Paintings for Greige Walls (page 13)

Soft and muted

Gentle, low-color paintings that keep a pale room calm. The softest come first, then the lightest, so nothing shouts against greige. Showing 577 to 624 of 1,315.

Adeline Ravoux, Vincent van Gogh, 1890, oil on fabric

Vincent van Gogh Adeline Ravoux, 1890 Cleveland Museum of Art

Autumn: The Woodland Pond, Narcisse Virgilio Díaz de la Peña, 1867, oil on canvas

Narcisse Virgilio Díaz de la Peña Autumn: The Woodland Pond, 1867 The Met

River and Rocks, Gustave Courbet, 1873–77, oil on canvas

Gustave Courbet River and Rocks, 1873–77 The Met

Portrait of a Young Woman, Hans Holbein the Younger, ca. 1540–45, oil and gold on oak

Hans Holbein the Younger Portrait of a Young Woman, ca. 1540–45 The Met

Very dark painting of a light-skinned, mostly clean-shaven young man in dark suit and dark full-length coat, holding a rolled-up paper and gloves.

James McNeill Whistler Arrangement in Flesh Color and Brown: Portrait of Arthur Jerome Eddy, 1894 Art Institute of Chicago

A Boy with a Cat—Morning, Thomas Gainsborough, 1787, oil on canvas

Thomas Gainsborough A Boy with a Cat—Morning, 1787 The Met

Valley of the Sédelle at Pont Charraud: White Frost, Armand Guillaumin, c.1903–1911, oil on fabric

Armand Guillaumin Valley of the Sédelle at Pont Charraud: White Frost, c.1903–1911 Cleveland Museum of Art

Spanish Landscape, John Singer Sargent, 1879–80, oil on wood

John Singer Sargent Spanish Landscape, 1879–80 The Met

Spring Blossoms, Montclair, New Jersey, George Inness, ca. 1891, oil and crayon or charcoal on canvas

George Inness Spring Blossoms, Montclair, New Jersey, ca. 1891 The Met

Young Lady in 1866, Édouard Manet, 1866, oil on canvas

Édouard Manet Young Lady in 1866, 1866 The Met

Moonlight, Strandgade 30, Vilhelm Hammershøi, 1900–1906, oil on canvas

Vilhelm Hammershøi Moonlight, Strandgade 30, 1900–1906 The Met

Nevada Falls, Yosemite, Albert Bierstadt, 1872 or 1873, oil on canvas

Albert Bierstadt Nevada Falls, Yosemite, 1872 or 1873 The Met

A woman wearing flowing, pastel-colored robes and two, winged, child-like putti gather on a bank of clouds among musical instruments and sheet music in this horizontal painting. The people all have pale, pink-tinged skin.

François Boucher Allegory of Music, 1764 National Gallery of Art

Market Place, John Singer Sargent, 1890s, watercolor, gouache, and graphite on white wove paper

John Singer Sargent Market Place, 1890s The Met

White Mare, Winslow Homer, c. 1868, oil on panel

Winslow Homer White Mare, c. 1868 Cleveland Museum of Art

Against a hilly landscape and on a patch of dirt, five people wearing tattered clothing gather around a bearded man who holds a violin in his lap in this horizontal painting. Most of them have pale skin.

Édouard Manet The Old Musician, 1862 National Gallery of Art

Bouquet of Flowers in a Vase, Vincent van Gogh, 1890, oil on canvas

Vincent van Gogh Bouquet of Flowers in a Vase, 1890 The Met

Auvers (Washerwomen), Charles-François Daubigny, 1861, oil on wood

Charles-François Daubigny Auvers (Washerwomen), 1861 National Gallery of Art

We look down at a wooden tabletop with two playing cards among stacked rectangles and wedges in this vertical, abstract painting. The two playing cards we can make out are a four of diamonds to our left and an ace of clubs to our right.

Juan Gris Ace of Clubs and Four of Diamonds, 1915 National Gallery of Art

This nearly square, sketchy painting shows the interior of an empty courtyard, created in milky tones of oatmeal brown, ivory, muted brick red, eucalyptus green, and slate blue.

John Singer Sargent Pavement, Cairo, 1891 National Gallery of Art

Fruits of the Midi, Pierre-Auguste Renoir, 1881, oil on canvas

Pierre-Auguste Renoir Fruits of the Midi, 1881 Art Institute of Chicago

Leaving the Oasis, Jean-Léon Gérôme, 1880s, oil on wood panel

Jean-Léon Gérôme Leaving the Oasis, 1880s Cleveland Museum of Art

This painting displays an outdoor scene with a large tree to the left and a low horizon with a few buildings and what look like boats floating on blue water on the right.

