Paintings for Greige Walls (page 5)

Soft and muted

Gentle, low-color paintings that keep a pale room calm. The softest come first, then the lightest, so nothing shouts against greige. Showing 193 to 240 of 1,315.

Hampstead Heath, Looking Toward Harrow, John Constable, c. 1821, oil on paper, mounted on canvas

John Constable Hampstead Heath, Looking Toward Harrow, c. 1821 Cleveland Museum of Art

Allegorical Figure Representing Prudence, Giovanni Battista Tiepolo, 1760, fresco, transferred to canvas

Giovanni Battista Tiepolo Allegorical Figure Representing Prudence, 1760 The Met

Circus Sideshow (Parade de cirque), Georges Seurat, 1887–88, oil on canvas

Georges Seurat Circus Sideshow (Parade de cirque), 1887–88 The Met

Composition with Red, Yellow, and Blue, Piet Mondrian, 1927, oil on canvas

Piet Mondrian Composition with Red, Yellow, and Blue, 1927 Cleveland Museum of Art

Mäda Primavesi (1903–2000), Gustav Klimt, 1912–13, oil on canvas

Gustav Klimt Mäda Primavesi (1903–2000), 1912–13 The Met

Painting of a performance inside a circus ring. A man wearing a suit holds a whip in his hand and looks towards a woman with red hair riding a gray horse and wearing a green dress.

Henri de Toulouse-Lautrec Equestrienne (At the Cirque Fernando), 1887–88 Art Institute of Chicago

The Red Bridge, Julian Alden Weir, 1895, oil on canvas

Julian Alden Weir The Red Bridge, 1895 The Met

A lone wheat stack, in shadow, rests on a snow-covered field that is rendered in shades of white, blue, yellow, and purple. A house can be seen in the distance on the right against the blue hills beyond.

Claude Monet Stack of Wheat (Snow Effect, Overcast Day), 1890–91 Art Institute of Chicago

The image features a seascape scene with a beach, ocean, and sailboats. The horizon is high in the image, separating the sea from the sky, where sailboats are present.

Eugène Boudin Low Tide at Scheveningen, 1875 National Gallery of Art

In the distance, a fortress sits on a rocky plateau below a sky filled with lightly rolling white and gray clouds in this horizontal landscape painting.

Bernardo Bellotto The Fortress of Königstein, 1756-1758 National Gallery of Art

Reading, Berthe Morisot, 1873, oil on canvas

Berthe Morisot Reading, 1873 Cleveland Museum of Art

Mrs. Winfield Scott, Asher Brown Durand, 1831, oil on canvas

Asher Brown Durand Mrs. Winfield Scott, 1831 The Met

Panoramic View of the Alps, Les Dents du Midi, Gustave Courbet, 1877, oil on fabric

Gustave Courbet Panoramic View of the Alps, Les Dents du Midi, 1877 Cleveland Museum of Art

David: "Oh, that I had wings like a Dove! For then would I fly away, and be at rest." Psalm 55:6, Frederic Leighton, 1865, oil on fabric

Frederic Leighton David: "Oh, that I had wings like a Dove! For then would I fly away, and be at rest." Psalm 55:6, 1865 Cleveland Museum of Art

Portrait of a Seated Man, Gerard ter Borch, late 1650s or early 1660s, oil on wood

Gerard ter Borch Portrait of a Seated Man, late 1650s or early 1660s The Met

Portrait of a Man, Frans Hals, early 1650s, oil on canvas

Frans Hals Portrait of a Man, early 1650s The Met

Villas at Trouville, Gustave Caillebotte, 1884, oil on canvas

Gustave Caillebotte Villas at Trouville, 1884 Cleveland Museum of Art

We look slightly down onto a bare, gnarled tree near a gray, dirt path, which leads back to a hamlet in this horizontal landscape painting. The scene is loosely painted with visible brushstrokes, so many details are indistinct.

