Paintings for Navy Walls (page 11)

Contrasts with your wall

Paintings built around the opposite color, which stand out against this wall. The truest opposites come first. Showing 481 to 528 of 2,066.

A woman, Mary, floats in the sky surrounded by eleven winged angels above fifteen men and women gathered around an open, stone coffin in this vertical painting. All the people have pale, peachy skin.

Peter Paul Rubens The Assumption of the Virgin, probably mid 1620s National Gallery of Art

In a verdant green landscape, a stone castle sits on a tree-lined hill in the distance in front of a high, craggy mountain peak while eighteen armored knights ride toward us along a bridge and path in this horizontal painting.

Thomas Cole The Departure, 1837 National Gallery of Art

Two green pears lit from the upper right sit on a pale blue tabletop or ledge against a dark background in this horizontal still life painting. The left pear sits upright against the other.

Édouard Manet Pears, 1880 National Gallery of Art

Shown from about the hips up, a woman whose pale face is deep in shadow stands with her back to us, wearing a black and gray dress and hat, in front of a colorful but loosely painted, indistinct background in this nearly square painting.

Edgar Degas Woman Viewed from Behind (Visit to a Museum), c. 1879-1885 National Gallery of Art

We look out onto a sweeping, panoramic view with trees, their leaves fiery orange and red, framing a view of a distant body of water under a sun-streaked sky in this long, horizontal landscape painting.

Jasper Francis Cropsey Autumn - On the Hudson River, 1860 National Gallery of Art

Boy with a Greyhound, Paolo Veronese, possibly 1570s, oil on canvas

Paolo Veronese Boy with a Greyhound, possibly 1570s The Met

This painting shows a bowl of red raspberries resting on a surface. The bowl is pale blue with blue details on the rim, and it is surrounded by a pile of pale peaches and pears, red plums, and green and purple grapes.

Charles V. Bond Still Life: Fruit, Bird, and Dwarf Pear Tree, 1856 National Gallery of Art

Virgin and Child in a Niche, Jan van Eyck, ca. 1440–50, oil on wood

Jan van Eyck Virgin and Child in a Niche, ca. 1440–50 The Met

Storm in the Mountains, Frederic Edwin Church, 1847, oil on canvas

Frederic Edwin Church Storm in the Mountains, 1847 Cleveland Museum of Art

A pensive faced woman sits, slightly hunched, holding a book.

Camille Corot Interrupted Reading, c. 1870 Art Institute of Chicago

A nearly nude, muscular man with pale, peachy skin sits in an underground cave among seven male and two female lions in this horizontal painting.

Peter Paul Rubens Daniel in the Lions' Den, c. 1614/1616 National Gallery of Art

River Boat, Charles-François Daubigny, c. 1860, oil on board

Charles-François Daubigny River Boat, c. 1860 Art Institute of Chicago

Figures and a Dog in a Landscape, Narcisse Virgilio Díaz de la Peña, 1852, oil on wood

Narcisse Virgilio Díaz de la Peña Figures and a Dog in a Landscape, 1852 The Met

Head of a Young Woman, Jean-Baptiste Greuze, possibly 1780s, oil on canvas

Jean-Baptiste Greuze Head of a Young Woman, possibly 1780s The Met

This painting depicts a coastal scene with a perspective from the water. There are dark, billowing gray clouds above the horizon, and the sky is pale orange.

Thomas Chambers Threatening Sky, Bay of New York, mid 19th century National Gallery of Art

Field with Young Trees in the Foreground, Piet Mondrian, c. 1907, oil on paper laid on board

Piet Mondrian Field with Young Trees in the Foreground, c. 1907 Cleveland Museum of Art

El Maragato Threatens Friar Pedro de Zaldivia with His Gun, Francisco de Goya, c. 1806, oil on panel

Francisco de Goya El Maragato Threatens Friar Pedro de Zaldivia with His Gun, c. 1806 Art Institute of Chicago

We look across a lush landscape of olive-green forests lining a glimmering, silvery-blue lake with hills in the deep distance under a pale blue sky in this horizontal landscape painting.

Camille Corot The Moored Boatman: Souvenir of an Italian Lake, 1861 National Gallery of Art

A Pond in Picardy, Camille Corot, ca. 1867, oil on canvas

Camille Corot A Pond in Picardy, ca. 1867 The Met

A woman supports a pudgy baby who sits on a stone ledge in this vertical painting. They both have pale skin, rosy cheeks, blond hair, and subtle halos made of gold dots. The woman’s body faces us, and her head tips to our left.

Fra Filippo Lippi Madonna and Child, c. 1440 National Gallery of Art

The Mountain Ford, Thomas Cole, 1846, oil on canvas

Thomas Cole The Mountain Ford, 1846 The Met

Boy Drinking, Annibale Carracci, 1582–83, oil on canvas

Annibale Carracci Boy Drinking, 1582–83 Cleveland Museum of Art

This painting depicts a vast landscape with a horizon line in the lower third of the painting. A range of dark brown and purple mountains or hills stretches across the width of the image.

