Paintings for Greige Walls (page 2)

Soft and muted

Gentle, low-color paintings that keep a pale room calm. The softest come first, then the lightest, so nothing shouts against greige. Showing 49 to 96 of 1,315.

Waterfall, John Henry Twachtman, ca. 1889–91, oil on canvas

John Henry Twachtman Waterfall, ca. 1889–91 The Met

A sparsely painted waterside scene in dark tones with minimal ghostly shapes suggesting ships, yellow glitches of paint for light reflections, and the orb of an orange moon overhead.

James McNeill Whistler Nocturne: Blue and Gold—Southampton Water, 1872 Art Institute of Chicago

On a Balcony, Mary Cassatt, 1878–79, oil on canvas

Mary Cassatt On a Balcony, 1878–79 Art Institute of Chicago

The Dock of Deauville, Eugène Boudin, 1891, oil on wood panel

Eugène Boudin The Dock of Deauville, 1891 Cleveland Museum of Art

Painting of mother in blue, purple, and green-stripped dress washing child's feet.

Mary Cassatt The Child's Bath, 1893 Art Institute of Chicago

The Road from Versailles to Louveciennes, Alfred Sisley, probably 1879, oil on canvas

Alfred Sisley The Road from Versailles to Louveciennes, probably 1879 The Met

We look slightly down onto a baby tucked into an oval-shaped cradle with a woman sitting on the far side looking down at the child in this vertical painting. Both the woman and baby have light skin.

Claude Monet The Cradle - Camille with the Artist's Son Jean, 1867 National Gallery of Art

A bouquet of cut flowers in a clear glass vase nearly fills this vertical painting. The vase has straight sides and the rounded bottom is supported by short, round feet.

Édouard Manet Flowers in a Crystal Vase, c. 1882 National Gallery of Art

Fir Trees and Storm Clouds, Albert Bierstadt, c. 1870, oil on paper mounted on canvas

Albert Bierstadt Fir Trees and Storm Clouds, c. 1870 Cleveland Museum of Art

Virgin and Child with the Young Saint John the Baptist and Angels, François Boucher, 1765, oil on canvas

François Boucher Virgin and Child with the Young Saint John the Baptist and Angels, 1765 The Met

View of Bordeaux, from the Quai des Chartrons, Eugène Boudin, 1874, oil on fabric

Eugène Boudin View of Bordeaux, from the Quai des Chartrons, 1874 Cleveland Museum of Art

View of the Port of Saint-Valéry-sur-Somme, Eugène Boudin, 1891, oil on canvas

Eugène Boudin View of the Port of Saint-Valéry-sur-Somme, 1891 Cleveland Museum of Art

We look slightly down onto a crush of pedestrians, horse-drawn carriages, wagons, and streetcars enclosed by a row of densely spaced buildings and skyscrapers opposite us in this horizontal painting.

George Bellows New York, 1911 National Gallery of Art

Opulently dressed light-skinned man and woman drink at a small table. A mirror behind them reflects a crowd. Her blue dress and dark hat dominate.

William Glackens At Mouquin's, 1905 Art Institute of Chicago

Arrangement in Black: Girl Reading, James McNeill Whistler, ca. 1880–90, oil on wood

James McNeill Whistler Arrangement in Black: Girl Reading, ca. 1880–90 The Met

The Crystal Palace, Camille Pissarro, 1871, oil on canvas

Camille Pissarro The Crystal Palace, 1871 Art Institute of Chicago

The Boulevard Montmartre on a Winter Morning, Camille Pissarro, 1897, oil on canvas

Camille Pissarro The Boulevard Montmartre on a Winter Morning, 1897 The Met

Willows and Farmhouse at Sainte-Catherine-lès-Arras, Camille Corot, 1871, oil on fabric

Camille Corot Willows and Farmhouse at Sainte-Catherine-lès-Arras, 1871 Cleveland Museum of Art

The Road from Moret to Saint-Mammès, Alfred Sisley, 1883–85, oil on canvas

Alfred Sisley The Road from Moret to Saint-Mammès, 1883–85 The Met

Large painting of people in a crowded park, brushstrokes are dots.

Georges Seurat A Sunday on La Grande Jatte — 1884, 1884–86, border added 1888–89 Art Institute of Chicago

The Ferryman, Camille Corot, ca. 1865, oil on canvas

Camille Corot The Ferryman, ca. 1865 The Met

Water Lilies (Agapanthus), Claude Monet, c. 1915–26, oil on canvas

Claude Monet Water Lilies (Agapanthus), c. 1915–26 Cleveland Museum of Art

We look across a river at a bridge that spans the center of this horizontal landscape, which is painted entirely with broad, visible brushstrokes in muted blue, pink, and brown.