Camille Corot Souvenir of Terracina, 1864, reworked slightly later National Gallery of Art

La Cervara, the Roman Campagna, Camille Corot, c. 1830–31, oil on fabric

Camille Corot La Cervara, the Roman Campagna, c. 1830–31 Cleveland Museum of Art

Ia Orana Maria (Hail Mary), Paul Gauguin, 1891, oil on canvas

Paul Gauguin Ia Orana Maria (Hail Mary), 1891 The Met

The Virgin of Guadalupe with the Four Apparitions, Nicolás Enríquez, 1773, oil on copper

Nicolás Enríquez The Virgin of Guadalupe with the Four Apparitions, 1773 The Met

This painting shows a grand, domed cathedral by a busy waterway. The dome and the surrounding white buildings are silhouetted against a blue sky with thin white and gray clouds.

Francesco Guardi Santa Maria della Salute, c. 1770 National Gallery of Art

A nearly nude man with peachy skin stands next to and looks up at a man with ashen, ivory-colored skin, wearing armor and riding a bright white horse in this vertical painting.

El Greco Saint Martin and the Beggar, 1600/1614 National Gallery of Art

Close to us, a young man and three boys sit or recline in a small sailboat that tips to our left on a choppy dark green sea in this horizontal painting.

Winslow Homer Breezing Up (A Fair Wind), 1873-1876 National Gallery of Art

A young woman with pale, peachy skin, wearing a long, silvery blue dress with a rose-pink train looks out at us in this vertical portrait painting.

John Singer Sargent Miss Mathilde Townsend, 1907 National Gallery of Art

Street, Tangier, John Singer Sargent, 1895, watercolor, gouache, and graphite on off-white wove paper

John Singer Sargent Street, Tangier, 1895 The Met

The Streetwalker, Henri de Toulouse-Lautrec, ca. 1890–91, oil on cardboard

Henri de Toulouse-Lautrec The Streetwalker, ca. 1890–91 The Met

Lunch at the Restaurant Fournaise (The Rowers' Lunch), Pierre-Auguste Renoir, 1875, oil on canvas

Pierre-Auguste Renoir Lunch at the Restaurant Fournaise (The Rowers' Lunch), 1875 Art Institute of Chicago

Dancers Practicing at the Barre, Edgar Degas, 1877, mixed media on canvas

Edgar Degas Dancers Practicing at the Barre, 1877 The Met

We look across a shaded field of snow, through a screen of loosely spaced trees at a cobalt-blue mountain that dominates this square landscape painting. The scene is painted with visible brushstrokes throughout.

Abbott Handerson Thayer Mount Monadnock, probably 1911/1914 National Gallery of Art

Ecuadorian landscape with people, palm trees, waterfall, and volcano in background.

Frederic Edwin Church View of Cotopaxi, 1857 Art Institute of Chicago

Storm in the Mountains, Frederic Edwin Church, 1847, oil on canvas

Frederic Edwin Church Storm in the Mountains, 1847 Cleveland Museum of Art

Mrs. Mary Arthur, Thomas Eakins, 1900, oil on canvas

Thomas Eakins Mrs. Mary Arthur, 1900 The Met

Field with Young Trees in the Foreground, Piet Mondrian, c. 1907, oil on paper laid on board

Piet Mondrian Field with Young Trees in the Foreground, c. 1907 Cleveland Museum of Art

Searchlight on Harbor Entrance, Santiago de Cuba, Winslow Homer, 1902, oil on canvas

Winslow Homer Searchlight on Harbor Entrance, Santiago de Cuba, 1902 The Met

Sarah Dupont, Thomas Gainsborough, c. 1777–79, oil on canvas

Thomas Gainsborough Sarah Dupont, c. 1777–79 Art Institute of Chicago

Portrait of Tieleman Roosterman, Frans Hals, 1634, oil on canvas

Frans Hals Portrait of Tieleman Roosterman, 1634 Cleveland Museum of Art

Worthington Whittredge, Emanuel Leutze, 1856, oil on canvas

Emanuel Leutze Worthington Whittredge, 1856 The Met

House and Courtyard, John Singer Sargent, 1895–1903 (?), watercolor and gouache on white wove paper

John Singer Sargent House and Courtyard, 1895–1903 (?) The Met

The Forest Stream, Jacob van Ruisdael, ca. 1660, oil on canvas

Jacob van Ruisdael The Forest Stream, ca. 1660 The Met

Portrait of a Young Woman with a Fan, Rembrandt van Rijn, 1633, oil on canvas

Rembrandt van Rijn Portrait of a Young Woman with a Fan, 1633 The Met

About three dozen men and women sit, stand, or stroll along a sandy beach beneath a sunset-streaked sky in this horizontal landscape painting.

Eugène Boudin The Beach at Villerville, 1864 National Gallery of Art

Long scroll ink painting depicting people with their animals and belongings crossing a river.

Unknown artist Yang Pu Moving His Family, Yuan dynasty (1279–1368) 元朝 Art Institute of Chicago

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