Camille Pissarro The Fence, 1872 National Gallery of Art

Rocks at Fontainebleau, Paul Cézanne, 1890s, oil on canvas

Paul Cézanne Rocks at Fontainebleau, 1890s The Met

Woman and Child at the Well, Camille Pissarro, 1882, oil on canvas

Camille Pissarro Woman and Child at the Well, 1882 Art Institute of Chicago

The Banks of the Bièvre near Bicêtre, Henri Rousseau, ca. 1908–09, oil on canvas

Henri Rousseau The Banks of the Bièvre near Bicêtre, ca. 1908–09 The Met

Mount Starr King, Yosemite, Albert Bierstadt, 1866, oil on canvas on panel-back stretcher

Albert Bierstadt Mount Starr King, Yosemite, 1866 Cleveland Museum of Art

Edward Guthrie Kennedy, William Merritt Chase, ca. 1895, oil on canvas

William Merritt Chase Edward Guthrie Kennedy, ca. 1895 The Met

The Writing Master, Thomas Eakins, 1882, oil on canvas

Thomas Eakins The Writing Master, 1882 The Met

Arrangement in Black, No. 3: Sir Henry Irving as Philip II of Spain, James McNeill Whistler, 1876, reworked 1885, oil on canvas

James McNeill Whistler Arrangement in Black, No. 3: Sir Henry Irving as Philip II of Spain, 1876, reworked 1885 The Met

A woman and the baby she holds float in a cloud flanked by two winged angels, as two women stand below in this tall, vertical painting. All the people have pale skin shaded with smoke gray, and their necks, fingers, and limbs are elongated.

El Greco Madonna and Child with Saint Martina and Saint Agnes, 1597/1599 National Gallery of Art

Painting of a small pond dense with pink water lilies, their roots visible through the water, a railed footbridge arching over the pond and lush, dark green folliage surrounding it.

Claude Monet Water Lily Pond, 1900 Art Institute of Chicago

Haymaking at Éragny, Camille Pissarro, 1892, oil on canvas

Camille Pissarro Haymaking at Éragny, 1892 Art Institute of Chicago

A plucked chicken, a few stray feathers remaining, hangs upside-down by one foot, illuminated. Behind it the metal hinges and wood panels of a door are visible.

William Michael Harnett For Sunday's Dinner, 1888 Art Institute of Chicago

Six jockeys wearing colorful silks sit astride brown and black horses on a grassy field in this horizontal painting. Two more riders wearing top hats sit a bit farther back from the group, and two horses run on a grass track behind that.

Edgar Degas The Races, 1871-1872 National Gallery of Art

We are eye-level on a beach with half a dozen ships in view, sitting on the ground against a gray sky in this vertical landscape oil painting created with broad, unblended strokes.

Eugène Boudin Low Tide, Sailboats Run Aground, 1885-1890 National Gallery of Art

We look across a profusion of vivid red, blush-pink, and white flowers lining a stony shoreline in this almost square landscape painting.

Childe Hassam Poppies, Isles of Shoals, 1891 National Gallery of Art

The Grand Canal above the Rialto, Francesco Guardi, late 1760s, oil on canvas

Francesco Guardi The Grand Canal above the Rialto, late 1760s The Met

A Village Street: Dardagny, Camille Corot, 1852, 1857, or 1863, oil on canvas

Camille Corot A Village Street: Dardagny, 1852, 1857, or 1863 The Met

Madame Georges Charpentier (Marguerite-Louise Lemonnier, 1848–1904) and Her Children, Georgette-Berthe (1872–1945) and Paul-Emile-Charles (1875–1895), Pierre-Auguste Renoir, 1878, oil on canvas

Pierre-Auguste Renoir Madame Georges Charpentier (Marguerite-Louise Lemonnier, 1848–1904) and Her Children, Georgette-Berthe (1872–1945) and Paul-Emile-Charles (1875–1895), 1878 The Met