Thomas Cole Study for "Catskill Creek", c. 1844/1845 National Gallery of Art

Honoré Daumier In Church, 1855/1857 National Gallery of Art

Twilight on the Sound, Darien, Connecticut, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Twilight on the Sound, Darien, Connecticut, 1872 The Met

Wolf and Fox Hunt, Peter Paul Rubens, ca. 1616, oil on canvas

Peter Paul Rubens Wolf and Fox Hunt, ca. 1616 The Met

Male Academy Figure: Half-Length, Side View, Eugène Delacroix, ca. 1818–20, oil on paper laid down on panel (formerly canvas)

Eugène Delacroix Male Academy Figure: Half-Length, Side View, ca. 1818–20 The Met

A woman playing a lute sits next to a table, on which a man perches and leans toward her in this vertical painting. Two people look on from the background. All the people have pale skin.

Jan Steen Ascagnes and Lucelle (The Music Lesson), 1667 National Gallery of Art

The Adoration of the Magi, Hieronymus Bosch, ca. 1475, oil and gold on oak

Hieronymus Bosch The Adoration of the Magi, ca. 1475 The Met

Reverie, Camille Corot, 1857 or later, oil on wood

Camille Corot Reverie, 1857 or later The Met

Omnia Vincit Amor, or The Power of Love in the Three Elements, Benjamin West, 1809, oil on canvas

Benjamin West Omnia Vincit Amor, or The Power of Love in the Three Elements, 1809 The Met

Shown from about the waist up, a woman with pale, peachy skin and dark hair holds a blond, light-skinned child on her lap at a table as they play with several small toys in this horizontal painting.

Pierre-Auguste Renoir Child with Toys - Gabrielle and the Artist's Son, Jean, 1895-1896 National Gallery of Art

Set in a valley carpeted in sage green, about a dozen armed men, on foot and horseback, close to us, line up and face off against an attack advancing from the back left in this vertical painting.

Eugène Delacroix Arabs Skirmishing in the Mountains, 1863 National Gallery of Art

A pale-skinned woman wearing a long, rose-pink gown sits amid a lush landscape in this vertical portrait painting. The woman’s body is angled to our left, but she turns her head to look at us with green eyes under dark brows.

Thomas Gainsborough Mrs. Richard Brinsley Sheridan, 1785-1787 National Gallery of Art

Pierre-Auguste Renoir Suzanne Valadon, c. 1885 National Gallery of Art

Berthe Morisot with a Muff, Édouard Manet, c. 1871–72, oil on canvas

Édouard Manet Berthe Morisot with a Muff, c. 1871–72 Cleveland Museum of Art

We stand on a beach lined with black rocks and boulders looking out onto the water below a brick-red sky that dominates this nearly square landscape painting.

Gustave Courbet The Black Rocks at Trouville, 1865/1866 National Gallery of Art

Three whole, green pears against a caramel-brown background fill this horizontal still life painting. The painting was created with long, parallel, visible brushstrokes throughout, and a strip of unpainted canvas lines the top edge.

Paul Cézanne Three Pears, 1878/1879 National Gallery of Art

The Old Mill, George Inness, 1849, oil on canvas

George Inness The Old Mill, 1849 Art Institute of Chicago

The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families, Giovanni di ser Giovanni Guidi, ca. 1449, tempera, silver, and gold on wood

Giovanni di ser Giovanni Guidi The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families, ca. 1449 The Met

Jeanne Hébuterne, Amedeo Modigliani, 1919, oil on canvas

Amedeo Modigliani Jeanne Hébuterne, 1919 The Met

A pale-skinned woman with honey-blond hair reclines among wheat stalks and grape vines in this horizontal painting. She lies on her side with her head to our right and her body facing us. Her upper body is propped on her left elbow.

Jacopo Tintoretto Summer, c. 1546/1548 National Gallery of Art

Woman Ironing, Édouard Vuillard, 1892, oil on board

Édouard Vuillard Woman Ironing, 1892 Cleveland Museum of Art

Madame Roulin and Her Baby, Vincent van Gogh, 1888, oil on canvas

Vincent van Gogh Madame Roulin and Her Baby, 1888 The Met

Painting of four figures in blue, red, brown dresses playing croquet.

Winslow Homer Croquet Scene, 1866 Art Institute of Chicago

Women Working in a Field, Winslow Homer, 1867, oil on wood

Winslow Homer Women Working in a Field, 1867 Cleveland Museum of Art

Shown from the waist up behind a stone ledge, a young woman nestles a nude baby against her chest in this vertical painting.

Giovanni Bellini Madonna and Child in a Landscape, c. 1480/1485 National Gallery of Art

A wide creek winds between a tree-lined bank to our left and hazy mountains to our right in this horizontal landscape painting. The riverbank curves deeply like a backward capital letter B.

Camille Pissarro A Creek in St. Thomas (Virgin Islands), 1856 National Gallery of Art

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