Paintings for Mustard Walls (page 16)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 721 to 768 of 832.

Shown from the hips up, a man with peachy skin and long, brown curly hair and goatee stands in front of a window opening onto a moonlit sky in this vertical portrait painting.

Frans Hals Portrait of a Member of the Haarlem Civic Guard, c. 1636/1638 National Gallery of Art

The Supper at Emmaus, Diego Velázquez, 1622–23, oil on canvas

Diego Velázquez The Supper at Emmaus, 1622–23 The Met

This painting shows a portrait of a man. His head is turned to the left. He has light skin, a straight nose, a soft jawline, and pale lips in a neutral expression. He has closely cropped brown hair mostly covered by a black cap.

Andrea Mantegna Portrait of a Man, c. 1470 National Gallery of Art

Mrs. Henry Hill (Anna Barrett), John Singleton Copley, c. 1765–70, pastel on paper mounted on linen

John Singleton Copley Mrs. Henry Hill (Anna Barrett), c. 1765–70 Art Institute of Chicago

From a sandy beach, we look across a sun-drenched body of water enclosed by a long, sand-colored, crenelated wall in this horizontal landscape painting.

Frédéric Bazille The Western Ramparts at Aigues-Mortes, 1867 National Gallery of Art

Evening in the Woods, Worthington Whittredge, 1876, oil on canvas

Worthington Whittredge Evening in the Woods, 1876 The Met

Eight cows bathed in warm sunlight stand and lie on a riverbank carpeted in mossy green in this horizontal painting. The cows are amber, ginger, or tawny brown, bone white, or black, and all have short, curving horns.

Aelbert Cuyp River Landscape with Cows, 1645/1650 National Gallery of Art

This painting shows an adult woman and two children on a white lounge chair. The adult is sitting on the chair with her legs extended, supporting one of the children who is lying across her lap.

George Bellows My Family, 1916 National Gallery of Art

Shown from the waist up, a young woman holds a baby up against her chest in this vertical painting. They both face us and have pale skin.

Giovanni Bellini Madonna and Child, c. 1480/1485 National Gallery of Art

A woman, Mary, floats in the sky surrounded by eleven winged angels above fifteen men and women gathered around an open, stone coffin in this vertical painting. All the people have pale, peachy skin.

Peter Paul Rubens The Assumption of the Virgin, probably mid 1620s National Gallery of Art

Roman Interior, Jean-Honoré Fragonard, ca. 1760, oil on canvas

Jean-Honoré Fragonard Roman Interior, ca. 1760 The Met

Warwick Castle, Canaletto, 1748, oil on canvas

Canaletto Warwick Castle, 1748 The Met

Two minuscule people stand in the center of an expansive, rugged landscape dusted with snow in this horizontal painting.

Caspar David Friedrich Northern Landscape, Spring, c. 1825 National Gallery of Art

Marguerite-Juliette Pierret, Eugène Delacroix, c. 1827, oil on fabric

Eugène Delacroix Marguerite-Juliette Pierret, c. 1827 Cleveland Museum of Art

Two women, a man, and three small children gather around a baby sleeping in a wicker cradle near an open window in this horizontal painting. The people all have pale skin with rosy cheeks.

Jean-Honoré Fragonard The Visit to the Nursery, c. 1775 National Gallery of Art

The Englishman (William Tom Warrener, 1861–1934) at the Moulin Rouge, Henri de Toulouse-Lautrec, 1892, oil on cardboard

Henri de Toulouse-Lautrec The Englishman (William Tom Warrener, 1861–1934) at the Moulin Rouge, 1892 The Met

The Streetwalker, Henri de Toulouse-Lautrec, ca. 1890–91, oil on cardboard

Henri de Toulouse-Lautrec The Streetwalker, ca. 1890–91 The Met

Portrait of a Young Woman, Edgar Degas, ca. 1885, oil on canvas

Edgar Degas Portrait of a Young Woman, ca. 1885 The Met

On the Unadilla, New York, Eastman Johnson, 1884, oil on canvas

Eastman Johnson On the Unadilla, New York, 1884 The Met

In this painting, there are two round, crusty rolls next to a cream-colored cup with a floral blue-and-yellow design on top of a saucer with a gold rim.

John Frederick Peto Breakfast, c. 1890s National Gallery of Art

The painting features a large slice of yellow cake, a halved lemon, a glass of pale-yellow liquid with a slice of lemon and a straw in it, and a white plate filled with red raspberries.

John Frederick Peto Still Life with Cake, Lemon, Strawberries, and Glass, 1890 National Gallery of Art

An older, pale-skinned man wearing a richly brocaded robe and bishop’s mitre stands under a rounded arch in front of a deep landscape in this tall, narrow, vertical painting.

Gerard David The Saint Anne Altarpiece: Saint Nicholas [left panel], c. 1500/1520 National Gallery of Art

A bearded man with a coppery-peach completion, wearing a dark, navy-blue brimmed cap, vest, jacket, and pants sits on a wooden bench or chair against a green background in this vertical portrait.

