Geranium, 1906 Art Institute of Chicago

The Monet Family in Their Garden at Argenteuil, Édouard Manet, 1874, oil on canvas

Édouard Manet The Monet Family in Their Garden at Argenteuil, 1874 The Met

Madame Manet (Suzanne Leenhoff, 1829–1906) at Bellevue, Édouard Manet, 1880, oil on canvas

Édouard Manet Madame Manet (Suzanne Leenhoff, 1829–1906) at Bellevue, 1880 The Met

Dancers, Pink and Green, Edgar Degas, ca. 1890, oil on canvas

Edgar Degas Dancers, Pink and Green, ca. 1890 The Met

A young, smiling boy in a ruffled collar, hat, and cumberbun rides outdoors on a brown ram, a small whip held aloft in his hand.

Francisco de Goya Boy on a Ram, 1786–87 Art Institute of Chicago

The Vase of Tulips, Paul Cézanne, c. 1890, oil on canvas

Paul Cézanne The Vase of Tulips, c. 1890 Art Institute of Chicago

A rocky shoreline juts into a vivid, aquamarine-blue body of water in this loosely painted, nearly square landscape.

Childe Hassam A North East Headland, 1901 National Gallery of Art

Boston Harbor, Thomas Chambers, mid 19th century, oil on canvas

Thomas Chambers Boston Harbor, mid 19th century National Gallery of Art

Madame Roulin Rocking the Cradle (La berceuse), Vincent van Gogh, 1889, oil on canvas

Vincent van Gogh Madame Roulin Rocking the Cradle (La berceuse), 1889 Art Institute of Chicago

By the Seashore, Pierre-Auguste Renoir, 1883, oil on canvas

Pierre-Auguste Renoir By the Seashore, 1883 The Met

The Call, Paul Gauguin, 1902, oil on canvas

Paul Gauguin The Call, 1902 Cleveland Museum of Art

Sun drenches a landscape with trees, grassy hills, and rocky cliffs in this horizonal painting.

Jean-Victor Bertin Shepherd with His Flock, c. 1820 National Gallery of Art

From a high perspective, we look beyond two overlapping, emerald-green hills to a body of powder-blue water dotted with sailboats in this loosely painted horizontal landscape.

Claude Monet Cliffs at Pourville, 1882 National Gallery of Art

Pierre-Auguste Renoir Suzanne Valadon, c. 1885 National Gallery of Art

A pale-skinned woman with honey-blond hair reclines among wheat stalks and grape vines in this horizontal painting. She lies on her side with her head to our right and her body facing us. Her upper body is propped on her left elbow.

Jacopo Tintoretto Summer, c. 1546/1548 National Gallery of Art

In this painting, short, angular brushstrokes suggest a person in motion. The person is bent over, facing the left, raising a large, thin object over one shoulder.

Georges Seurat The Stone Breaker, c. 1882 National Gallery of Art

This painting presents a series of curved and bending lines intersecting with each other in an abstract pattern. The lines create a design resembling tree branches and leafy canopies.

Franz Marc Weasels at Play, 1911 National Gallery of Art

Orange, yellow, and white flowers in a brown vase on a round table, with a blue-green floral tablecloth and mottled, brownish background.

Pierre-Auguste Renoir Chrysanthemums, 1881–82 Art Institute of Chicago

Edge of the Woods Near L'Hermitage, Pontoise, Camille Pissarro, 1879, oil on fabric

Camille Pissarro Edge of the Woods Near L'Hermitage, Pontoise, 1879 Cleveland Museum of Art

Arques-la-Bataille, John Henry Twachtman, 1885, oil on canvas

John Henry Twachtman Arques-la-Bataille, 1885 The Met

A bearded man with a coppery-peach completion, wearing a dark, navy-blue brimmed cap, vest, jacket, and pants sits on a wooden bench or chair against a green background in this vertical portrait.

Paul Cézanne The Gardener Vallier, 1906 National Gallery of Art

This image depicts a snow-covered landscape with a high horizon line meeting a line of evergreen trees under a sky with blue and grayish clouds. The sky and treetops are textured with lively brushstrokes.

George Catlin La Salle Crossing Lake Michigan on the Ice. December 8, 1681, 1847/1848 National Gallery of Art

Ship in Full Sail, T. Davies, 1827, oil on canvas

T. Davies Ship in Full Sail, 1827 National Gallery of Art

The image shows a wide expanse of land with a horizon featuring rolling hills or small mountains and sparse trees. In the foreground, a person in traditional indigenous attire is pulling on a rope tethered to a resisting horse.

George Catlin Catching Wild Horses - Pawnee, 1861/1869 National Gallery of Art

Jewel-toned blue, red, yellow, green, and pearl white brushstrokes swirl and stretch in this loosely painted horizontal landscape painting.

Pierre-Auguste Renoir The Blue River, c. 1890/1900 National Gallery of Art

The head and shoulders of a pale-skinned, clean-shaven man fills this vertical portrait painting. The man’s shoulders are angled to our left, and he looks off in that direction with light green eyes.

Giovanni Bellini Portrait of a Young Man, c. 1490 National Gallery of Art

We look down at and across a sun-soaked landscape with tile-roofed, white-stucco buildings and plowed fields in this horizontal painting.

Willard Leroy Metcalf Midsummer Twilight, c. 1890 National Gallery of Art

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