Paintings for Forest Green Walls (page 3)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 97 to 133 of 133.

This painting is an abstract composition of irregular shapes and vibrant colors. The different sections overlap and intersect in shades of green, blue, red, purple, and pink.

Alexej von Jawlensky Red Path, St. Prex, 1915 National Gallery of Art

Shown from the knees up, a young woman with peachy skin and red hair sits facing us on a pine-green bench in this vertical painting.

Mary Cassatt Woman with a Red Zinnia (Revery), 1891-1892 National Gallery of Art

Lucie Berard (Child in White), Pierre-Auguste Renoir, 1883, oil on canvas

Pierre-Auguste Renoir Lucie Berard (Child in White), 1883 Art Institute of Chicago

The painting depicts a golden, grassy landscape with low green trees in the distance, leading towards vibrant blue water on the horizon.

William Merritt Chase Gathering Autumn Flowers, 1894/1895 National Gallery of Art

A woman stands on a sun-dappled path, which runs past a bank of blooming flowers and back to a cottage in this vertical painting.

Gustave Caillebotte Dahlias, Garden at Petit Gennevilliers, 1893 National Gallery of Art

The painting shows a coastal landscape from an elevated point of view. A structure resembling a thatched-roof cottage is on the right, partially obscured by the rolling green hills that take up the bottom right area of the painting.

Henri Moret The Island of Raguenez, Brittany, 1890/1895 National Gallery of Art

Corn Fields, Félix Vallotton, 1900, oil on board

Félix Vallotton Corn Fields, 1900 Cleveland Museum of Art

The artwork depicts a peaceful landscape viewed from an elevated perspective. The horizon divides the sky from the land below, with distant blue hills visible. The sky shows soft blues and gray clouds.

George Catlin Halsey's Bluff - Sioux Indians on the March, 1861/1869 National Gallery of Art

A pale turquoise footbridge arching over a pond lined with tall grasses and filled with petal-pink and butter-yellow waterlilies spans this horizontal landscape painting. The scene is loosely painted with touches of vibrant color.

Claude Monet The Japanese Footbridge, 1899 National Gallery of Art

The painting depicts a wide country road seen from above. The horizon is halfway up the painting, showing the flat, green land meeting the blue sky. Far in the distance there are faint blue buildings, including a tall tower.

Jan Brueghel the Elder Wooded Landscape with Travelers, 1610 National Gallery of Art

We look across a shaded field of snow, through a screen of loosely spaced trees at a cobalt-blue mountain that dominates this square landscape painting. The scene is painted with visible brushstrokes throughout.

Abbott Handerson Thayer Mount Monadnock, probably 1911/1914 National Gallery of Art

We look across a strip of tall grass and flowers at a river that winds into the distance in this loosely painted, horizontal landscape.

Claude Monet Banks of the Seine, Vétheuil, 1880 National Gallery of Art

Newport Rocks, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Newport Rocks, 1872 The Met

Roses, Vincent van Gogh, 1890, oil on canvas

Vincent van Gogh Roses, 1890 The Met

A diagonal line of leaping ballet dancers recedes from a starkly lit dancer partially visible at bottom left. All are broadly painted against a blue-green ground above them, pale pink below.

Henri de Toulouse-Lautrec Ballet Dancers, 1885–86 Art Institute of Chicago

Te raau rahi (The Big Tree), Paul Gauguin, 1891, oil on jute canvas

Paul Gauguin Te raau rahi (The Big Tree), 1891 Art Institute of Chicago

Two sailboats and a rowboat float on a glistening, azure-blue river spanned by a stone bridge to our right in this horizontal landscape painting.

Claude Monet The Bridge at Argenteuil, 1874 National Gallery of Art

The image shows a winter scene with an icy river and activity on the shore. A rocky cliff partially covered in snow is on the right, with evergreen trees.