Paul Cézanne The Gardener Vallier, 1906 National Gallery of Art

A young woman, holding a knife and vegetable in her lap and wearing a clay-brown jacket over a long, poppy-red skirt, sits on a wooden ladderback chair angled to our right in the center of this vertical painting.

Jean-Baptiste-Siméon Chardin The Kitchen Maid, 1738 National Gallery of Art

Three whole, green pears against a caramel-brown background fill this horizontal still life painting. The painting was created with long, parallel, visible brushstrokes throughout, and a strip of unpainted canvas lines the top edge.

Paul Cézanne Three Pears, 1878/1879 National Gallery of Art

A shaft of warm light from our left pierces a dark wood filled with tall trees in this horizontal landscape painting. The light falls on a stout white trunk and a portion of the moss-green forest floor near the center of the composition.

George Inness Sunset in the Woods, 1891 National Gallery of Art

Peter Paul Rubens Agrippina and Germanicus, c. 1614 National Gallery of Art

This painting shows a woman from the chest up, with her head slightly turned to the right. She has fair skin, red lips, and brown hair in an updo.

Paul Gauguin Madame Alexandre Kohler, 1887/1888 National Gallery of Art

A woman wearing a pale yellow silk dress sits playing a lute in front of a table while a man, wearing a black suit and hat, stands behind her in this vertical painting. Both have light skin.

Gerard ter Borch The Music Lesson, c. 1670 National Gallery of Art

Portrait of a Woman, Joseph Wright of Derby, ca. 1770, oil on canvas

Joseph Wright of Derby Portrait of a Woman, ca. 1770 The Met

The Brioche, Édouard Manet, 1870, oil on canvas

Édouard Manet The Brioche, 1870 The Met

The Silver Tureen, Jean-Baptiste-Siméon Chardin, ca. 1728–30, oil on canvas

Jean-Baptiste-Siméon Chardin The Silver Tureen, ca. 1728–30 The Met

Shown from the chest up, a cleanshaven man with peachy skin sits angled to our right in this vertical portrait painting. He has chin-length, curly, auburn-red hair. He gazes off to our right with hazel eyes under thick brows.

Hans Holbein the Younger Portrait of a Young Man, c. 1520/1530 National Gallery of Art

Still Life with Teapot and Fruit, Paul Gauguin, 1896, oil on canvas

Paul Gauguin Still Life with Teapot and Fruit, 1896 The Met

Madame Lerolle, Henri Fantin-Latour, 1882, oil on fabric

Henri Fantin-Latour Madame Lerolle, 1882 Cleveland Museum of Art

This horizontal painting shows a harbor scene filled with tall-masted ships and steamships adorned with colorful flags. The masts of the ship to our left dominate the composition, reaching almost to the top edge of the painting.

Eugène Boudin Festival in the Harbor of Honfleur, 1858 National Gallery of Art

Still Life with Apples and a Pot of Primroses, Paul Cézanne, ca. 1890, oil on canvas

Paul Cézanne Still Life with Apples and a Pot of Primroses, ca. 1890 The Met

Margaret Strachan (Mrs. Thomas Harwood), Charles Willson Peale, ca. 1771, oil on canvas

Charles Willson Peale Margaret Strachan (Mrs. Thomas Harwood), ca. 1771 The Met

A woman playing a lute sits next to a table, on which a man perches and leans toward her in this vertical painting. Two people look on from the background. All the people have pale skin.

Jan Steen Ascagnes and Lucelle (The Music Lesson), 1667 National Gallery of Art

About a dozen rust-orange and golden yellow apples and peaches are arranged on a white plate next to white and floral-patterned cloths nestled around a white pitcher and bowl, all on a wood tabletop that tilts toward us in this nearly…

Paul Cézanne Still Life with Apples and Peaches, c. 1905 National Gallery of Art

Hermann von Wedigh III (died 1560), Hans Holbein the Younger, 1532, oil and gold on oak

Hans Holbein the Younger Hermann von Wedigh III (died 1560), 1532 The Met

Portrait of an Old Man, Hans Memling, ca. 1475, oil on wood

Hans Memling Portrait of an Old Man, ca. 1475 The Met

The image depicts a group of individuals engaged in a dance. They are in a tightly-knit, curved line, with dynamic poses suggestive of movement and rhythm.

George Catlin Dog Dance - Sioux, 1861 National Gallery of Art

Basket of Flowers, Eugène Delacroix, 1848–49, oil on canvas

Eugène Delacroix Basket of Flowers, 1848–49 The Met

Large painting of young woman in white dress sitting next to crib.

Jacques-Louis David Madame de Pastoret and Her Son, 1791–92 Art Institute of Chicago

Lush tall grasses with small white flowers foreground a grove of bushy trees of varying types and heights, their leaves ranging from deep green to golden.

Vincent van Gogh The Poet's Garden, 1888 Art Institute of Chicago

The Drummond Children, Henry Raeburn, ca. 1808–9, oil on canvas

Henry Raeburn The Drummond Children, ca. 1808–9 The Met

Portrait of a Woman, Amedeo Modigliani, c. 1917–18, oil on canvas

Amedeo Modigliani Portrait of a Woman, c. 1917–18 Cleveland Museum of Art

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