Claude Monet Waterloo Bridge, Gray Day, 1903 National Gallery of Art

We look slightly down onto a silvery-gray beach nestled in a hilly, curving coastline to our right in this horizontal landscape painting. A flat expanse of beach stretches in front of us to meet the water to our left.

Claude Monet Sainte-Adresse, 1867 National Gallery of Art

The Departure of the Boats, Étretat, Claude Monet, 1885, oil on canvas

Claude Monet The Departure of the Boats, Étretat, 1885 Art Institute of Chicago

Mrs. Sylvanus Bourne, John Singleton Copley, 1766, oil on canvas

John Singleton Copley Mrs. Sylvanus Bourne, 1766 The Met

Rabbit Warren at Pontoise, Snow, Camille Pissarro, 1879, oil on canvas

Camille Pissarro Rabbit Warren at Pontoise, Snow, 1879 Art Institute of Chicago

To our left, a young woman sits facing us on a low stone wall at the base of the vertical, black bars of an iron fence and a young girl stands facing away from us to our right in this horizontal painting. Both have pale skin.

Édouard Manet The Railway, 1873 National Gallery of Art

Lake George, Free Study, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Lake George, Free Study, 1872 The Met

Painted portrait dominated by loose, large brushstrokes of a woman, seen from the back, wearing a gauzy white off-the-shoulder dress and black choker, blond hair swept up, examining herself in a mirror at left.

Berthe Morisot Woman at Her Toilette, 1875–80 Art Institute of Chicago

Shown from the hips up, a pale-skinned woman wearing a tightly corseted dress looks off to our left in this vertical pastel drawing. The portrait is loosely sketched with blended areas, giving it a soft look.

Édouard Manet Madame Michel-Lévy, 1882 National Gallery of Art

Life-size painting of an urban scene in Paris.

Gustave Caillebotte Paris Street; Rainy Day, 1877 Art Institute of Chicago

Waterloo Bridge, Gray Weather, Claude Monet, 1900, oil on canvas

Claude Monet Waterloo Bridge, Gray Weather, 1900 Art Institute of Chicago

Allée of Chestnut Trees, Alfred Sisley, 1878, oil on canvas

Alfred Sisley Allée of Chestnut Trees, 1878 The Met

A young woman in a dark hat and coat with light ruffled collar sits reading a large periodical held up in her gloved hands. Flowers and foliage are suggested behind her.

Édouard Manet Woman Reading, 1880–82 Art Institute of Chicago

A snowy landscape in cool tones featuring a prominent, snow-dusted haystack in reddish brown in front of a row of red-brown trees and low, blue mountains, all beheath a pink-gray strip of sky.

Claude Monet Stack of Wheat, 1890–91 Art Institute of Chicago

Approaching Storm, Eugène Boudin, 1864, oil on cradled panel

Eugène Boudin Approaching Storm, 1864 Art Institute of Chicago

Shooting the Rapids, Saguenay River, Winslow Homer, 1905–10, oil on canvas with chalk

Winslow Homer Shooting the Rapids, Saguenay River, 1905–10 The Met

Stag at Sharkey's, George Bellows, 1909, oil on canvas

George Bellows Stag at Sharkey's, 1909 Cleveland Museum of Art

The Customs House at Varengeville, Claude Monet, 1897, oil on canvas

Claude Monet The Customs House at Varengeville, 1897 Art Institute of Chicago

Inter artes et naturam (Between Art and Nature), Pierre Puvis de Chavannes, ca. 1890–95, oil on canvas

Pierre Puvis de Chavannes Inter artes et naturam (Between Art and Nature), ca. 1890–95 The Met

Catherine Brooks Hall, William Sidney Mount, ca. 1830, oil on canvas

William Sidney Mount Catherine Brooks Hall, ca. 1830 The Met

Romaine Lacaux, Pierre-Auguste Renoir, 1864, oil on fabric

Pierre-Auguste Renoir Romaine Lacaux, 1864 Cleveland Museum of Art

Venice, Palazzo Dario, Claude Monet, 1908, oil on canvas

Claude Monet Venice, Palazzo Dario, 1908 Art Institute of Chicago

Morning, An Overcast Day, Rouen, Camille Pissarro, 1896, oil on canvas

Camille Pissarro Morning, An Overcast Day, Rouen, 1896 The Met

The Beach at Deauville, Eugène Boudin, 1864, oil on wood panel

Eugène Boudin The Beach at Deauville, 1864 Cleveland Museum of Art

This painting shows two women in a room. At the center of the painting, a young woman is seated at a desk, her hand resting on the back of the chair, opening a small drawer.

Edmund Charles Tarbell Mother and Mary, 1922 National Gallery of Art

Shown from the lap up, a man wearing an ash-brown suit and top hat sits turned mostly away from us, next to a round table, facing a group of at least three women farther back in the room in this vertical painting.

Henri de Toulouse-Lautrec Maxime Dethomas, 1896 National Gallery of Art

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