George Catlin The Expedition Encamped below the Falls of Niagara. January 20, 1679, 1847/1848 National Gallery of Art

Vase of Flowers, Odilon Redon, c. 1905, oil on fabric

Odilon Redon Vase of Flowers, c. 1905 Cleveland Museum of Art

Mottled, geometric shapes painted in shades of peanut brown, beige, grass and spruce green, smoky gray, golden and buttercup yellow, and topaz and lapis blue are arranged across this wide, horizontal, abstract painting.

Roger de La Fresnaye The Watering Can (Emblems: The Garden), 1913 National Gallery of Art

This painting depicts a green landscape under a blue sky. Trees fill the grassy landscape, and a small blue stream winds across the grass on the left side, reflecting light.

Gustave Courbet La Bretonnerie in the Department of Indre, 1856 National Gallery of Art

Villas at Trouville, Gustave Caillebotte, 1884, oil on canvas

Gustave Caillebotte Villas at Trouville, 1884 Cleveland Museum of Art

A wide river cuts through a loosely painted, sunlit landscape in this almost square painting.

Alfred Sisley The Banks of the Oise, 1877/1878 National Gallery of Art

Elizabeth, Countess of Effingham, Benjamin West, c. 1797, oil on canvas

Benjamin West Elizabeth, Countess of Effingham, c. 1797 National Gallery of Art

About three dozen people gather in a grassy field to either side of a crumbling structure to kneel and pray before a woman and baby in the center of this horizontal painting.

Sandro Botticelli The Adoration of the Magi, c. 1478/1482 National Gallery of Art

We look down onto a pile with a newspaper, theater program, pipe, a black and white checkerboard, and other objects painted as abstracted, geometric forms on a tabletop in this nearly square still life painting.

Juan Gris Fantômas, 1915 National Gallery of Art

Landscape along the Seine with the Institut de France and the Pont des Arts, Alfred Sisley, c. 1875, oil on canvas

Alfred Sisley Landscape along the Seine with the Institut de France and the Pont des Arts, c. 1875 Art Institute of Chicago

This is a painting of a red horse standing on a patch of tan ground, tethered by a rope to a tall brown post. The horse's reddish-brown coat is rich and glossy, with white highlights. It faces the left, with its ears pricked up.

Eugène Delacroix A Horse Hitched to a Post, c. 1820 National Gallery of Art

Pierre-Auguste Renoir Girl with a Basket of Oranges, c. 1889 National Gallery of Art

The painting depicts a rocky coastline dotted with color. The horizon is high in the scene, and a strip of pale-yellow sky is visible at the very top of the painting.

Henry Golden Dearth Flecks of Foam, c. 1911/1912 National Gallery of Art

This painting shows a man in a yellow jacket standing on a small brown rowboat on a wide, pale green river. Behind him is a large mint-green sailboat, its tall mast bare, the sails folded on the deck.

Childe Hassam Oyster Sloop, Cos Cob, 1902 National Gallery of Art

The image shows a landscape with a settlement surrounded by lush greenery and mountains in the distance. The mountains are partly covered by clouds. The painting technique is smooth and gentle, giving the scene a serene atmosphere.

George Catlin A Crow Village and the Salmon River Mountains, 1855/1869 National Gallery of Art

We look slightly down onto two girls or young women with light skin sitting close to us in a green, grassy field in this square landscape painting.

Camille Pissarro Young Peasant Girls Resting in the Fields near Pontoise, 1882 National Gallery of Art

Painting of a crowd of well-dressed light-skinned people in an open, snowy field surrounded by large rolling hills.

George Bellows Love of Winter, 1914 Art Institute of Chicago

More than three dozen pears clustered densely on leafy branches against a vivid blue sky fill this long, horizontal painting. Most of the pears are golden yellow and touched with blush pink on one side.

Joseph Decker Ripening Pears, c. 1884/1885 National Gallery of Art

Painting of four figures in blue, red, brown dresses playing croquet.

Winslow Homer Croquet Scene, 1866 Art Institute of Chicago

Painting of a young woman outdoors in a light purple dress and head covering with a wooden yoke around her neck suspending large bundles of brightly colored flowers.

George Hitchcock Flower Girl in Holland, 1887 Art Institute of Chicago

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